Step into the vibrant world of early jazz with this exciting arrangement of "Kansas City Stomp" by Ferdinand "Jelly Roll" Morton, skillfully arranged for Clarinet Quartet by Francesco Leone. Designed for intermediate to easy-level musicians, this arrangement brings the energetic and lively spirit of Morton's classic piece to your clarinet ensemble. Includes: Full Score and Set of Parts (5): 3 Bb Clarinets Bass Clarinet Optional Part: Eb Alto Clarinet/Sax (instead of Clarinet 3) Features: Authentic Jazz Feel: Francesco Leone's arrangement captures the dynamic and spirited qualities of Morton's original composition, ensuring an engaging and authentic performance. Intermediate/Easy Level: This arrangement is tailored for intermediate to easy-level clarinetists, providing a balanced challenge that is both accessible and rewarding. Flexible Instrumentation: The inclusion of an optional part for Eb Alto Clarinet/Sax offers greater flexibility in ensemble configuration, accommodating different instrumental setups. Comprehensive Package: Includes a full score and individual parts for each member of the quartet, ensuring a smooth rehearsal and performance process. Why Choose This Arrangement? This arrangement is perfect for clarinet quartets looking to explore the roots of jazz and add a lively and historically significant piece to their repertoire. Whether for concerts, recitals, or educational purposes, "Kansas City Stomp" arranged by Francesco Leone offers a captivating and enjoyable musical experience. Bring the lively and dynamic sounds of "Kansas City Stomp" to your clarinet quartet and delight audiences with this jazz classic. Get your copy today and let the music of Jelly Roll Morton inspire your next performance!
"Kansas City Stomp" by Jelly Roll Morton: A Spirited Woodwind Quintet Arrangement by Francesco Leone Immerse yourself in the vibrant rhythms and infectious melodies of early jazz with Francesco Leone's arrangement of "Kansas City Stomp" by the legendary Ferdinand "Jelly Roll" Morton, now beautifully adapted for woodwind quintet. This piece, originally composed by one of jazz's foundational figures, brings the lively atmosphere of Kansas City's jazz scene to the classical woodwind ensemble, offering an intermediate-level challenge that is both enjoyable and educational. Arrangement Highlights: Instrumentation: Crafted for Flute, Oboe, B♭ Clarinet, French Horn in F, and Bassoon, this arrangement captures the essence of Morton's jazz classic, allowing each instrument to shine through solo passages and tight ensemble sections. The inclusion of alternative parts for E♭ Horn and B♭ Bass Clarinet (in lieu of Bassoon) provides flexibility for ensembles to tailor the sound to their unique strengths and preferences. Score and Parts (7): The e-book package includes a comprehensive score and seven individual parts, all meticulously prepared to ensure a seamless rehearsal process. The clear and accessible notation allows intermediate players to navigate Morton's syncopated rhythms and melodic intricacies confidently. Educational Value: This arrangement not only entertains but also educates, introducing woodwind musicians to the fundamentals of jazz performance within a classical ensemble context. It's an excellent opportunity for players to expand their repertoire beyond traditional genres, exploring the rich textures and dynamic expressions of early jazz music. Exclusive Online Resources: Prepare for an engaging performance with the aid of an audio demo available at www.glissato.it. This invaluable resource offers a precise reference for tempo, articulation, and ensemble balance, enabling musicians to capture the spirited essence of "Kansas City Stomp." It's a crucial tool for both individual practice and group rehearsals, ensuring a cohesive and lively rendition of this jazz classic. Dive into the World of Jazz with Your Woodwind Quintet: Francesco Leone's arrangement invites intermediate woodwind quintets to explore the exuberant world of "Kansas City Stomp," offering a piece that is as educational as it is enjoyable. Whether for a concert, competition, or simply the pleasure of playing, this arrangement promises to delight audiences and performers alike, bringing the joy and spontaneity of Jelly Roll Morton's jazz to the classical stage. Embrace this unique musical journey and let your ensemble swing with the best of them.
Andy Kirk's Clouds of Joy came from Kansas City to find nationwide fame in the later 1930s. The many records they made between 1929 and 1949 came to exemplify the Kansas City style of jazz, but they were also criticized for their populism and inauthenticity. In The Recordings of Andy Kirk' and his Clouds of Joy, George Burrows considers these records as representing negotiations over racialized styles between black jazz musicians and the racist music industry during a vital period of popularity and change for American jazz. The book explores the way that these reformative negotiations shaped and can be heard in the recorded music. By comparing the band's appropriation of musical styles to the manipulation of masks in black forms of blackface performance--both signifying and subverting racist conceptions of black authenticity--it reveals how the dynamic between black musicians, their audiences and critics impacted upon jazz as a practice and conception.
(Banjo). A complete guide for beginning and advanced banjo players! From Ken Perlman, here is a brilliant teaching guide that is destined to become the handbook on how to play the banjo. The style is easy to learn, and covers the instruction itself, basic right and left-hand positions, simple chords, and fundamental clawhammer techniques; the brush, the 'bumm-titty' strum, pull-offs, and slides. For the advanced player, there is instruction on more complicated picking, double thumbing, quick slides, fretted pull-offs, harmonics, improvisation, and more. The book includes more than 40 fun-to-play banjo tunes.
Basic Music Theory takes you through the sometimes confusing world of written music with a clear, concise style that is at times funny and always friendly. The book is written by an experienced teacher using methods refined over more than ten years in his private teaching studio and in schools. --from publisher description.
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