A biting, hilarious literary satire of war, business, and contemporary masculinity, set in the cutthroat-but-ridiculous world of management consulting King of the Mississippi is an incisive, uproarious dissection of contemporary male vanity and delusion, centered around a "war" for dominance of a prestigious Houston consulting firm. On one side of the conflict is Brock Wharton, an old money ex-jock whose delight in telling clients to downsize is matched only by his firm conviction that people like himself deserve to run the world. On the other is Mike Fink, a newly hired wily former soldier trying to ride his veteran status to the top of a corporate world that lionizes "the troops" without truly understanding them. Brock and Mike are mortal enemies on sight, bitterly divided not only by background and class but by diametrically opposed (yet equally delusional) visions of what it means to "be a man." And as their escalating conflict spirals out of control, it will take them all the way from the hidebound boardrooms and gladiatorial football fields of Texas to the vapid and self-serving upper echelon of Silicon Valley, to the corporatized battlefield of Iraq, all the while serving as a ruthlessly funny takedown of the vacuity and empty machismo of corporate life and alpha-male culture in modern America. Devastatingly witty, unapologetically scathing, and ultimately surprisingly moving, King of the Mississippi marks the arrival of a unique and scintillating new voice in American fiction, one that boldly punctures the myths of American manhood like no one has since the heyday of The Bonfire of the Vanities and American Psycho.
Ed King's Mississippi: Behind the Scenes of Freedom Summer features more than forty unpublished black-and-white photographs and substantial writings by the prominent civil rights activist Reverend Ed King. The images and text provide a unique perspective on Mississippi during the summer of 1964. Taken in Jackson, Greenwood, and Philadelphia, the photographs showcase informal images of Martin Luther King Jr., Andrew Young, Mississippi civil rights workers, and college student volunteers in the movement. Ed King's writings offer background and insights on the motivations and work of Freedom Summer volunteers, on the racial climate of Mississippi during the late 1950s and 1960s, and the grassroots effort by black Mississippians to enter the political arena and exercise their fundamental civil rights. Ed King, a native of Vicksburg and a Methodist minister, was a founder of the Mississippi Freedom Democratic Party and a key figure in the civil rights movement in the state in the 1960s. As one of the few white Mississippians with a leadership position in the movement, his words and photographs offer a rare behind-the-scenes chronicle of events in the state during Freedom Summer. Ed King is a retired faculty member of the School of Health Related Professions, University of Mississippi Medical Center. Historian Trent Watts furnishes a substantial introduction to the volume and offers background on the Freedom Summer campaign as well as a description of Ed King's civil rights activism from the late 1950s to the present day.
The Egúngún society is one of the least-studied and written-about aspects of African diasporic spiritual traditions. It is the society of the ancestors, the society of the dead. Its primary function is to facilitate all aspects of ancestor veneration. Though it is fundamental to Yorùbá culture and the Ifá/Òrìṣà tradition of the Yorùbá, it did not survive intact in Cuba or the US during the forced migration of the Yorùbá in the Middle Passage. Taking hold only in Brazil, the Egúngún cult has thrived since the early 1800s on the small island of Itaparica, across the Bay of All Saints from Salvador, Bahia. Existing almost exclusively on this tiny island until the 1970s (migrating to Rio de Janeiro and, eventually, Recife), this ancient cult was preserved by a handful of families and flourished in a strict, orthodox manner. Brian Willson spent ten years in close contact with this lineage at the Candomble temple Xango Cá Te Espero in Rio de Janeiro and was eventually initiated as a priest of Egúngún. Representing the culmination of his personal involvement, interviews, research, and numerous visits to Brazil, this book relates the story of Egúngún from an insider’s view. Very little has been written about the cult of Egúngún, and almost exclusively what is written in English is based on research conducted in Africa and falls into the category of descriptive and historical observations. Part personal journal, part metaphysical mystery, part scholarly work, and part field research, In Search of Ancient Kings illuminates the nature of Egúngún as it is practiced in Brazil.
"Kings of Tort chronicles a tale of judicial bribery and political intrigue in Mississippi ... . It features the story of Dickie Scruggs, who was largely credited with bringing down Big Tobacco in the early 1990s. From his ascent to a net worth of nearly a billion dollars to his downfall stemming from his role in improperly influencing two local judges to influence cases involving fee disputes with other lawyers, the book documents how those in Scruggs's own trusted circle of tort barons turned on him and cooperated with federal authorities. It also shows the political influence he wielded with judges, attorneys general, and even his own brother-in-law, former US Senator Trent Lott" --
In the swamps and juke joints of Holmes County, Mississippi, Edward Tillman Branch built his empire. Tillman's clubs were legendary. Moonshine flowed as patrons enjoyed craps games and well-known blues acts. Across from his Goodman establishment, prostitutes in a trysting trailer entertained men, including the married Tillman himself. A threat to law enforcement and anyone who crossed his path, Branch rose from modest beginnings to become the ruler of a treacherous kingdom in the hills that became his own end. Author Janice Branch Tracy reveals the man behind the story and the path that led him to become what Honeyboy Edwards referred to in his autobiography as the "baddest white man in Mississippi."
Much more than a simple portrait of a pioneer family, this chronicle is actually a history of Bristol from a different perspective. It would be virtually impossible to write a complete history of this city without including a record of the pioneer King family. Likewise, it would be very difficult to write of this family and not become involved in general Bristol history.
"Brings together the disciplines of art, music, and history to explore the importance of the past to conceptions of the present in the central Middle Ages"--Provided by publisher.