From the author of The Calligrapher's Daughter comes the riveting story of two sisters, one raised in the United States, the other in South Korea, and the family that bound them together even as the Korean War kept them apart.
Bringing together emerging ethnographies on kinship in South Asia, this book explores the idea of kinship as ‘fiction’ in intimate relationships. Fictions and fictive kinship within anthropology are contested ideas. Increasingly, research suggests the idea of intimate relationships has to extend beyond the biological assumption of kinship relations. The idea of fiction is also not free from the biological imagination or the persistent dichotomy of nature-culture/nurture-nature. This edited volume resurrects the idea of fiction and fictive-ness to understand how intimate relationships may use these particular labels, translate into practices, or create an experiential understanding around relationships. The chapters in this book reengage the idea of fiction by exploring the ambiguity within household relationships, the process of making and engaging with a craft and skill, and the intricacies of making children through IVF and third-party involvement. They challenge societal norms of marriage and being married by reframing shared substances and the relationality they carry and by remembering deceased ties through acts of resurrection. Through vivid illustrations of life and living in South Asia, each chapter contributes to an understanding of how fiction and reality are mutually creating each other. This book will be beneficial to students, academics and scholars of anthropology, particularly those interested in kinship and the sociology of the family. The chapters in this book were originally published as a special issue of Contemporary South Asia.
The lineage novel flourished in Korea from the late seventeenth to the early twentieth century. Ksenia Chizhova foregrounds lineage novels and the domestic world in which they were read to recast the social transformations of Chosŏn Korea and the development of early modern Korean literature.
As commercial surrogacy in India dominates public conversations around reproduction, new kinds of families, and changing trends in globalization, its lived realities become an important aspect of emerging research. This book maps the way in which in vitro fertilization (IVF) specialists, surrogacy agents, commissioning couples, surrogate mothers, and egg donors contribute to the understanding of interpersonal relations in the process of commercial surrogacy. In this book, Majumdar draws from a context that is enmeshed in the local–global politics of reproduction, including the ways in which the transnational commercial surrogacy arrangement has led to an ongoing debate regarding ethics and morality in the sphere of reproductive rights. In weaving together the diverse, often conflicting experiences of individuals and families, the transnational commercial surrogacy arrangement comes alive as a process mirroring larger societal anxieties with reference to technological interventions in intimate relationships. It is these anxieties, dilemmas, and their negotiations to which the book is addressed.
“The Widows kept me on the edge of my seat. Montgomery is a masterful storyteller.” —Lee Martin, author of Pulitzer Prize-Finalist The Bright Forever Inspired by the true story of Ohio’s first female sheriff, Jess Montgomery’s powerful, lyrical debut is the story of two women who take on murder and corruption at the heart of their community. Kinship, Ohio, 1924: When Lily Ross learns that her husband, Daniel, the town’s widely respected sheriff, has been killed while transporting a prisoner in an apparent accident, she vows to seek the truth about his death. Hours after his funeral, a stranger appears at her door. Marvena Whitcomb, a coal miner’s widow, is unaware that Daniel has died and begs to speak with him about her missing daughter. From miles away but worlds apart, Lily’s and Marvena’s lives collide as they realize that Daniel was perhaps not the man that either of them believed him to be. *BONUS CONTENT: This edition of The Widows includes a new introduction from the author and a discussion guide "The Widows is a gripping, beautifully written novel about two women avenging the murder of the man they both loved."—Hallie Ephron, New York Times bestselling author of You'll Never Know, Dear "Jess Montgomery's gorgeous writing can be just as dark and terrifying as a subterranean cave when the candle is snuffed out, but her prose can just as easily lead you to the surface for a gasp of air and a glimpse of blinding, beautiful sunlight. This is a powerful novel: a tale of loss, greed, and violence, and the story of two powerful women who refuse to stand down."—Wiley Cash, New York Times bestselling author of The Last Ballad, A Land More Kind than Home, and This Dark Road to Mercy "[A] flinty, heartfelt mystery that sings of hawks and history, of coal mines and the urgent fight for social justice."—Julia Keller, Pulitzer Prize-winning author of Bone on Bone
We live in an astounding world of relations. We share these ties that bind with our fellow humans--and we share these relations with nonhuman beings as well. From the bacterium swimming in your belly to the trees exhaling the breath you breathe, this community of life is our kin. For many cultures around the world, being human is based upon this extended sense of kinship. Kinship: Belonging in a World of Relations is a lively series that explores our deep interconnections with the living world. These five Kinship volumes--Planet, Place, Partners, Persons, Practice--offer essays, interviews, poetry, and stories of solidarity, highlighting the interdependence that exists between humans and nonhuman beings. More than 70 contributors--including Robin Wall Kimmerer, Richard Powers, David Abram, J. Drew Lanham, and Sharon Blackie--invite readers into cosmologies, narratives, and everyday interactions that embrace a more-than-human world as worthy of our response and responsibility. These diverse voices render a wide range of possibilities for becoming better kin. From the recognition of nonhumans as persons to the care of our kinfolk through language and action, Kinship: Belonging in a World of Relations is a guide and companion into the ways we can deepen our care and respect for the family of plants, rivers, mountains, animals, and others who live with us in this exuberant, life-generating, planetary tangle of relations.
