(Piano/Vocal/Guitar Artist Songbook). This powerful, posthumous release is the coda in the acclaimed American series featuring the legendary Johnny Cash produced by Rick Rubin. Its 12 sadly beautiful tracks include two Cash originals "Like the 309," the last song he ever wrote, and "I Came to Believe," plus covers such as: Four Strong Winds * God's Gonna Cut You Down * I'm Free from the Chain Gang Now * If You Could Read My Mind * Love's Been Good to Me * and more.
Murder Ballads Old & New: A Dark and Bloody Record is an exploration of an age-old topic— our human need to document the horrors of the world around us. The murder ballad, here expanded to include songs about traumatic loss in modern variants and multiple styles, including punk, post-punk, alt-country, and folk. The book is a graveyard stroll past tombs both well-kept and half-hidden. Murder Ballads Old & New excavates facts about killers, victims, and the folkloric storytellers who disseminated their tales in song. Author Steven L. Jones focuses the tragic ballad as “an act of remembering and a soul-reckoning with the ineffable.” Songs examined range from obscure tunes from the founding days of the United States to familiar canonical songs learned in schoolrooms and honkytonks. Jones tackles each song in a manner that’s equal parts musicological, psychosocial, and genealogical as he uncovers stories that reveal larger contexts and maps the lineages of songs and themes, forebears, and ancestors. Murder Ballads Old & New includes a wide range of songs and performers from the relatively unknown (Boiled in Lead, Freakons, Nelstone’s Hawaiians) to the ironically famous (Johnny Cash, Lou Reed, Sonic Youth). Highlights include tales of Muddy Waters guitar sideman Pat Hare, whose incendiary blues boast “I’m Gonna Murder My Baby” proved grimly prophetic. And honky-tonk pioneer Eddie Noack, whose morbid stab at late-career rebirth, “Psycho,” couldn’t match the bottomless tragedy of his own life. As well as Depression-era holdup man Pretty Boy Floyd, Schubert’s mythical Erlkönig, and the Manson Family. Murder Ballads Old & New is a compelling delve into the perennial American fascination with True Crime. Includes archival and historical black & white images.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Now there's a second edition of Went to See the Gypsy! Are you a Baby Boomer that still rocks? Or a fan of rock's golden era of any age? Do you remember the first vinyl record you bought? Do you still play your favorite songs two or three times in a row? Then you will enjoy Went To See the Gypsy! The title is from a Dylan song about Elvis, and it evokes the journey I've been on since the Beatles took America by storm in 1964. My friends and I were so taken by the Beatles that we made up a fake-Beatles band with tennis racket guitars and lipsynced the songs to the neighbors at a nickel a pop! And I've been following the rock gypsy caravans ever since, from the British Invasion bands on AM transistor radios, to the psychedelic revolution on FM radio, to punk rock on the left of the dial, to alternative music on CDs, and all of it over again on digital!
This collection of essays, documented by an international and interdisciplinary array of scholars, represents the first academically focused volume exploring the creative idiolect of Frank Zappa. Several of the authors are known for contributing significantly to areas such as popular music, cultural, and translation studies, with expertise and interests ranging from musicology to poetics. The publication presents the reader with an understanding of the ontological depth of Zappa's legacy by relating the artist and his texts to a range of cultural, social, technological and musicological factors, as encapsulated in the book's title - Frank Zappa and the And. Zappa's interface with religion, horror, death, movies, modernism, satire, freaks, technology, resistance, censorship and the avant-garde are brought together analytically for the first time, and approached non chronologically, something that strongly complies with the non linear perspective of time Zappa highlights in both his autobiography and recordings. The book employs a variety of analytical approaches, ranging from literary and performance theory, 'horrality' and musicology, to post modern and textually determined readings, and serves as a unique and invaluable guide to Zappa's legacy and creative force.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
(Piano/Vocal/Guitar Artist Songbook). All 14 songs from The Man in Black's 2000 studio album of covers, featuring a mixture of the incomparable Cash singing solo with guitar, and of inspired duets with the likes of Tom Petty and Sheryl Crow. Includes: Before My Time * Country Trash * Field of Diamonds * I See a Darkness * I Won't Back Down * I'm Leavin' Now * Mary of the Wild Moor * The Mercy Seat * Nobody * One * Solitary Man * That Lucky Old Sun (Just Rolls Around Heaven All Day) * Wayfaring Stranger * Would You Lay with Me (In a Field of Stone).
A guide to music provides recommendations on one thousand recordings that represent the best in such genres as classical, jazz, rock, pop, blues, country, folk, musicals, hip-hop, and opera, with listening notes, commentary, and anecdotes about performers.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
