Just Breathe is a collection of poems, written over the past 8 years, following the loss of our only daughter. These poems and short stories depict a Mother’s grief and act as on outlet towards healing just a little bit. Hopefully others will appreciate these works and can find solace if the reader is also a bereaved parent! KELSEY lives on in our hearts and souls and my hope is to help others express their pain and grief through prose and poetry. Just Breathe is my mantra and I thought it a fitting title for this book.
The New York Times 100 Notable Books of 2020 Time Magazine's 100 Must-Read Books of 2020 NPR's Best Books of 2020 National Book Award in Poetry, Longlist Frank Sanchez Book Award After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of “the way memory gets up after someone has died and starts walking.” These poems reinvent the form of newspaper obituary to both name what has died (“civility,” “language,” “the future,” “Mother’s blue dress”) and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living. "When you lose someone you love, the world doesn’t stop to let you mourn. Nor does it allow you to linger as you learn to live with a gaping hole in your heart. Indeed, this daily indifference to being left behind epitomizes the unique pain of grieving. Victoria Chang captures this visceral, heart-stopping ache in Obit, the book of poetry she wrote after the death of her mother. Although Chang initially balked at writing an obituary, she soon found herself writing eulogies for the small losses that preceded and followed her mother’s death, each one an ode to her mother’s life and influence. Chang also thoughtfully examines how she will be remembered by her own children in time."—Time Magazine
Just Breathe is a collection of poems, written over the past 8 years, following the loss of our only daughter. These poems and short stories depict a Mother's grief and act as on outlet towards healing just a little bit. Hopefully others will appreciate these works and can find solace if the reader is also a bereaved parent! KELSEY lives on in our hearts and souls and my hope is to help others express their pain and grief through prose and poetry. Just Breath is my mantra and I thought it a fitting title for this book.
"A deeply personal landscape of revelation and loss that guides the reader toward catharsis." -- M. "Breathtaking." -- R. "These are some of the most beautiful poems I have ever read. I find myself reading them aloud, and I pause after each line. They resonate as when water droplets drop into water, outwards then inwards. I am crying right now." -- T. A few months after my mother died, I changed my name to Elyria. It was a rite of passage suggested by a dear friend who had lost a parent some years earlier. I wish my mother could read these poems. I know some of them would have made her cry, and sometimes that would have been what she needed. But more than that, I want you to read these poems. I know some of them will make you cry, and sometimes that will be what you need. I want you to read them, remember how to heal, learn to live with the hurts and the losses you carry -- take a deep breath -- and go on living. We are all alone in our grief, sometimes. But other times, we can take comfort in sharing our sorrow with those who understand loss. We come away stronger for it. That is my hope for you. all my love, Elyria
Love is Not Enough was written over the course of the year after the suicide of Frances Gregory's mother. The poems are an investigation into the circumstantial and relational dynamics of grief as well as the bloody spectres of patriarchy and generational trauma.
Written by a grief counselor and educator, this book is for those who have loved and lost their mother. Losing a mother is a difficult transition in life. No matter the status of the relationship, grieving the loss is a process--one that sometimes begins before the physical loss has occurred. Drawing on his own experience of loss, as well as on the experiences of others, Harold Ivan Smith guides readers through their grief, from the process of dying through the acts of remembering and honoring a mother after her death. This book provides a way forward. By shifting the grief process from something to rush through, Smith encourages readers to embrace their grief as a natural response to loss and to give themselves time to work through the sadness, pain, memories, and reality of living without their mom. All of us will experience the loss of our mother at some point. A mother's last breath inevitably changes us. Through wise counsel, Smith speaks gently to people who have gone through this loss and helps those yet to face it. This edition includes a new foreword from the author.
From the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father: “With raw eloquence, Notes on Grief … captures the bewildering messiness of loss in a society that requires serenity, when you’d rather just scream. Grief is impolite ... Adichie’s words put welcome, authentic voice to this most universal of emotions, which is also one of the most universally avoided” (The Washington Post). Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie's beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure. Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page—and never without touches of rich, honest humor—Adichie weaves together her own experience of her father’s death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he’d stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria. In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book—a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment—a work readers will treasure and share now more than ever—and yet will prove durable and timeless, an indispensable addition to Adichie's canon.
A captivating and transporting travel novel, Scorpionfish reveals how what we leave behind may be exactly what we've been looking for all along. After the unexpected deaths of her parents, academic Mira returns to her childhood home in Athens. On her first night back, she encounters a new neighbor, a longtime ship captain who has found himself, for the first time in years, no longer at sea. As one summer night tumbles into another, Mira and the Captain’s voices drift across the balconies of their apartments, disclosing details and stories: of careers, of families, of love. For Mira, love has so often meant Aris, an ex-boyfriend and rising Greek politician who has recently become engaged to a movie star. There is, too, her love for her dear friend Nefeli—a well-known artist who came of age during the military dictatorship—as well as Dimitra and Fady, a couple caring for a young refugee boy. Undergirding each relationship is the love that these characters have for Athens, a beautiful but complicated city that is equal parts lushness and sharp edges. Scorpionfish is a map of how and where we find our true selves: in the pull of the sea; the sway of late-night bar music; the risk and promise of art; and in the sparkling, electric, summertime charge of endless possibility. Award-winning author Natalie Bakopoulos braids a story of vulnerability, desire, and bittersweet truth, unraveling old ways of living and, in the end, creating something new.
"Beautifully written and wise … [Martin Prechtel] offers stories that are precious and life-sustaining. Read carefully, and listen deeply."—Mary Oliver, National Book Award and Pulitzer Prize winner Inspiring hope, solace, and courage in living through our losses, author Martín Prechtel, trained in the Tzutujil Maya shamanic tradition, shares profound insights on the relationship between grief and praise in our culture--how the inability that many of us have to grieve and weep properly for the dead is deeply linked with the inability to give praise for living. In modern society, grief is something that we usually experience in private, alone, and without the support of a community. Yet, as Prechtel says, "Grief expressed out loud for someone we have lost, or a country or home we have lost, is in itself the greatest praise we could ever give them. Grief is praise, because it is the natural way love honors what it misses." Prechtel explains that the unexpressed grief prevalent in our society today is the reason for many of the social, cultural, and individual maladies that we are currently experiencing. According to Prechtel, "When you have two centuries of people who have not properly grieved the things that they have lost, the grief shows up as ghosts that inhabit their grandchildren." These "ghosts," he says, can also manifest as disease in the form of tumors, which the Maya refer to as "solidified tears," or in the form of behavioral issues and depression. He goes on to show how this collective, unexpressed energy is the long-held grief of our ancestors manifesting itself, and the work that can be done to liberate this energy so we can heal from the trauma of loss, war, and suffering. At base, this "little book," as the author calls it, can be seen as a companion of encouragement, a little extra light for those deep and noble parts in all of us.
Three Minus One: Parents’ Stories of Love and Loss is a collection of intimate, soul-baring stories and artwork by parents who have lost a child to stillbirth, miscarriage, or neonatal death, inspired by the film Return to Zero. The loss of a child is unlike any other, and the impact that it has on the mother, the father, their family, and their friends is devastating—a shockwave of pain and guilt that spreads through their entire community. But the majority of those affected, especially mothers, often suffer their pain in silence, convinced that their grief and trauma is theirs to bear alone. This anthology of raw memoirs, heartbreaking stories, truthful poems, beautiful painting, and stunning photography from the parents who have suffered child loss offers insight into this unique, devastating and life-changing experience—breaking the silence and offering a ray of hope to the many parents out there in search of answers, understanding, and healing.
