There are ten important questions everyone should ask; ; and the answers to these questions, which lead to ultimate ; truth, are a matter of reason, not of faith. Well-known Catholic philosopher and writer Peter ; Kreeft tackles each of these questions in a logical ; step-by-step way, like climbing the rungs of a ladder. ; Because questions are best answered by dialogue, Kreeft ; answers these fundamental questions in an imaginary ; conversation between two very different people who meet at ; the beach. Kreeft's characters begin at the ; beginning, at the bottom of the ladder, which is the ; passion for truth. When it comes to the most important ; questions a person can ask, no mere interest in ; philosophical dabbling will do. The passion for truth does ; not stop there, however, but carries the reader from one ; page to the next in this thought-provoking adventure of the ; mind. Among the topics, or "steps", that ; Kreeft's characters delve into include: Do you ; have the passion to know? Does truth ; exist? What is the meaning of life? What ; is love, and why is it so important for our ; lives? If there is a God, what proof is there for ; his existence? Has God revealed himself to us in a ; personal way? And many other important ; questions and topics to help climb the ladder to the truth ; about life.
“A compelling portrait of the relationship between a student and a teacher,” this spiritual memoir “raises important questions about the meaning of Judaism and the search for spirituality in this world” (Los Angeles Times) Jewish by birth, though from a secular family, Alan Morinis explored Hinduism and Buddhism as a young man. But in 1997, in the face of personal crisis, he turned to his Jewish heritage for guidance. In his reading he happened upon a Jewish spiritual tradition called Mussar. Gradually he realized that he had stumbled upon an insightful discipline for self-development, complete with meditative, contemplative, and other well-developed transformative practices designed to penetrate the deepest roots of the inner life. Eventually reaching the limits of what he could learn on his own, he decided to seek out a Mussar teacher. This was not an easy task, since almost the entire world of the Mussar tradition had been wiped out in the Holocaust. In time, he found an accomplished master who stood in an unbroken line of transmission of the Mussar tradition, and who lived in the center of a community of Orthodox Jews on Long Island. This book tells the story of Morinis’s journey to meet his teacher and what he learned from him, revealing the central teachings and practices that are the spiritual treasury and legacy of Mussar.
One of Russia’s most renowned literary figures and a Man Booker International Prize nominee, Ludmila Ulitskaya presents what may be her final novel. Jacob’s Ladder is a family saga spanning a century of recent Russian history—and represents the summation of the author’s career, devoted to sharing the absurd and tragic tales of twentieth-century life in her nation. Jumping between the diaries and letters of Jacob Ossetsky in Kiev in the early 1900s and the experiences of his granddaughter Nora in the theatrical world of Moscow in the 1970s and beyond, Jacob’s Ladder guides the reader through some of the most turbulent times in the history of Russia and Ukraine, and draws suggestive parallels between historical events of the early twentieth century and those of more recent memory. Spanning the seeming promise of the prerevolutionary years, to the dark Stalinist era, to the corruption and confusion of the present day, Jacob’s Ladder is a pageant of romance, betrayal, and memory. With a scale worthy of Tolstoy, it asks how much control any of us have over our lives—and how much is in fact determined by history, by chance, or indeed by the genes passed down by the generations that have preceded us into the world.
(Applause Books). From the hit movie directed by Adrian Lyne, this is the original script with over 100 photos. From Rubin's introduction: The script presented here is not my initial screenplay but the final draft completed just before shooting. While close to the original, some significant scenes have been changed or cut. You will find them in the final chapter.
Rife with incest, adultery, rape, and murder, the biblical story of Jacob and his children must have troubled ancient readers. By any standard, this was a family with problems. Jacob's oldest son Reuben is said to have slept with his father's concubine Bilhah. The next two sons, Simeon and Levi, tricked the men of a nearby city into undergoing circumcision, and then murdered all of them as revenge for the rape of their sister. Judah, the fourth son, had sexual relations with his own daughter-in-law. Meanwhile, jealous of their younger sibling Joseph, the brothers conspired to kill him; they later relented and merely sold him into slavery. These stories presented a particular challenge for ancient biblical interpreters. After all, Jacob's sons were the founders of the nation of Israel and ought to have been models of virtue. In The Ladder of Jacob, renowned biblical scholar James Kugel retraces the steps of ancient biblical interpreters as they struggled with such problems. Kugel reveals how they often fixed on a little detail in the Bible's wording to "deduce" something not openly stated in the narrative. They concluded that Simeon and Levi were justified in killing all the men in a town to avenge the rape of their sister, and that Judah, who slept with his daughter-in-law, was the unfortunate victim of alcoholism. These are among the earliest examples of ancient biblical interpretation (midrash). They are found in retellings of biblical stories that appeared in the closing centuries BCE--in the Book of Jubilees, the Aramaic Levi Document, the Testaments of the Twelve Patriarchs, and other noncanonical works. Through careful analysis of these retellings, Kugel is able to reconstruct how ancient interpreters worked. The Ladder of Jacob is an artful, compelling account of the very beginnings of biblical interpretation.
