This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
"A greatly expanded version of Ka Buke o na Leo Mele Hawaii ... Most (but not all) the verses are in Hawaiian. Individual authorships are credited below many of the songs, either by actual name or by a pseudonym. These include works by William P. Leleiohoku (Kalakaua's brother), Liliuokalani (signed "Liliu"), Mrs. Emma Kapena, W.A. Kihia, Mrs. Wilson, Princess Poomaikelani, R. Waialeale, Jessie Kaae, Joe Heleluhe, Joseph Nawahi, Mrs. Eliza Holt, and Rev. S. Kapu. King Kalakaua's compositions are attibuted by his pseudonym "Figgs."--Forbes, David W. Hawaiian national bibliography.
The fourth and final volume of the Hawaiian National Bibliography, 1780-1900, records the most volatile period in Hawaii's history. American business interests and the desire for a constitutional monarchy were pitted against the desire of the monarchs, King Kaläkaua and Queen Liliuokalani, to strengthen the power of the throne. The convulsions of the 1887 and 1889 revolutions were succeeded by the overthrow of the monarchy on January 17, 1893. Documents revealing the struggle over annexation, beginning in 1893, and the counterrevolution of 1895 are an important component of this volume. Annexation in 1898 was followed by a two-year period during which functions of government and laws were altered to conform to those of the United States. After the organic act became effective in 1900, vestiges of monarchical Hawaii disappeared and the history of the Territory of Hawaii unfolded. As with the previous volumes, Volume 4 is a record of printed works touching on some aspect of the political, religious, cultural, or social history of the Hawaiian Islands. A valuable component of this series is the inclusion of newspaper and periodical accounts, and single-sheet publications such as broadsides, circulars, playbills, and handbills. Entries are extensively annotated, and also provided for each are exact title, date of publication, size of volume, collation of pages, number and type of plates and maps, references, and location of copies.
