Curzio Malaparte was a disaffected supporter of Mussolini with a taste for danger and high living. Sent by an Italian paper during World War II to cover the fighting on the Eastern Front, Malaparte secretly wrote this terrifying report from the abyss, which became an international bestseller when it was published after the war. Telling of the siege of Leningrad, of glittering dinner parties with Nazi leaders, and of trains disgorging bodies in war-devastated Romania, Malaparte paints a picture of humanity at its most depraved. Kaputt is an insider's dispatch from the world of the enemy that is as hypnotically fascinating as it is disturbing.
Experience postwar Europe through the diary of a fascinating and witty twentieth-century writer and artist. Recording his travels in France and Switzerland, Curzio Malaparte encounters famous figures such as Cocteau and Camus and captures the fraught, restless spirit of Paris after the trauma of war. In 1947 Curzio Malaparte returned to Paris for the first time in fourteen years. In between, he had been condemned by Mussolini to five years in exile and, on release, repeatedly imprisoned. In his intervals of freedom, he had been dispatched as a journalist to the Eastern Front, and though many of his reports from the bloodlands of Poland and Ukraine were censored, his experiences there became the basis for his unclassifiable postwar masterpiece and international bestseller, Kaputt. Now, returning to the one country that had always treated him well, the one country he had always loved, he was something of a star, albeit one that shines with a dusky and disturbing light. The journal he kept while in Paris records a range of meetings with remarkable people—Jean Cocteau and a dourly unwelcoming Albert Camus among them—and is full of Malaparte’s characteristically barbed reflections on the temper of the time. It is a perfect model of ambiguous reserve as well as humorous self-exposure. There is, for example, Malaparte’s curious custom of sitting out at night and barking along with the neighborhood dogs—dogs, after all, were his only friends when in exile. The French find it puzzling, to say the least; when it comes to Switzerland, it is grounds for prosecution!
The time has come for Angelino to do some soul-searching! The secret of his origins is finally revealed to him when he is abducted by aliens, which forces him to question his entire belief system. From prison cells to motel rooms, the truth slowly begins to surface, revealing the darkest extremes of the human soul... But our hero’s troubles are far from over: indeed, Angelino and Vinz find themselves at the heart of the urban riots that ravage Dark Meat City, which are slowly turning into an intensely violent gang war. And then there is the threat, more present than ever, of a Third World War between the United States and North Korea...
Fragen der Koordination und der Subordination stehen seit langer Zeit im Fokus sprachwissenschaftlicher Forschung. Während in den 70er und auch noch in den 80er Jahren die Analyse der als kanonisch zu bezeichnenden Fälle im Vordergrund stand, drängten sich in den letzten 30 Jahren vor allem Grenzfälle wie weil-V2-Sätze, abhängige V2-Sätze, selbständige und weiterführende VL-Sätze etc. in das Zentrum des Interesses. Die Beiträge zum vorliegenden Band bauen auf den Erkenntnissen dieser Arbeiten auf, ergänzen sie aber systematisch um eine breit angelegte Diskussion typologischer, diachroner und erwerbstheoretischer Aspekte. Ein weiteres zentrales Anliegen der Arbeiten besteht darin,die theoretischen Konzepte zur Modellierung relevanter Strukturbedeutungen (z.B. V2) zu präzisieren. Linguistic research has focussed on issues related to coordination and subordination for a long time. Whereas in the 1970s and 1980s, the main concern was the analysis of canonical clause structure, the interest shifted towards non-canonical phenomena such as weil-verb-second-clauses, dependent verb-second-clauses, independent and continuative verb-final clauses etc. The contributions to this issue build on findings of these studies, at the same time systematically adding a broad discussion of typological, diachronic and acquisition-related aspects. A further central concern of the studies is to make precise theoretical concepts of modelling the semantics of relevant structural configurations, such as verb-second.
A perverse and delicious tell-all view of the Soviet elite in the 1920s. Perhaps only the impeccably perverse imagination of Curzio Malaparte could have conceived of The Kremlin Ball, which might be described as Proust in the corridors of Soviet power. Malaparte began this impertinent portrait of Russia's Marxist aristocracy while he was working on The Skin, his story of American-occupied Naples, and after publishing Kaputt, his depiction of Europe in the hands of the Axis, thinking of this book as a another "picture of the truth" and a third panel in a great composition depicting the decadence of twentieth-century Europe. The book is set at the end of the 1920s, when the great terror may have been nothing more than a twinkle in Stalin's eye, but when the revolution was accompanied by a growing sense of doom. In Malaparte's vision it is from his nightly opera box, rather than the Kremlin, that Stalin surveys Soviet high society, its scandals and amours and intrigues among beauties and bureaucrats, including legendary ballerina Marina Semyonova and Olga Kameneva, sister of the exiled Trotsky, who though a powerful politician is so consumed by dread that everywhere she goes she gives off a smell of rotting meat. Unfinished at the time of Malaparte's death, this extraordinary court chronicle of Communist life (for which Malaparte also contemplated the title God is a Killer) was only published posthumously in Italy over fifty years after Malaparte's death and appears in English now for the first time ever.
This book provides a substantial contribution to understanding the international legal framework for the protection and conservation of cultural heritage. It offers a range of perspectives from well-regarded contributors from different parts of the world on the impact of law in heritage conservation. Through a holistic approach, the authors bring the reader into dialogue around the intersection between the humanities and legal sciences, demonstrating the reciprocity of interaction in programs and projects to enhance cultural heritage in the world. This edited volume compiles a selection of interesting reflections on the role of cultural diplomacy to address intolerances that often govern international relations, causing damage to human and cultural heritage. The main purpose of this collection of essays is to analyse the different cultural paradigms that intervene in the management of heritage, and to advocate for improvements in international laws and conventions to enable better cultural policies of individual nations for the protection of human rights. The editors submit that it is only through open dialogue between the humanities and jurisprudence that the international community will be able to better protect and value sovereignty, and promote cultural heritage for the development of a better world. This collection is relevant to scholars working in areas relating to law, management and policies of cultural heritage conservation and protection.
This book explores the memory of the Romanian Holocaust in Romanian, German, Israeli, and French cultural representations. The essays in this volume discuss first-hand testimonial accounts, letters, journals, drawings, literary texts and films by Elie Wiesel, Paul Celan, Aharon Appelfeld Norman Manea, Radu Mihaileanu, among others.
