K.R. Cama Oriental Institute Golden Jubilee Volume

K.R. Cama Oriental Institute Golden Jubilee Volume

Author:

Publisher: Bombay : K.R. Cama Oriental Institute

Published: 1969

Total Pages: 304

ISBN-13:

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Commemorative volume issued on the occasion of the golden jubilee of the institute founded in the memory of Kharshedji Rustomji Cama, 1831-1909; collection of articles, chiefly on ancient Indian and Iranian culture and literature.


zaraθuštrōtəma

zaraθuštrōtəma

Author:

Publisher: BRILL

Published: 2021-02-01

Total Pages: 332

ISBN-13: 9004460705

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This Festschrift is a collection of articles dedicated to one of the most distinguished scholars of Iranian Studies and a most prolific teacher of Zoroastrian and Kurdish literatures and religions, Philip G. Kreyenbroek.


Krishnadevaraya and his times

Krishnadevaraya and his times

Author: Anila Verghese

Publisher:

Published: 2013

Total Pages: 452

ISBN-13:

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Papers presented at the seminar on 'Krishnadevaraya and his Times : Cultural Perspectives', held at K.R. Cama Oriental Institute during 7-8 January 2012.


Ferdowsi's Shāhnāma

Ferdowsi's Shāhnāma

Author: Olga M. Davidson

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9780674726802

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Ferdowsi's Shahnama: Millennial Perspectives celebrates the ongoing reception, over the last thousand years, of a masterpiece of classical Persian poetry. The epic of the Shahnama or Book of Kings glorifies the spectacular achievements of Iranian civilization from its mythologized beginnings all the way to the historical time of the Arab Conquest, when the notionally unbroken sequence of Iranian shahs came to an end. The poet Hakim Abu'l-Qasim, who composed this epic, was renamed Ferdowsi or "the man of Paradise" in recognition of his immortalizing artistic accomplishment. Even now, over a thousand years after his death in 1010 CE, the impact of Ferdowsi's epic poetry reverberates in the intellectual and artistic life of Persianate cultures all over the world. Ferdowsi's Shahnama: Millennial Perspectives undertakes a new look at the reception of Ferdowsi's poetry, especially in the twelfth, thirteenth, fourteenth, and fifteenth centuries CE. Such a reception, the contributors to this book argue, actively engages the visual as well as the verbal arts of Iranian civilization. The paintings and other art objects illustrating the Shahnama over the ages are as vitally relevant as the words of Ferdowsi's poetry.


Reflections on Mughal Art and Culture

Reflections on Mughal Art and Culture

Author: Roda Ahluwalia

Publisher:

Published: 2021-07-28

Total Pages: 352

ISBN-13: 9789389136784

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- Offers fresh insights into the rich aesthetic and cultural legacy of the Imperial Mughal age in the Indian subcontinent - Essays by 13 eminent international scholars draw comparisons between the Mughals, the Safavids and the Ottomans - Over 159 images of Mughal artifacts, paintings, gardens and monuments illustrate the lasting heritage of the Imperial Mughals Enter the splendid world of Mughal India and explore its rich aesthetic and cultural legacy through fresh insights offered by 13 eminent scholars. Recent scholarship in this field has offered deeper analysis into established norms, explored pan-Indian connections and drawn comparisons with contemporaneous regions of the early modern world. Further studies along these lines were encouraged in a seminar held by the K.R. Cama Oriental Institute, Mumbai, and the formidable scholarship presented by contributors forms the content of this volume. The articles in this book explore varied subjects under the Mughal umbrella, challenge long-held ideas and draw comparisons between the artistic expressions and material culture of the powerful Islamicate triumvirate of the early modern period - the Safavids in Iran, the European-based Ottomans and the Mughals in the Indian subcontinent. Themes as diverse as portraits of royal women, sub-imperial patronage of temples, word-image relationship, the lapidary arts and the Imperial Library of the Mughals, a reconsideration of Mughal garden typologies, murals painted on architectural surfaces, the textile culture of the city of Burhanpur, changes in visual language and content of painting, and Imperial objets d'art have been discussed, challenged and analyzed. The final three articles are groundbreaking comparisons across Ottoman, Safavid and Mughal spheres. This beautifully illustrated book is sure to appeal to c