'A beautiful, deliberate and satisfying story spanning thirty years of Korean history' Publishers' Weekly 'Kim weaves a wonderfully nuanced historical portrait, rich in detail and resonant with meaning and wisdom' Independent In Korea, Najin Han, the privileged daughter of a calligrapher, longs to choose her own destiny. Smart and headstrong, she is encouraged by her mother - but her stern father is determined to maintain tradition, especially as the Japanese steadily gain control of his beloved country. When he seeks to marry fourteen-year-old Najin into an aristocratic family, her mother defies generations of obedient wives and instead sends her daughter to serve in the king's court as a companion to a young princess. But the king is soon assassinated, and the centuries-old dynastic culture comes to its end. In the shadow of the dying monarchy, Najin begins a journey through increasing oppression that will change her world forever. As she desperately seeks to continue her education, will the unexpected love she finds along the way be enough to sustain her through the violence and subjugation her country continues to face? Spanning thirty years, The Calligapher's Daughter is an exquisite novel about a country torn between ancient customs and modern possibilities, a family ultimately united by love and a woman who never gives up her search for freedom.
With compassion and insight, Jess Montgomery weaves a gripping mystery and portrait of community in The Stills, the powerful third novel in the Kinship series. Ohio, 1927: Moonshining is a way of life in rural Bronwyn County, and even the otherwise upstanding Sheriff Lily Ross has been known to turn a blind eye when it comes to stills in the area. But when thirteen-year-old Zebediah Harkins almost dies after drinking tainted moonshine, Lily knows that someone has gone too far, and—with the help of organizer and moonshiner Marvena Whitcomb—is determined to find out who. But then, Lily’s nemesis, the businessman George Vogel, reappears in town with his new wife, Fiona. Along with them is also her former brother-in-law Luther Ross, now an agent for the newly formed Bureau of Prohibition. To Lily, it seems too much of a coincidence that they should arrive now. As fall turns to winter, a blizzard closes in. Lily starts to peel back the layers of deception shrouding the town of Kinship, but soon she discovers that many around her seem to be betraying those they hold dear—and that Fiona too may have an agenda of her own.
The fourth in Jess Montgomery's evocative Kinship series, The Echoes combines exquisite storytelling with extraordinary crime plotting. "A beautifully written tour de force." —Linda Castillo on The Stills As July 4, 1928 approaches, Sheriff Lily Ross and her family look forward to the opening of an amusement park in a nearby town, created by Chalmer Fitzpatrick—a veteran and lumber mill owner. When Lily is alerted to the possible drowning of a girl, she goes to investigate, and discovers schisms going back several generations, in an ongoing dispute over the land on which Fitzpatrick has built the park. Lily's family life is soon rattled, too, with the revelation that before he died, her brother had a daughter, Esme, with a woman in France, and arrangements have been made for Esme to immigrate to the U.S. to live with them. But Esme never makes it to Kinship, and soon Lily discovers that she has been kidnapped. Not only that, but a young woman is indeed found murdered in the fishing pond on Fitzpatrick's property, at the same time that a baby is left on his doorstep. As the two crimes interweave, Lily must confront the question of what makes family: can we trust those we love? And what do we share, and what do we keep secret?