Excerpt from Journal of the British Archaeological Association, 1860 It is then our duty to undertake the task but it is not a matter of indifference when that task is undertaken. Day by day as it is deferred, the difficulty becomes greater and more formidable. Those local traditions and legends, some times too little considered by county-historians, but which are the most precious heirlooms of archaeology, because in an especial degree they breathe the life and the habits, the thoughts and the faith of our ancestors, are year by year perishing from amongst us. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Journal of the British Archaeological Association: General Index to Volumes I to XXX N ext to securing and diffusing correct elucidations of the arts and sciences, the manners and customs, the labours and amusements, of our forefathers, the duty of such a society as this aspires to be, and enjoys the reputation of being, is plainly that of enabling those who search her productions to find without difficulty that information which they are led to expect is therein set out for their instruction. With the view of promoting this object, it occurred to me, towards the end of 1873, to prepose to the Association that I should be allowed to prepare, under the direction of the Council, one general index of all the issue, which would include the volume about to be completed at the end of 1874, at which time I considered the work would be sufficiently forward for commencing the printing. My plan was not to make new indexes, for such a task would have involved far too much labour on my part, and expense upon the part of the Association, by reason of greater space being required for the printing but rather to prepare transcripts of the separate indexes contained at the end of each of the volumes, and, after adding to these such additional references as appeared necessary, to throw all into one alphabet and so enable the contents of the series to be measured and consulted at a glance. This apparently simple task proved on trial to be fraught with much more difficulty, and to demand far more time and labour, than I ever anticipated, and this was in a measure owing to the varying quality of the indexes, and the want of rules laid down for observance by those who compiled the indexes from time to time. Hence, to a certain extent, a similar want of strict uni formity will be observed in this general index; but I have by a careful system of cross-references successfully overcome most of the difficulties arising on this account. In its present state, this Index, without professing minutely laboured perfection, may be taken to indicate pretty faithfully every subject of importance contained in the Journals. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The history of disease is the history of humankind: an interpretation of the world as seen through the extraordinary impact—political, demographic, ecological, and psychological—of disease on cultures. "A book of the first importance, a truly revolutionary work." —The New Yorker From the conquest of Mexico by smallpox as much as by the Spanish, to the bubonic plague in China, to the typhoid epidemic in Europe, Plagues and Peoples is "a brilliantly conceptualized and challenging achievement" (Kirkus Reviews). Upon its original publication, Plagues and Peoples was an immediate critical and popular success, offering a radically new interpretation of world history. With the identification of AIDS in the early 1980s, another chapter was added to this chronicle of events, which William McNeill explores in his introduction to this edition. Thought-provoking, well-researched, and compulsively readable, Plagues and Peoples is essential reading—that rare book that is as fascinating as it is scholarly, as intriguing as it is enlightening.
An extensively illustrated study of the origins of English and Scottish identity in the reading of classical texts which enabled authors and artists to imagine the character and appearance of their forebears. Richard Hingley relates ideas derived from Roman sources to the development of empire, and places theories of origin in a European context.
Archaeologists in Print is a history of popular publishing in archaeology in the nineteenth and twentieth centuries, a pivotal period of expansion and development in both archaeology and publishing. It examines how British archaeologists produced books and popular periodical articles for a non-scholarly audience, and explores the rise in archaeologists’ public visibility. Notably, it analyses women’s experiences in archaeology alongside better known male contemporaries as shown in their books and archives. In the background of this narrative is the history of Britain’s imperial expansion and contraction, and the evolution of modern tourism in the Eastern Mediterranean and Middle East. Archaeologists exploited these factors to gain public and financial support and interest, and build and maintain a reading public for their work, supported by the seasonal nature of excavation and tourism. Reinforcing these publishing activities through personal appearances in the lecture hall, exhibition space and site tour, and in new media – film, radio and television – archaeologists shaped public understanding of archaeology. It was spadework, scripted. The image of the archaeologist as adventurous explorer of foreign lands, part spy, part foreigner, eternally alluring, solidified during this period. That legacy continues, undimmed, today. Praise for Archaeologists in Print This beautifully written book will be valued by all kinds of readers: you don't need to be an archaeologist to enjoy the contents, which take you through different publishing histories of archaeological texts and the authors who wrote them. From the productive partnership of travel guide with archaeological interest, to the women who feature so often in the history of archaeological publishing, via closer analysis of the impact of John Murray, Macmillan and Co, and Penguin, this volume excavates layers of fascinating facts that reveal much of the wider culture of the late nineteenth and twentieth centuries. The prose is clear and the stories compulsive: Thornton brings to life a cast of people whose passion for their profession lives again in these pages. Warning: the final chapter, on Archaeological Fictions, will fill your to-be-read list with stacks of new titles to investigate! This is a highly readable, accessible exploration into the dynamic relationships between academic authors, publishers, and readers. It is, in addition, an exemplar of how academic research can attract a wide general readership, as well as a more specialised one: a stellar combination of rigorous scholarship with lucid, pacy prose. Highly recommended!' Samantha Rayner, Director of UCL Centre for Publishing; Deputy Head of Department and Director of Studies, Department of Information Studies, UCL