Gina’s first novel, Joseph’s Ladder, is a true story. It portrays one woman’s battle to retain her own identity while coping with her son’s serious mental health decline. Gina manages effectively to convey to the reader the complexity of dealing with both practical and emotional issues, frustration, anger and guilt which threatens her marriage and changes family life forever. Lily is presented as a woman who has reached that stage of life when her children are growing up. She is beginning to find herself and pursue her own career as an artist. Interwoven in the story are some lovely pieces of humour found in both her studies with younger students and ironically in the psychiatric unit. Lily undertakes a trip to Bulgaria which is fraught with danger. Joseph’s Ladder is compelling and hard to put down. It covers many aspects both exciting and tragic, taking the reader into the mind of an artist, a journey to a squat in Manchester and a battle with the authorities.
Few of Sergius Bulgakov s professional writings achieve the lyrical heights of Jacob s Ladder. In it he discusses the doctrine of angels and their importance for contemporary humanity. He includes reflections on the meaning of love, the sexes, death, and the Christian hope of resurrection, meditating on the Wisdom of God in the creation. This work completes the word picture of divinized and Sophianic creation begun in The Burning Bush and The Friend of the Bridegroom, which together constitute what scholars call Bulgakov s major, or first, trilogy.
"The influential artist Hedi Kyle and renowned architecture graduate Ulla Warchol shows you how to create their unique designs using folding techniques. From creating flag books and fishbones, to blizzards and nesting boxes, you'll gain an invaluable insight into the work of two skilled artists with this fun read! With the help of their thorough instructions and simple illustrations, you'll be on your way to becoming a pro paper crafter in no time at all" – Sew magazine "A wonderful insight into the work of a truly skilled artist" – PaperCrafter The renowned and influential book artist Hedi Kyle shows you step–by–step how to create her unique designs using folding techniques in The Art of the Fold. Bookbinding and paper craft projects include flag books, blizzard books, the fishbone fold, and nesting boxes. Written by the doyenne of artists' books, Hedi Kyle, The Art of the Fold is a wonderful insight into the work of a truly skilled artist. Hedi will show you how to bind a book and fold paper to create over 35 of her cut–fold book designs. The book is beautifully illustrated with Hedi's finished works of art. An excerpt from the book: 'I can still remember the thrill I experienced when my first folded book structure emerged from my fingers – how eager I was to explore its possibilities and to share it with whoever was interested. The Flag Book, as I now call it, is a simple accordion and has interlocking pages oriented in opposite directions. Little did I know that this simple structure would have legs and be the catalyst for the next forty–plus years of thinking about and making books. The common perception of the book today is fairly straightforward: a series of pages organized around a spine and protected on either side by two covers. This format allows for easy access, storage and retrieval of information. Yet what happens when the book is stripped away of centuries of preconceptions and is allowed to reveal something else: playfulness, utility, invention? Expanding the notion of the book is what the structures in the following chapters of The Art of the Fold attempt to do. Exploring its tactile, sculptural form, primarily through folding methods, the book as a structural object is celebrated while content is considered in a new and unconventional way. My range in this medium has always been broad. In part this is due to my introduction to the world of bookbinding and some chance encounters. In the 1970s in New York City, the art and craft of hand bookbinding and papermaking were experiencing an unprecedented revival. I was fortunate to arrive in the city at just this moment. With an art–school background and an impulse to make things, I was naturally drawn to pursue this new opportunity. The Center for Book Arts, the famous forerunner of so many centers yet to come, was located in a small storefront just down the street from where I lived on the Lower East Side of Manhattan. Under the direction of founder Richard Minsky, it had a radical mission: to push concept, materials, printing and making of artist books in a new direction. When Richard dared me to teach at the Center one evening a week, I was hooked. My career as a book conservator and a book artist has now spanned over 45 years. As head conservator at the American Philosophical Society in Philadelphia, I've had the opportunity to handle some of the rarest volumes and manuscripts in the world. I have also dealt with decrepit books, torn maps and countless curiosities discovered in stacks and archives. All were endless sources for ideas and provided a springboard for a departure from tradition. Leading book–arts workshops around the world and a 25 year tenure teaching in the graduate program for Book Arts and Printmaking at the University of the Arts in Philadelphia have shown me, in retrospect, that the more I taught, t
The Jewish view of Satan - which greatly differs from the "devil" image that pervades Western culture, fallen angels, demons, the Angel of Death, spirits, and evil forces, are also explained. A handy "Who's Who" directory provides a quick reference to the most well-known and often quoted angels and demons in Jewish tradition.
