Justice League

Justice League

Author: Gerry Conway

Publisher:

Published: 2017

Total Pages: 0

ISBN-13: 9781401276850

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"Superman created by Jerry Siegel and Joe Shuster, by special arrangement with the Jerry Siegel family; Wonder Woman created by William Moulton Marston"


Justice League of America (1960-1987) #112

Justice League of America (1960-1987) #112

Author: Gardner Fox

Publisher: DC Comics

Published: 2021-03-23

Total Pages: 84

ISBN-13:

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With the villain Libra having stolen half of their powers and abilities in their last adventure, the Justice League members are desperate for a way to recover them. But when they revive Amazo in order to do so, they must fight a “War with the One-Man Justice League!”


Justice League of America (1960-) #1

Justice League of America (1960-) #1

Author: Gardner Fox

Publisher: DC Comics

Published: 2014-02-25

Total Pages: 28

ISBN-13:

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Superman! Batman! Wonder Woman! The Flash! Green Lantern! Aquaman! The Martian Manhunter! The Justice League of America in its very own series! But will their first adventure be their last? Featuring the first appearance of the mind-controlling villain Despero!


The Elongated Man

The Elongated Man

Author: John Broome

Publisher:

Published: 2006

Total Pages: 0

ISBN-13: 9781401210427

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A collection originally published in 1960 through 1968.


The Comic Book

The Comic Book

Author: Paul Sassienie

Publisher: Booksales

Published: 1994

Total Pages: 344

ISBN-13:

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The one essential guide for comic book fans everywhere.


Ages of Heroes, Eras of Men

Ages of Heroes, Eras of Men

Author: Julian C. Chambliss

Publisher: Cambridge Scholars Publishing

Published: 2014-11-10

Total Pages: 255

ISBN-13: 1443871044

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Ages of Heroes, Eras of Men explores the changing depiction of superheroes from the comic books of the 1930s to the cinematic present. In this anthology, scholars from a variety of disciplines including history, cultural studies, Latin American studies, film studies, and English examine the superheros cultural history in North America with attention to particular stories and to the historical contexts in which those narratives appeared. Enduring comic book characters from DC and Marvel Comics including Superman, Iron Man, Batman, Wonder Woman and the Avengers are examined, along with lesser-known Canadian, Latino, and African-American superheroes. With a sweep of characters ranging from the Pulp Era to recent cinematic adaptations, and employing a variety of analytical frameworks, this collection offers new insights for scholars, students, and fans of the superhero genre.


The New Mutants

The New Mutants

Author: Ramzi Fawaz

Publisher: NYU Press

Published: 2016-01-22

Total Pages: 365

ISBN-13: 1479814334

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2017 The Association for the Studies of the Present Book Prize Finalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies Association Winner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT Studies How fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions. In 1964, noted literary critic Leslie Fiedler described American youth as “new mutants,” social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and “freaks” soon came to embody the social and political aspirations of America’s most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women’s and Gay Liberation Movements. Through a series of comic book case studies—including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants—alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.


Hollywood and the End of the Cold War

Hollywood and the End of the Cold War

Author: Bryn Upton

Publisher: Rowman & Littlefield

Published: 2014-08-26

Total Pages: 209

ISBN-13: 1442237945

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From the late 1940s until the early 1990s, the Cold War was perhaps the most critical and defining aspect of American culture, influencing television, music, and movies, among other forms of popular entertainment. Films in particular were at the center of the battle for the hearts and minds of the American public. Throughout this period, the Cold War influenced what movies got produced, how such movies were made, and how audiences understood the films they watched. In the post–Cold War era, some genres of film suffered from the shift in our national narratives, while others were quickly reimagined for an audience with different political and social fears. In Hollywood and the End of the Cold War: Signs of Cinematic Change, Bryn Upton compares films from the late Cold War era with movies of similar themes from the post–Cold War era. In this volume, Upton pays particular attention to shifts in narrative that reflect changes in American culture, attitudes, and ideas. In exploring how the absence of the Cold War has changed the way we understand and interpret film, this volume seeks to answer several key questions such as: Has the end of the Cold War altered how we tell our stories? Has it changed how we perceive ourselves? In what ways has our popular culture been affected by the absence of this once dominant presence? With its focus on themes that are central to the concerns of many historians—including civil religion, social fracture, and the culture wars—Hollywood and the End of the Cold War will serve as a useful tool for those seeking to integrate film into the classroom, as well as for film scholars exploring representations of sociopolitical change on screen.


The Comic Book in America

The Comic Book in America

Author: Mike Benton

Publisher: Taylor Publishing Company (TX)

Published: 1989

Total Pages: 216

ISBN-13:

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Traces the development of the comic book, looks at publishers and genres, and discusses industry trends.