Johannes Brahms 6 Klavierstücke op.118 Saggio di analisi

Johannes Brahms 6 Klavierstücke op.118 Saggio di analisi

Author: Giuseppe Stoppiello

Publisher: Lulu.com

Published: 2012-08-23

Total Pages: 61

ISBN-13: 1471782069

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Brahms è sempre stato oggetto di una massiccia attenzione da parte della letteratura musicologica, in modo particolare il suo corpus sinfonico. Gli studi fatti sugli ultimi cicli pianistici, con specifico riferimento all'opera in esame, sono frammentari, focalizzati su aspetti riguardanti singoli intermezzi, senza prendere in considerazione in maniera soddisfaciente la totalità dell'opera. Lo scopo principale di questa analisi è dimostrare la coerenza del pensiero compositivo brahmsiano, attraverso un'indagine sulle fitte relazioni che intercorrono tra i brani che compongono l'op.118


Performing Brahms

Performing Brahms

Author: Michael Musgrave

Publisher: Cambridge University Press

Published: 2003-10-02

Total Pages: 436

ISBN-13: 9780521652735

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A great deal of evidence survives about how Brahms and his contemporaries performed his music. But much of this evidence - found in letters, autograph scores, treatises, publications, recordings, and more - has been hard to access, both for musicians and for scholars. This book brings the most important evidence together into one volume. It also includes discussions by leading Brahms scholars of the many issues raised by the evidence. The period spanned by the life of Brahms and the following generation saw a crucial transition in performance style. As a result, modern performance practices differ significantly from those of Brahms's time. By exploring the musical styles and habits of Brahms's era, this book will help musicians and scholars understand Brahms's music better and bring fresh ideas to present-day performance. The value of the book is greatly enhanced by the accompanying CD of historic recordings - including a performance by Brahms himself.


The Cambridge History of Musical Performance

The Cambridge History of Musical Performance

Author: Colin Lawson

Publisher: Cambridge University Press

Published: 2012-02-16

Total Pages: 1066

ISBN-13: 1316184420

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The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.


The Historical Performance of Music

The Historical Performance of Music

Author: Colin Lawson

Publisher: Cambridge University Press

Published: 1999-11-11

Total Pages: 240

ISBN-13: 9780521627382

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A 1999 overview of historical performance, surveying issues and suggesting future developments.


Chopin Studies 2

Chopin Studies 2

Author: John Rink

Publisher: Cambridge University Press

Published: 2006-12-14

Total Pages: 272

ISBN-13: 9780521034333

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'A book that no serious student should be without... refreshingly sane.' Jeremy Siepmann, Classical Music 'An immensely valuable and well-researched book.' Stephen Haylett, BBC Music Magazine 'Intermittently engrossing...' Susan Bradshaw, Musical Times.


The Reception of Bach's Organ Works from Mendelssohn to Brahms

The Reception of Bach's Organ Works from Mendelssohn to Brahms

Author: Russell Stinson

Publisher: Oxford University Press, USA

Published: 2010

Total Pages: 242

ISBN-13: 0199747032

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In this penetrating study, Russell Stinson considers how four of the greatest composers of the nineteenth century-Felix Mendelssohn, Robert Schumann, Franz Liszt, and Johannes Brahms-responded to the model of Bach's organ music. His book represents a major step forward in the literature on the so-called Bach revival.


Classical Form

Classical Form

Author: William E. Caplin

Publisher: Oxford University Press

Published: 2000-12-28

Total Pages: 320

ISBN-13: 0199881758

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Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.