Songwriting Journal for Kids, Musicians, Students, Women, Men. With lined left-hand pages for ideas and lyrics, and staffed right-hand pages for composing music, this portable journal is the perfect repository of information Perfect Size: 6x9 Inch, 120 Pages
Songwriting Journal for Kids, Musicians, Students, Women, Men. With lined left-hand pages for ideas and lyrics, and staffed right-hand pages for composing music, this portable journal is the perfect repository of information Perfect Size: 6x9 Inch, 120 Pages
THE LOUDER THAN WAR #1 BOOK OF THE YEAR A ROUGH TRADE, THE TIMES, MOJO, UNCUT, THE HERALD BOOK OF THE YEAR This is not a book about a rock band. This is not even a book about Mark E Smith. This is a book about The Fall group - or more precisely, their world. 'To 50,000 Fall Fans: please buy this inspired & inspiring, profound & provocative, beautiful & bonkers Book of Revelations.' DAVID PEACE 'Mind blowing . . . there is so much to enjoy in this brilliant book.' TIM BURGESS 'A container sized treasure trove . . . I strongly advise you to buy it.' MAXINE PEAKE 'The most wonderful, unashamedly intellectual, pretentious, ridiculous, exciting hymn to this incredible group.' ANDY MILLER, BACKLISTED Over a prolific forty-year career, the Fall created a world that was influential, idiosyncratic and fiercely original - and defied simple categorisation. Their frontman and lyricist Mark E. Smith spun opaque tales that resisted conventional understanding; the Fall's worldview was an education in its own right. Who wouldn't want to be armed with a working knowledge of M. R. James, shipping-dock procedures, contemporary dance, Manchester City and Can? The group inspired and shaped the lives of those who listened to and tried to make sense of their work. Bringing together previously unseen artwork, rare ephemera and handwritten material, alongside essays by a slate of fans, EXCAVATE! is a vivid, definitive record - an illumination of the dark corners of the Fall's wonderful and frightening world.
Uncovers the unexplored history of the love song, from the fertility rites of ancient cultures to the sexualized YouTube videos of the present day, and discusses such topics as censorship, the legacy of love songs, and why it is a dominant form of modern musical expression.
In memory of my husband, James A. Wright, I have written this book of 333 journal pages. For each entry, I have selected a Bible verse for you to reference or study and then some of my thoughts on the topic at hand. After a short prayer, there is room for your thoughts and ideas. I love to journal, and I pray you will join me in loving it too! Discover why this book is titled 333 Journal Pages in my introduction and Journal Page 1.
Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock—biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies—to examine the development of a relatively new literary genre dubbed by the authors as “poetic song verse.” They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.
ANTHONY L. HALL takes aim at the global events of 2017 with a unique and refreshing perspective. Some of the topics in this volume include: President Trump telling pathological lies “He’s continually challenging us to believe the lie we hear instead of the truth we see.” Instagram mainstreaming strippergrams “Instagram has normalized twits sharing, for all the world to see, not just their family albums but intimate pictures that should be for a lover’s eyes only. It is little more than a platform for hard-core narcissists and soft-porn exhibitionists to show off.” President Putin waiting in vain for payoff from hacking US election “America’s ingenious system of checks and balances has so circumscribed Trump’s Putinesque impulses that all Putin has to show for his hacking is Russia suffering even worse economic sanctions and irreparable reputational damage.” White supremacists rampaging in Charlottesville over Confederate statue “I can think of 99 things that bother me about racism in America today, but a Confederate statue ain’t one.” Justin Gatlin spoiling Usain Bolt’s swan song in 100m “The look of anguish on Bolt’s face—when it struck him that he was going to lose—rivals that look in ‘The Scream,’ Edvard Munch’s most famous painting. #Priceless!” Fox News reckoning with scourge of sexual harassment “Fox News markets itself as a Christian sanctuary in a wasteland of moral degeneracy. But these scandals expose it as just a proverbial Peyton Place.” Athletes and CEOs snubbing Trump “He is so unpopular that being invited to this White House is tantamount to being invited to a garden party by that proverbial skunk.”
This Companion explores the historical and theoretical contexts of the singer-songwriter tradition, and includes case studies of singer-songwriters from Thomas d'Urfey through to Kanye West.
TheInternational Who's Who in Popular Music 2002offers comprehensive biographical information covering the leading names on all aspects of popular music. It brings together the prominent names in pop music as well as the many emerging personalities in the industry, providing full biographical details on pop, rock, folk, jazz, dance, world and country artists. Over 5,000 biographical entries include major career details, concerts, recordings and compositions, honors and contact addresses. Wherever possible, information is obtained directly from the entrants to ensure accuracy and reliability. Appendices include details of record companies, management companies, agents and promoters. The reference also details publishers, festivals and events and other organizations involved with music.