Medieval Literature: The Basics

Medieval Literature: The Basics

Author: Angela Jane Weisl

Publisher: Routledge

Published: 2018-03-20

Total Pages: 229

ISBN-13: 1317210638

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Medieval Literature: The Basics is an engaging introduction to this fascinating body of literature. The volume breaks down the variety of genres used in the corpus of medieval literature and makes these texts accessible to readers. It engages with the familiarities present in the narratives and connects these ideas with a contemporary, twenty-first century audience. The volume also addresses contemporary medievalism to show the presence of medieval literature in contemporary culture, such as film, television, games, and novels. From Dante and Chaucer to Christine de Pisan, this book deals with questions such as: What is medieval literature? What are some of the key topics and genres of medieval literature? How did it evolve as technology, such as the printing press, developed? How has it remained relevant in the twenty-first century? Medieval Literature: The Basics is an ideal introduction for students coming to the subject for the first time, while also acting as a springboard from which deeper interaction with medieval literature can be developed.


Key Concepts in Medieval Literature

Key Concepts in Medieval Literature

Author: Elizabeth Solopova

Publisher: Bloomsbury Publishing

Published: 2007-07-20

Total Pages: 352

ISBN-13: 1137083468

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Key Concepts in Medieval Literature introduces students to the major authors, themes and genres of the English Middle Ages. These are discussed in concise focused essays, accompanied by summaries and recommendations for further reading, highlighting the need to see texts in context, both historically and linguistically.


The Lost Literature of Medieval England

The Lost Literature of Medieval England

Author: R. M. Wilson

Publisher: Routledge

Published: 2019-07-08

Total Pages: 269

ISBN-13: 0429515707

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Originally published in 1952 The Lost Literature of Medieval England provides an account of lost masterpieces of medieval English literature. The book examines the evidence for their existence and pieces together a fuller understanding of the literary traditions of the period. In more specific detail, the book looks at the concept of Christian epics and religious and didactic literature, as well as the drama and the lyrical poetry of the period.


Medieval Literature and Culture

Medieval Literature and Culture

Author: Andrew Galloway

Publisher: A&C Black

Published: 2006-01-01

Total Pages: 161

ISBN-13: 0826486576

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An introductory guide provides a concise overview of medieval literature and its context.


Love Visions

Love Visions

Author: Geoffrey Chaucer

Publisher: Penguin UK

Published: 2006-05-25

Total Pages: 259

ISBN-13: 0141959894

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Spanning Chaucer's working life, these four poems build on the medieval convention of 'love visions' - poems inspired by dreams, woven into rich allegories about the rituals and emotions of courtly love. In The Book of the Duchess, the most traditional of the four, the dreamer meets a widower who has loved and lost the perfect lady, and The House of Fame describes a dream journey in which the poet meets with classical divinities. Witty, lively and playful, The Parliament of Birds details an encounter with the birds of the world in the Garden of Nature as they seek to meet their mates, while The Legend of Good Women sees Chaucer being censured by the God of Love, and seeking to make amends, for writing poems that depict unfaithful women. Together, the four create a marvellously witty, lively and humane self-portrait of the poet.


Medieval Literature and Social Politics

Medieval Literature and Social Politics

Author: Stephen Knight

Publisher: Routledge

Published: 2021-03-01

Total Pages: 307

ISBN-13: 100034018X

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Medieval Literature and Social Politics brings together seventeen articles by literary historian Stephen Knight. The book primarily focuses on the social and political meaning of medieval literature, in the past and the present. It provides an account of how early heroic texts relate to the issues surrounding leadership and conflict in Wales, France and England, and how the myth of the Grail and the French reworking of Celtic stories relate to contemporary society and its concerns. Further chapters examine Chaucer’s readings of his social world, the medieval reworkings of the Arthur and Merlin myths, and the popular social statements in ballads and other literary forms. The concluding chapters examine the Anglo-nationalist `Arctic Arthur’, and the ways in which Arthur, Merlin and Robin Hood can be treated in terms of modern studies of the history of emotions and the environment. This book will be of interest to scholars and students of medieval Europe, as well as those interested in social and political history, medieval literature and modern medievalism (CS 1099).


The Medieval British Literature Handbook

The Medieval British Literature Handbook

Author: Daniel T. Kline

Publisher: Continuum

Published: 2009

Total Pages: 338

ISBN-13:

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One-stop resource for courses in medieval literature, providing students with a comprehensive guide to the historical and cultural context; major texts and movements; reading primary and critical texts; key critics, concepts and topics; major critical approaches and directions of new research.


Etymology and Wordplay in Medieval Literature

Etymology and Wordplay in Medieval Literature

Author: Mikael Males

Publisher: Brepols Publishers

Published: 2018

Total Pages: 0

ISBN-13: 9782503575759

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In modern scholarship, etymology and wordplay are rarely studied in tandem. In the Middle Ages, however, they were intrinsically related, and both feature prominently in medieval literature. Their functions are often at variance with the expectations of the modern reader, in particular when wordplay is used to arrive at crucial answers or to convey theological insights. The studies in this book therefore carry important implications for our understanding of the reception of medieval texts. The authors show how etymology and wordplay in the Middle Ages often served as an impetus for meditation and as a route to truth, but that they could also be put to more mundane uses, such as the bolstering of national pride. In a narrative context, the functions of etymology and wordplay could range from underlining the sexual bravado of the protagonist to being the key indicator of whether the hero would live or die. Opening with a background chapter describing classical and medieval developments of etymology and wordplay, this book presents case studies of the uses of etymology and wordplay in a number of medieval literatures (Latin, Old French, Middle High German, Italian, Old Irish, Old English, Old Norse, Slavic). The articles expand their discussions beyond strictly etymological discourse to various aspects of medieval literature, and thereby highlight the functions of etymological devices in various contexts, with significance ranging from the specific to the open-ended, from the bawdy to the sublime.


Key Concepts in Romantic Literature

Key Concepts in Romantic Literature

Author: Jane Moore

Publisher: Bloomsbury Publishing

Published: 2010-09-10

Total Pages: 224

ISBN-13: 1137096705

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Key Concepts in Romantic Literature is an accessible and easy-to-use scholarly guide to the literature, criticism and history of the culturally rich and politically turbulent Romantic era (1789-1832). The book offers a comprehensive and critically up-to-date account of the fascinating poetry, novels and drama which characterized the Romantic period alongside an historically-informed account of the important social, political and aesthetic contexts which shaped that body of writing. The epochal poetry of William Wordsworth, William Blake, Mary Robinson, S. T. Coleridge, Charlotte Smith, P. B. Shelley, Lord Byron, John Keats, Felicia Hemans and Letitia Elizabeth Landon; the drama of Joanna Baillie and Charles Robert Maturin; the novels of Jane Austen and Mary Shelley; all of these figures and many more are insightfully discussed here, together with clear and helpful accounts of the key contexts of the age's literature (including the French Revolution, slavery, industrialisation, empire and the rise of feminism) as well as accounts of perhaps less familiar aspects of late Georgian culture (such as visionary spirituality, atheism, gambling, fashion, music and sport). This is the broadest guide available to late eighteenth and early 19th century British and Irish literature, history and culture.