DigiCat Publishing presents to you this special edition of "Kirsteen" (The Story of a Scotch Family Seventy Years Ago) by Mrs. Oliphant. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Patricia Zakreski's interdisciplinary study draws on fiction, prose, painting, and the periodical press to expand and redefine our understanding of women's relationship to paid work during the Victorian period. While the idea of 'separate spheres' has largely gone uncontested by feminist critics studying female labour during the nineteenth century, Zakreski challenges this distinction by showing that the divisions between public and private were, in fact, surprisingly flexible, with homes described as workplaces and workplaces as homes. By combining art with forms of industrial or mass production in representations of the respectable woman worker, writers projected a form of paid creative work that was not violated or profaned by the public world of the market in which it was traded. Looking specifically at sewing, art, writing, and acting, Zakreski shows how these professions increasingly came to be defined as 'artistic' and thus as suitable professions for middle-class women, and argues that the supposedly degrading activity of paid work could be transformed into a refining experience for women. Rather than consigning working women to the margins of patriarchal culture, then, her study shows how representations of creative women, by authors such as Elizabeth Barrett Browning, Dinah Craik, Charles Dickens, Anthony Trollope, and Charlotte Yonge, participated in and shaped new forms of mainstream culture.
In her immensely readable and richly documented book, Christine Bayles Kortsch asks us to shift our understanding of late Victorian literary culture by examining its inextricable relationship with the material culture of dress and sewing. Even as the Education Acts of 1870, 1880, and 1891 extended the privilege of print literacy to greater numbers of the populace, stitching samplers continued to be a way of acculturating girls in both print literacy and what Kortsch terms "dress culture." Kortsch explores nineteenth-century women's education, sewing and needlework, mainstream fashion, alternative dress movements, working-class labor in the textile industry, and forms of social activism, showing how dual literacy in dress and print cultures linked women writers with their readers. Focusing on Victorian novels written between 1870 and 1900, Kortsch examines fiction by writers such as Olive Schreiner, Ella Hepworth Dixon, Margaret Oliphant, Sarah Grand, and Gertrude Dix, with attention to influential predecessors like Elizabeth Gaskell, Charlotte Brontë, and George Eliot. Periodicals, with their juxtaposition of journalism, fiction, and articles on dress and sewing are particularly fertile sites for exploring the close linkages between print and dress cultures. Informed by her examinations of costume collections in British and American museums, Kortsch's book broadens our view of New Woman fiction and its relationship both to dress culture and to contemporary women's fiction.
This groundbreaking study focuses on the reconfiguring of the character of the Prodigal Son and his family as they appear in drama, novels, and poetry in English from the fifteenth to the twenty-first centuries.
Margaret Oliphant achieved fame during the Victorian era for her masterpieces of domestic realism, historical novels and spellbinding tales of the supernatural. This eBook presents a comprehensive range of Oliphant’s works, with the complete Chronicles of Carlingford, the complete Stories of the Seen and Unseen, numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 2) * Beautifully illustrated with images relating to Oliphant’s life and works * Concise introductions to the novels and other texts * 79 novels, with individual contents tables * Rare novels available in no other collection, including Oliphant’s first novels MARGARET MAITLAND and CHRISTIAN MELVILLE * Rare supernatural novels appearing in digital publishing for the first time: DIES IRAE and THE LADY’S WALK * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The complete ‘Chronicles of Carlingford’ series, inspired by Trollope’s Barsetshire books, with special index and links – includes the very rare short story ‘The Executor’ * Special chronological and alphabetical contents tables for the short stories * Features the complete Stories and Novels of the Seen and Unseen – first time in digital print * Includes a selection of Oliphant’s non-fiction * Features a bonus biography * Scholarly ordering of texts into chronological order and literary genres * UPDATED with 60 more books – including 56 novels, 2 short story collections, 1 non-fiction work and an autobiography CONTENTS: The Chronicles of Carlingford Stories of the Seen and Unseen The Novels Passages in the Life of Mrs. Margaret Maitland (1849) Merkland (1850) The Quiet Heart (1854) Christian Melville (1855) The Athelings (1857) The Days of My Life (1857) The Laird of Norlaw (1858) The House on the Moor (1861) The Doctor’s Family (1861) The Last of the Mortimers (1862) Salem Chapel (1862) Heart and Cross (1863) The Perpetual Curate (1863) A Son of the Soil (1865) Miss Marjoribanks (1865) Madonna Mary (1867) Brownlows (1868) The Minister’s Wife (1869) The Three Brothers (1870) John (1870) Squire Arden (1871) Ombra (1872) At His Gates (1872) May (1873) A Rose in June (1874) For Love and Life (1874) Whiteladies (1875) The Story of Valentine and His Brother (1875) The Curate in Charge (1876) Phoebe, Junior (1876) Mrs. Arthur (1877) Young Musgrave (1877) The Primrose Path (1878) A Beleaguered City (1879) Within the Precincts (1879) He That Will Not When He May (1880) The Greatest Heiress in England (1880) Harry Joscelyn (1881) In Trust (1881) The Ladies Lindores (1883) The Lady’s Walk (1883) Sir Tom (1883) Hester (1883) It was a Lover and His Lass (1883) Madam (1884) The Wizard’s Son (1884) Old Lady Mary (1884) The Prodigals and Their Inheritance (1885) Oliver’s Bride (1886) Effie Ogilvie (1886) The Son of His Father (1886) A Poor Gentleman (1886) A House Divided Against Itself (1886) A Country Gentleman and His Family (1886) Joyce (1888) Cousin Mary (1888) Lady Car (1889) The Mystery of Mrs. Blencarrow (1890) Sons and Daughters (1890) The Duke’s Daughter (1890) Kirsteen (1890) The Fugitives (1890) The Railway Man and His Children (1891) The Story of a Governess (1891) The Heir Presumptive and the Heir (1891) The Marriage of Elinor (1891) The Cuckoo in the Nest (1892) Diana Trelawny (1892) The Sorceress (1893) A House in Bloomsbury (1894) Lady William (1894) Who Was Lost and Is Found (1894) Sir Robert’s Fortune (1894) Old Mr. Tredgold (1895) Two Strangers (1895) Dies Irae (1895) The Unjust Steward (1896) The Two Marys (1896) The Ways of Life (1897) The Shorter Fiction The Executor (1861) The Rector (1861) The Land of Darkness (1888) Neighbours on the Green (1889) A Widow’s Tale and Other Stories (1898) Complete Stories of the Seen and Unseen The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Non-Fiction Royal Edinburgh (1890) Historical Characters in the Reign of Queen Anne (1894) The Makers of Modern Rome (1895) Jeanne d’Arc (1896) The Sisters Brontë (1897) The Autobiography The Autobiography and Letters of Mrs. M. O. W. Oliphant (1899) The Biography Margaret Oliphant (1901) by Richard Garnett
