Examines Jewish life in Vienna, outlining internal dissensions and conflicts between assimilationist and traditional Jews and focusing on the rise and evolution of modern Austrian antisemitism. Jews were attacked as both capitalists and Marxists, as racially inferior and as a corrupting element, from the time of Christian Socialist Karl Lueger to Hitler and the Nazi period. Describes the Holocaust period, the persecution and deportation of Austria's Jews, and the unwillingness of Austrians to deal with their Nazi and anti-Jewish past after the war, as shown by their reluctance to bring war criminals to trial and by Kurt Waldheim's election as president.
Viennese popular culture at the turn of the twentieth century was the product of the city’s Jewish and non-Jewish residents alike. While these two communities interacted in a variety of ways to their mutual benefit, Jewish culture was also inevitably shaped by the city’s persistent bouts of antisemitism. This fascinating study explores how Jewish artists, performers, and impresarios reacted to prejudice, showing how they articulated identity through performative engagement rather than anchoring it in origin and descent. In this way, they attempted to transcend a racialized identity even as they indelibly inscribed their Jewish existence into the cultural history of the era.
During the mid-19th century, the works of Arthur Schopenhauer and Richard Wagner sparked an impulse toward German cultural renewal and social change that drew on religious myth, metaphysics, and spiritualism. The only problem was that their works were deeply antisemitic and entangled with claims that Jews were incapable of creating compassionate art. By looking at the works of Jewish composers and writers who contributed to a lively and robust biblical theatre in fin de siècle Vienna, Caroline A. Kita shows how they reimagined myths of the Old Testament to offer new aesthetic and ethical views of compassion. These Jewish artists, including Gustav Mahler, Siegfried Lipiner, Richard Beer-Hofmann, Stefan Zweig, and Arnold Schoenberg, reimagined biblical stories through the lens of the modern Jewish subject to plead for justice and compassion toward the Jewish community. By tracing responses to antisemitic discourses of compassion, Kita reflects on the explicitly and increasingly troubled political and social dynamics at the end of the Habsburg Empire.
This book studies the role played by Jews in the explosion of cultural innovation in Vienna at the turn of the century, which had its roots in the years following the Ausgleich of 1867 and its demise in the sweeping events of the 1930s. The author shows that, in terms of personnel, Jews were predominant throughout most of Viennese high culture, and so any attempts to dismiss the "Jewish aspect" of the intelligentsia are refuted. The book goes on to explain this "Jewish aspect," dismissing any unitary, static model and adopting a historical approach that sees the "Jewishness" of Viennese modern culture as a result of the specific Jewish backgrounds of most of the leading cultural figures and their reactions to being Jewish.
A "novel based on an unexplored slice of World War II history, following a young Jewish girl whose family flees refined and urbane Vienna for safe harbor in the mountains of Bolivia"--
Originally published in 1987, this book explores the emergence, structure and ultimate fate of the Viennese Jewish community. Thirteen eminent specialists on Viennese social, political and cultural history combine to cover a wide variety of topics, including the social and psychological causes of the highly successful and intellectually creative position held by the Jewish community as a minority within the larger Viennese society. They also analyse the conservative politics of the pre-1914 Jewish community, and their relationship both to Zionism and to Austro-Marxism. The book also traces the continuities with the past in interwar Austria and analyse the stages leading to the expulsion, expropriation and annihilation of the Jews in Nazi-dominated Austria. The book concludes with an examination of post-Holocaust antisemitism in Vienna.
“Robert Wistrich’s exemplary scholarly analysis of the Viennese Jewish community in the 19th century is the first well-written, reliable study of its kind... gives elegant portraits of the crucial Jewish figures of the new Viennese politics at the turn of the century... focus[es] on the internal history of the highly diversified Jewish community... [Wistrich] analyzes effectively the genesis of Herzl’s Zionism from within the Viennese context. Although his sympathies for Zionism are clear, he is respectful of Jewish critics of Zionism. What is refreshing in his narrative is the absence of retrospective critical moralizing about assimilation and the remarkable participation of Jews in German culture. Assimilated Jewish aristocrats and intellectuals, even Jews who converted to Christianity, are presented with as much evenhandedness as those Viennese Jewish nationalists and traditionalist theologians whose mistrust of assimilation and acculturation as reliable defenses against prejudice seems to have been vindicated by the Holocaust. The Jews of Vienna in the Age of Franz Joseph is not merely a descriptive history of Viennese Jewry. It vindicates the centrality of Jewishness and anti-Semitism as dynamic and changing forces in the evolution of 19th-century Austro-German politics and culture... Mr. Wistrich’s poignant narrative reminds us that the struggle for civic equality, social acceptance and economic security by the Jews of 19th-century Vienna resulted, among other things, in a steady stream of diverse and unforgettable contributions to art, science and culture... Even if the hopes implicit in the political and social struggle of the Jews of Vienna before 1914 were dashed finally by the violence of Nazism, Mr. Wistrich’s book is a moving reminder of what high hopes they were.” — Leon Botstein, The New York Times Book Review “The excellence of his book lies... in the high quality of scholarship, the sensitivity to nuance, the desire to map the entire Jewish response to the crisis of the empire in all its complexity.” — Michael Ignatieff, New York Review of Books “Will be the standard work for some time to come... eminently readable.” — Peter Pulzer, London Review of Books “[A] monumental book which will be indispensible for a long time to come.” — Ritchie Robertson, German History “Wistrich draws all the strands of this complex story very clearly together... broadly conceived, his book has a compelling dramatic interest and is certain to remain a standard guide to its subject for a long time.” — Roger Morgan, Times Literary Supplement “A paradigm of fine Jewish historical writing and analysis... Wistrich builds his work by exhaustively treating the important trends and figures which Viennese Jewry produced.” — Sharon Fleisher, Jerusalem Post “... a veritable summa of the religious, cultural, and political history in which the Viennese Jews were the main agents of change during the decline of the Habsburg monarchy.” — Victor Karady, Liber
This book examines Jewish life in Vienna just after the Nazi-takeover in 1938. Who were Vienna’s Jews, how did they react and respond to Nazism, and why? Drawing upon the voices of the individuals and families who lived during this time, together with new archival documentation, Ilana Offenberger reconstructs the daily lives of Vienna’s Jews from Anschluss in March 1938 through the entire Nazi occupation and the eventual dissolution of the Jewish community of Vienna. Offenberger explains how and why over two-thirds of the Jewish community emigrated from the country, while one-third remained trapped. A vivid picture emerges of the co-dependent relationship this community developed with their German masters, and the false hope they maintained until the bitter end. The Germans murdered close to one third of Vienna’s Jewish population in the “final solution” and their family members who escaped the Reich before 1941 chose never to return; they remained dispersed across the world. This is not a triumphant history. Although the overwhelming majority survived the Holocaust, the Jewish community that once existed was destroyed.
Crimes committed by Jews, especially ritual murders, have long been favorite targets in the antisemitic press. This book investigates popular and scientific conceptualizations of criminals current in Austria and Germany at the turn of the last century and compares these to those in the contemporary antisemitic discourse. It challenges received historiographic assumptions about the centrality of criminal bodies and psyches in late nineteenth- and early twentieth-century criminology and argues that contemporary antisemitic narratives constructed Jewish criminality not as a biologico-racial defect, but rather as a coolly manipulative force that aimed at the deliberate destruction of the basis of society itself. Through the lens of criminality this book provides new insight into the spread and nature of antisemitism in Austria-Hungary around 1900. The book also provides a re-evaluation of the phenomenon of modern Ritual Murder Trials by placing them into the context of wider narratives of Jewish crime.
