Dark Horse teaming up with some of today's finest lowbrow/alternative artists to create a collection of super-cool snail mail stationery sets. To see all of the graphics go to www.darkhorse.com/stationery/. Each set includes 8 letter sheets (four different styles), 6 envelopes (4 different styles), and a set of stickers. Packaged as a work of art itself with a printed belly-band all inside a poly bag.
In honor of Frank’s 20th anniversary Fantagraphics is re-releasing the massive, long out of print Frank Book omnibus, which collected all the Frank material up to the mid-aughts, including several jaw-droppingly beautiful full-color stories, literally dozens of lushly-delineated black-and-white stories, and a treasure trove of covers and illustrations. The Frank Book also features an introduction by one of Frank’s biggest fans (himself a Frank, or almost): Francis Ford Coppola.
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
For over 20 years now, Jim Woodring has delighted, touched, and puzzled readers around the world with his lush, wordless tales of “Frank.” Weathercraft is Woodring’s first full-length graphic novel set in this world—indeed, Woodring’s first graphic novel, period!—and it features the same hypnotically gorgeous linework and mystical iconography. As it happens, Frank has only a brief supporting appearance in Weathercraft, which actually stars Manhog, Woodring’s pathetic, brutish everyman (or everyhog), who had previously made several appearances in “Frank” stories (as well as a stunning solo turn in the short story “Gentlemanhog”). After enduring 32 pages of almost incomprehensible suffering, Manhog embarks upon a transformative journey and attains enlightenment. He wants to go to celestial realms but instead altruistically returns to the unifactor to undo a wrong he has inadvertently brought about: The transformation of the evil politician Whim into a mind-destroying plant-demon who distorts and enslaves Frank and his friends. The new and metaphysically expanded Manhog sets out for a final battle with Whim... Weathercraft also co-stars Frank’s cast of beloved supporting characters, including Frank’s Faux Pa and the diminutive, mailbox-like Pupshaw and Pushpaw; it is both a fully independent story that is a great introduction to Woodring’s world, and a sublime addition to, and extension of, the Frank stories.
If you are one of the fortunate thousands who enjoy untangling the enigmatic images that fill Jim Woodring's comics and drawings, Problematic is just the book for you to put under your pillow and dream on. Woodring is a devotee of the pocket-sized Moleskine sketchbook and has filled at least one per month since 2004. Quick concept sketches, figure studies, self-challenges, finished drawings, revenge portraits and caricatures, scene tryouts... everything goes into these idea batteries. Problematic provides the adventurous viewer with a bounty of unfiltered, hand-captured glimpses of life by an artist that Publishers Weekly called "a modern master of hallucinatory cartoon fables."
Readers of the “Frank” stories know that The Unifactor is in control of everything that happens to the characters that abide there, and that however extreme the experiences they undergo may be, in the end nothing really changes. That goes treble for Frank himself, who is kept in a state of total ineducability by the unseen forces of that haunted realm. And so the question arises: what would happen if Frank were to leave The Unifactor? That question is answered in Congress of the Animals, Jim Woodring's much-anticipated second full-length graphic novel, and first starring his signature character Frank.
The Strange World of Your Dreams gathers the complete run of the 1950s comic book series of that fascinating title. A dream team of artists headed by Jack Kirby created a bizarre world of nocturnal fantasies. It's as if these comics were written by Sigmund Freud and drawn by Salvador Dali!
When Pupshaw and Pushpaw depart for the orgiastic delights of Poochytown, the forlorn Frank is thrown by a twist of fate into an unlikely friendship, propelling him down a long road of escapades and trials that ends in one of the most shocking acts ever depicted in the Frank canon.
Growing up in the suburbs of Boston and raised on secular Judaism, Cocoa Puffs, and Gilligan’s Island, Peter Bebergal was barely in his teens when the ancient desire to finding higher spiritual meaning in the universe struck. Already schooled in mysticism by way of comic books, Dungeons & Dragons, and Carlos Castaneda, he turned to hallucinogens, convinced they would provide a path to illumination. Was this profound desire for God—a god he believed that could only be apprehended by an extreme state of altered consciousness—simply a side effect of the drugs? Or was it a deeper human longing that was manifesting itself, even on a country club golf course at the edge of a strip mall? Too Much to Dream places Bebergal’s story within the cultural history of hallucinogens, American fascination with mysticism, and the complex relationship between drug addiction, popular culture, rock ‘n’ roll, occultism, and psychology. With a captivating foreword by Peter Coyote, and interviews with writers, artists, and psychologists such as Dennis McKenna, James Fadima, Arik Roper, Jim Woodring, and Mark Tulin, Bebergal offers a groundbreaking exploration of drugs, religion, and the craving for spirituality entrenched in America’s youth.
Frank is, as everyone knows, Jim Woodring’s best-selling cartoon character. Jim, on the other hand, is Woodring’s cartoon alter ego, the fictional doppelganger who has for 30 years inhabited Woodring’s alternate universe where shifting, phantasmagoric landscapes, abrupt, hallucinatory visual revelations, and unexpected eruptions of uninhibited verbal self-flagellation are commonplace. Jim is a mind-bending collection of all of Woodring’s best non-Frank creative work ― comics stories, prose stories, drawings, and paintings, with a new introduction and afterword by the man himself. Abounding in metaphors if you choose to see them and naked self-disclosure if you don’t, this volume of comics, prose, and images ― collected here for the first time ― is a bounty of Woodring’s inspired artistry.
