Kali Muscle is a young man that has had a roller coaster life and ended up being a Hollywood actor and a servant to the youth of the world. He tried his hand in every illegal and legal hustle imaginable: robbery, home invasions, hired gun, drug dealing, stripping, pimping, personal-training, barbering, and acting. He is the epitome of a bad guy turned good guy to do the work of God.
Donovan DeChance is a practicing mage, book collector, private investigator, and much more. When asked to follow in secret as a hot-headed group of young vampires set out on a 'blood quest' to kill the ancient who created the young vampire Kali against her will, he learns that - as usual - there is a lot more to the story than meets the eye. Through the juke joints of Beale Street in Memphis, to the depths of The Great Dismal Swamp, Donovan and his lover and partner, Amethyst, find themselves drawn along on one of the strangest quests in their long, enigmatic lives as they delve into the world of the undead, the magic of The Blues, and the very heart of alchemy both to protect their young, vampiric charges - and to prevent an ancient evil from destroying the balance of power in the universe. This novel directly crosses over to the original series O.C.L.T. - where Donovan is a sometimes consultant. It features appearances by Geoffrey Bullfinch and Rebecca York, O.C.L.T. agents, as well as Old Mill, North Carolina's own Cletus J. Diggs. Drawing the threads of several of his worlds into one carefully woven tapestry, David Niall Wilson has penned a tale that will appeal to fans of The DeChance Chronicles, O.C.L.T., Cletus J. Diggs, and several other locations and characters from the various worlds he has created. The Books of the DeChance Chronicles read well as stand-alone novels, but are all part of the bigger series, beginning with the novels Heart of a Dragon and Vintage Soul, and continuing in the long novella, My Soul to Keep, which tells the origin of Donovan's power, and helps to explain his drive to maintain the world's balance of power.
Kali's father is a snake catcher - the best in the village. Kali knows that is really something to be proud of, but at school he sometimes gets embarrassed. The other children seem to think there is something very strange about having a snake catcher for a father and eating things like fried termites for a snack. Plus, Kali is the teacher's pet. How will he ever make friends?
   The rich popular tradition of India's women writers is finally available in this collection of short stories translated from seven of the country's languages. The writers and their heroines reflect the complex mosaic of Indian life-they are old and young, rural and urban, rich and poor. Here we meet Muniyakka, called "walkie-talkie" because she mutters to herself; Shakun, the dollmaker, an exploited artist who needs to feel that others depend on her; and Jashoda, professional mother to children of the rich, from Mahasveta Devi's acknowledged masterpiece "The Wet Nurse." These stories "are dense with thsoe customs, manners, and objects that usually remain locked within regional languages," wrote Anita Desai in the New York Review ofBooks . Meena Alexander's thoughtful introduction places the stories and the writers in the context of modern India.
"In Kali's Country: Tales from Sunny India, written by Emily Churchill Thompson Sheets, offers a captivating collection of tales that transport readers to the vibrant landscapes of India. Sheets' narratives capture the essence of Indian culture, traditions, and stories, inviting readers to explore the enchanting world of the East. This book weaves together a tapestry of folklore and imagination, providing a glimpse into the diverse tapestry of Indian life and beliefs."
Thousands and thousands of years ago, a young boy gets his first hunting bow and learns to shoot, but he prefers to use the bow to make music. Full color.
NATIONAL BOOK AWARD FINALIST • Latinas of Indigenous descent living in the American West take center stage in this haunting debut story collection—a powerful meditation on friendship, mothers and daughters, and the deep-rooted truths of our homelands. “Here are stories that blaze like wildfires, with characters who made me laugh and broke my heart.”—Sandra Cisneros WINNER OF THE AMERICAN BOOK AWARD • FINALIST FOR THE STORY PRIZE • FINALIST FOR THE PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT SHORT STORY COLLECTION Kali Fajardo-Anstine’s magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit in the American West. Against the remarkable backdrop of Denver, Colorado—a place that is as fierce as it is exquisite—these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the earth but tend to rise during land disputes. “Any Further West” follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In “Tomi,” a woman leaves prison and finds herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, “Sabrina & Corina,” a Denver family falls into a cycle of violence against women, coming together only through ritual. Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Public Library • Kirkus Reviews • Library Journal “Sabrina & Corina isn’t just good, it’s masterful storytelling. Fajardo-Anstine is a fearless writer: her women are strong and scarred witnesses of the violations of their homelands, their culture, their bodies; her plots turn and surprise, unerring and organic in their comprehensiveness; her characters break your heart, but you keep on going because you know you are in the hands of a master. Her stories move through the heart of darkness and illuminate it with the soul of truth.”—Julia Alvarez, author of How the García Girls Lost Their Accents “[A] powerhouse debut . . . stylistically superb, with crisp dialogue and unforgettable characters, Sabrina & Corina introduces an impressive new talent to American letters.”—Rigoberto González, NBC News
In Colour These tiny treasures of metaphysical and mythological knowledge serve as enlightening rubrics for understanding Indian tradition and theology. Exquisitely illustrated, this series serves as a contemporary matrix for illuminating our human experience and offers insightful access into Eastern spirituality. This attractive addition to Mandala’s bestselling minibook series explores Hinduism’s most enigmatic figure in all of her glory. A wide range of vivid illustrations, both traditional and contemporary, showcases the paradoxical and often shocking imagery of Kali, whose outrageous appearance and behavior shatter all social conventions. These intense tales recount Kali’s origins as the shadow self of Durga – a goddess who appears in the world in order to save the terrified gods from the demons Sumbha and Nisumbha. Brandishing weapons of destruction and cackling madly, she annihilates an ever-increasing number of miscreants who try her patience. She comes not only to restore balance within the universe, but also to help humanity cut through the bonds of illusion and attachment.
A comprehensive exploration of the Middle Eastern roots of Western narrative tradition. Against the methodological backdrop of historical and comparative folk narrative research, 101 Middle Eastern Tales and Their Impact on Western Oral Tradition surveys the history, dissemination, and characteristics of over one hundred narratives transmitted to Western tradition from or by the Middle Eastern Muslim literatures (i.e., authored written works in Arabic, Persian, and Ottoman Turkish). For a tale to be included, Ulrich Marzolph considered two criteria: that the tale originates from or at least was transmitted by a Middle Eastern source, and that it was recorded from a Western narrator's oral performance in the course of the nineteenth or twentieth century. The rationale behind these restrictive definitions is predicated on Marzolph's main concern with the long-lasting effect that some of the "Oriental" narratives exercised in Western popular tradition—those tales that have withstood the test of time. Marzolph focuses on the originally "Oriental" tales that became part and parcel of modern Western oral tradition. Since antiquity, the "Orient" constitutes the quintessential Other vis-à-vis the European cultures. While delineation against this Other served to define and reassure the Self, the "Orient" also constituted a constant source of fascination, attraction, and inspiration. Through oral retellings, numerous tales from Muslim tradition became an integral part of European oral and written tradition in the form of learned treatises, medieval sermons, late medieval fabliaux, early modern chapbooks, contemporary magazines, and more. In present times, when national narcissisms often acquire the status of strongholds delineating the Us against the Other, it is imperative to distinguish, document, visualize, and discuss the extent to which the West is not only indebted to the Muslim world but also shares common features with Muslim narrative tradition. 101 Middle Eastern Tales and Their Impact on Western Oral Tradition is an important contribution to this debate and a vital work for scholars, students, and readers of folklore and fairy tales.
