Keeping House is a wide-ranging and witty exploration of the spiritual gifts that are gained when we take the time to care for hearth and home. With a fresh perspective, mother, wife, and teacher Margaret Kim Peterson examines the activities and attitudes of keeping house and making a home. Debunking the commonly held notion that keeping house is a waste of time or at best a hobby, Peterson uncovers the broader cultural and theological factors that make housekeeping an interesting and worthwhile discipline. She reveals how the seemingly ordinary tasks of folding laundry, buying groceries, cooking, making beds, and offering hospitality can be seen as spiritual practices that embody and express concrete and positive ways of living out Christian faith in relationship to others at home, in the church and in the world.
We all desire a space that feels authentically our own: somewhere we can curl up with a cup of tea or host a dinner party for our favourite people.
Many of us see homemaking as something we will do ‘one day’ – perhaps when we are no longer renting or when we have a larger budget. But interior decorator Emma Blomfield can help you start making the most of what you’ve got right now. Emma shares her tips on how to style and maintain every room in your house to achieve a state of meaningful living, and how to decorate and connect with guests through beautiful events.
Food and its preparation play an integral role in this novel of a young Italian woman struggling to find her own identity in a family of strong personalities and colorful figures.
This book is a fascinating re-creation of the lives of women in the time of great social change that followed the end of the French and Indian War in western Pennsylvania. Many decades passed before a desolate and violent frontier was transformed into a stable region of farms and towns. Keeping House: Women’s Lives in Western Pennsylvania, 1790-1850 tells how the daughters, wives, and mothers who crossed the Allegheny Mountains responded and adapted to unaccustomed physical and psychological hardships as they established lives for themselves and their families in their new homes. Intrigued by late eighteenth and early nineteenth-century manuscript cookbooks in the collection of the Historical Society of Western Pennsylvania, Virginia Bartlett wanted to find out more about women living in the region during that period. Quoting from journals, letters, cookbooks, travelers’ accounts - approving and critical - memoirs, documents, and newspapers, she offers us voices of women and men commenting seriously and humorously on what was going on around them. The text is well-illustrated with contemporaneous art-- engravings, apaintings, drawings, and cartoons. Of special interest are color and black-and-white photographs of furnishings, housewares, clothing, and portraits from the collections of the Historical Society of Western Pennsylvania. This is not a sentimental account. Bartlett makes clear how little say women had about their lives and how little protection they could expect from the law, especially on matters relating to property. Their world was one of marked contrasts: life in a log cabin with bare necessities and elegant dinners in the homes of Pittsburgh’s military and entrepreneurial elite; rural women in homespun and affluent Pittsburgh ladies in imported fashions. When the book begins, families are living in fear of Indian attacks; as it ends, the word “shawling” has come into use as the polite term for pregnancy, referring to women’s attempt to hide their condition with cleverly draped shawls. The menacing frontier has given way to American-style gentility. An introduction by Jack D. Warren, University of Virginia, sets the scene with a discussion of the early peopling of the region and places the book within the context of women’s studies.
"Prudy Keeping House" by Sophie May. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
In April 1993, as part of the March on Washington for Lesbian, Gay, and Bi Equal Rights and Liberation, hundreds of couples participated in "the Wedding," a symbolic commitment ceremony held in front of the Internal Revenue Service building. Part protest and part affirmation of devotion, the event was a reminder that marriage rights have become a major issue among lesbians and gay men, who cannot marry legally and can only claim domestic partner rights in a few locations in the United States. Yet despite official lack of recognition, same-sex wedding ceremonies have been increasing in frequency over the past decade. Ellen Lewin, who has consecrated her own lesbian relationship with a commitment ceremony, decided to explore the myriad ways in which lesbians and gay men create meaningful ceremonies for themselves. She offers the first comprehensive account of lesbian and gay weddings in modern America. A series of richly detailed profiles--the result of extensive interviews and participation in the planning and realization of many of these commitment rituals--is woven together to show how new traditions, and ultimately new families, are emerging within contemporary America. Just as the book is a moving portrait of same-sex couples today, it is also a significant political document on a new arena in the struggle for lesbian and gay rights. In a larger sense, Lewin's work is about the politics surrounding same-sex marriages and the ramifications for central dimensions of American culture such as kinship, community, morality, and love. Lewin explores the ceremonies themselves, which range from traditional church weddings to Wicca rituals in the countryside, with portraits of the planning, the joys, and the anxieties that led up to the weddings. She introduces Bob and Mark, a leather fetishist couple who sanctified their love by legally changing their last names and exchanging vows in tuxedos, leather bow ties, and knee-high police boots. In an equally absorbing profile, Lewin describes Khadija, from a working-class black family deeply suspicious of whites (and especially Jews) and Shulamith, raised in a Zionist household. She tells of how the two women struggled to reconcile their widely disparate upbringings and how they ultimately combined elements of African and Jewish traditions in their wedding. These, among many other stories, make Recognizing Ourselves a vivid tapestry of lesbian and gay life in post-Stonewall United States.
In Catherine Owen's 'Ten Dollars Enough: Keeping House Well on Less Money Per Week', readers are guided through practical and frugal methods for managing a household on a limited budget, reflecting the ethos of the late 19th century. Owen's straightforward and no-nonsense writing style provides valuable insights into domestic management, offering tips on budgeting, meal planning, and home organization. This book serves as a window into the daily lives of working-class families during a time of economic austerity, shedding light on the social and cultural context of the era. Each chapter is filled with useful advice and practical suggestions, making it a valuable resource for historians and anyone interested in domestic history. Catherine Owen's expertise in household management shines through her detailed discussions on economical living, making 'Ten Dollars Enough' a compelling read for those looking to make the most out of their resources and lead a frugal yet fulfilling life.
First published in 1995. The essays in this volume demonstrate how Victorian women took up various positions along a continuum that ranged from the desire of Shelley’s creature for the power and acceptance it associated with the house to the rejection of Brontë’s heroine of the immobility and powerlessness she ultimately experienced there. More specifically the essays in this volume explore the nature of the Victorian woman’s domestic relations by centring in one activity that most informed her place in what was often the father’s house: housekeeping. The essays in this edition determine how writers, especially novelists, both male and female, used housekeeping to construct, reconstruct, represent, and inscribe the female self and condition. This title will be of interest to students of history and literature.
