Whether you’re a film fanatic or just want to see a bit of Hollywood in your neighborhood, On Location: A Film and TV Lover’s Travel Guide is the quintessential resource for visiting the locations of your favorite films or television series. In this guidebook, professional travel writer and self-proclaimed film buff Lisa Iannucci takes you across the country with over a hundred profiles about the famous movie and television locations from Star Trek to I Love Lucy. Add this book to your carry-on or toss it into your glove compartment and you’re ready to see some of the iconic settings from the silver screen up close. On Location: A Film and TV Lover's Travel Guide also makes a perfect gift for road trips or film trivia lovers!
On cover: A critical checklist of more than 1600 must-see midnight movies, classics, silents, epics, camp favorites, cult picks, sleepers, video smashes, and more.
Music has played a critical component in the success of films. This volume compiles over 100 years of writings devoted to the subject of film and television music and its practitioners.
Get the lowdown on the best fiction ever written. Over 230 of the world’s greatest novels are covered, from Quixote (1614) to Orhan Pamuk’s Snow (2002), with fascinating information about their plots and their authors – and suggestions for what to read next. The guide comes complete with recommendations of the best editions and translations for every genre from the most enticing crime and punishment to love, sex, heroes and anti-heroes, not to mention all the classics of comedy and satire, horror and mystery and many other literary genres. With feature boxes on experimental novels, female novelists, short reviews of interesting film and TV adaptations, and information on how the novel began, this guide will point you to all the classic literature you’ll ever need.
Danny Elfman is recognized as one of the most successful, interesting, and innovative figures in recent film music composition. He came to the fore in the late 1980s in connection with his collaboration with Tim Burton on his films including Pee-Wee's Big Adventure (1985), Beetlejuice (1988), Batman (1989), Edward Scissorhands (1990), The Nightmare before Christmas (1993), and Sleepy Hollow (1999). In addition to this, Elfman has composed music for more than 40 other films, including Somersby (1993), Dolores Claibourne (1995), Good Will Hunting (1997), Men in Black (1997), and Spiderman (2002). Beetlejuice was the first mainstream commercial success of the collaboration, but Batman was the film which marked Tim Burton's arrival as a major figure in Hollywood film direction, and equally established Danny Elfman as a film score composer, particularly in relation to action and fantasy genres. The score for Batman won a Grammy in 1989 and is an outstanding example of his collaboration with Burton as well as admirably demonstrating his particular talents and distinctive compositional voice. In particular, it displays the characteristic "darkness" of his orchestration in this genre and the means he uses to create a full length film score from what is often a relatively small amount of musical material, in this case the famous Batman theme. This book examines Elfman's scoring technique and provides a detailed analysis and commentary on the Batman score. The film is discussed in the context of its comic-book origins and the fantasy-action genre, setting it and its score against the late 1970s and early 1980s equivalents such as Star Wars and Superman, and revealing how Burton and Elfman between them changed the cinematic idea of what a superhero is. The book also explores Elfman's musical background, his place within the film music industry and the controversy that sprang up following the release of B
"This re-issued biography recounts [Kino's] work with loving detail and with an accuracy that has survived slight amendments. Its accompanying plates, maps, and bibliography enhance a text that should find a place in every serious library."—Religious Studies Review "This is truly an epic work, an absolute standard for any Southwestern collection."—Book Talk Select maps from the 1984 edition of Rim of Christendom are now available online through the UA Campus Repository.
Celebrating 60 years of James Bond films! The essential guide to all 25 Bond adventures, including No Time to Die, starring Daniel Craig! The James Bond Film Guide has it all: facts on the stories, characters, vehicles, gadgets, and locations of each 007 movie. This authorized guide takes fans through six decades of one of the entertainment industry’s greatest, most-enduring film franchises ever, and it boasts nearly 1,000 photographs, posters, and movie images from the filmmakers’ extensive archives. 007 expert Will Lawrence, author of Blood, Sweat and Bond: Behind the Scenes of Spectre, delivers an indispensable guide to what happened in which film – and when – providing everything new and longtime fans alike could ever want to know about the world of James Bond. That phenomenal world has been at the center of EON Productions’ iconic film franchise, the long-running big screen series in history, since the release of Dr. No in 1962, and continuing later this year with No Time to Die.
Newcomers to Tucson know the Santa Cruz River as a dry bed that can become a rampaging flood after heavy rains. Yet until the late nineteenth century, the Santa Cruz was an active watercourse that served the region’s agricultural needs—until a burgeoning industrial society began to tap the river’s underground flow. The Lessening Stream reviews the changing human use of the Santa Cruz River and its aquifer from the earliest human presence in the valley to today. Michael Logan examines the social, cultural, and political history of the Santa Cruz Valley while interpreting the implications of various cultures' impacts on the river and speculating about the future of water in the region. Logan traces river history through three eras—archaic, modern, and postmodern—to capture the human history of the river from early Native American farmers through Spanish missionaries to Anglo settlers. He shows how humans first diverted its surface flow, then learned to pump its aquifer, and today fail to fully understand the river's place in the urban environment. By telling the story of the meandering river—from its origin in southern Arizona through Mexico and the Tucson Basin to its terminus in farmland near Phoenix—Logan links developments throughout the river valley so that a more complete picture of the river's history emerges. He also contemplates the future of the Santa Cruz by confronting the serious problems posed by groundwater pumping in Tucson and addressing the effects of the Central Arizona Project on the river valley. Skillfully interweaving history with hydrology, geology, archaeology, and anthropology, The Lessening Stream makes an important contribution to the environmental history of southern Arizona. It reminds us that, because water will always be the focus for human activity in the desert, we desperately need a more complete understanding of its place in our lives.
Winner, 2022 Frank S. and Elizabeth D. Brewer Prize While the idea that successful missions needed Indigenous revolts and missionary deaths seems counterintuitive, this book illustrates how it became a central logic of frontier colonization in Spanish North America. Missions Begin with Blood argues that martyrdom acted as a ceremony of possession that helped Jesuits understand violence, disease, and death as ways that God inevitably worked to advance Christendom. Whether petitioning superiors for support, preparing to extirpate Native “idolatries,” or protecting their conversions from critics, Jesuits found power in their persecution and victory in their victimization. This book correlates these tales of sacrifice to deep genealogies of redemptive death in Catholic discourse and explains how martyrological idioms worked to rationalize early modern colonialism. Specifically, missionaries invoked an agricultural metaphor that reconfigured suffering into seed that, when watered by sweat and blood, would one day bring a rich harvest of Indigenous Christianity.
This book is a complete reworking and update of Marga Cottino-Jones' popular A Student's Guide to Italian Film (1983, 1993) . This guide retains earlier editions' interest in renowned films and directors but is also attentive to the popular films which achieved box office success among the public.
