Television programme format transfer is the process whereby the basic idea or ingredient of a programme is used to produce a new version of the programme. With Polyglot TV, Albert Moran offers a detailed explanation of the process.
If Genesis, according to British comedian and fan Al Murray 'were the progressive rock band who progressed', then Peter Gabriel as a solo artist would be the member that progressed the most. Who would have thought that listening to early Genesis would eventually take the listener to Senegal, Armenia, South Africa and beyond, via the artistic endeavours of their former vocalist? This is a journey through Peter Gabriel's solo albums, his live recordings and soundtrack compositions. During his forty-year plus solo career, Gabriel has become a worldwide pop star via his early, self-titled albums and his seminal 1986 record So. He has had hit singles throughout his career, including the bucolic 'Solsbury Hill' in 1977 and the poignant 'Don't Give Up'. He also helped pioneer video creativity with the song 'Sledgehammer'. In doing so, he has reached beyond his progressive rock origins to achieve a level of popularity and respect that other musicians from that genre could only dream about. You may have heard many of these songs before, but there's always something new to be found by digging in the dirt. This is the perfect guide to his music for new listeners and long-term fans alike. What on earth is going on? In the words of the Burgermiester: 'I...will...find...out.' Graeme Scarfe was born in the 1960s, educated in the comprehensive system in the 1970s and 1980s and graduated from Bournemouth University in the 1990s. He has worked as a music journalist, sound recordist and stand-up comedian. He also regularly lectures on Film. He wrote the original screenplay for the British Horror film Lighthouse and the comedy novel Seagulls on Speed which is available from www.seagullsonspeed.co.uk. He listens to an awful lot of music and attempts to play the guitar. A member of the Writers' Guild of Great Britain, he is married with two children and lives in Sussex, UK.
Tim Bradford is growing up in a small town in Lincolnshire in the 1970s. Market Rasen is not the most exciting place, but to his teenage mind it was the centre of the universe. Tim is at that in-between phase between childhood and adolescence, where you are trying to be grown up and get your first snogs whilst at the same time still playing with airfix models and making dens. Tim takes us through his first crushes, falling in love with the local beauty queen and an elusive Gallic beauty on a French exchange. His first attempts at getting drunk and trying to impress girls, forming bands which churned out endless numbers of rubbish songs and trying to avoid deckings by the local hards. Tim and his equally hapless friends are gradually working towards breaking free of their childhoods and moving away from their roots. Life in this small town was a rollercoaster of mundane happenings. Small Town paints a portrait of the energy and melancholy at the heart of our generation, the inability to live for now and the feeling that something better is just around the corner. Too young (just) to be baby boomers and too English and uncool to call itself Generation X. It's a universal tale about dreams, ambitions, brass bands, cubs, rugby songs, football stickers, tractors, young love and valve amplifiers connected up to cheap distortion pedals, set at a time of political change and pudding basin hair.
In October 2007, writers Mike Small and Kevin Williamson launched Bella Caledonia at the Radical Book Fair in Edinburgh. Since then, Bella has consistently explored ideas of self-determination and offered Scotland's most robust and insightful political commentary. In the run up to Scottish independence referendum, international interest grew and Bella Caledonia had more than 500,000 unique users a month, with a peak of one million in August ― and since then has been given multiple awards recognising it as one of the top 10 political blogs in the UK. This anthology, curated by Mike Small, is a flavour of Bella's output over these 14 years ― the editor's pick. Bella is aligned to no political party and sees herself as the bastard child of parent publications too good for this world; from Calgacus to Red Herring, from Harpies & Quines to the Black Dwarf. Under Mike's editorship, Bella has developed a 'Fifth Estate' as a way of disrupting the passive relationship of old media, creating something more active and appropriate for the 21st century ― it's about concentration of ownership, and bringing together radical coverage with cultural analysis. Hence the plethora of wide-ranging voices in this anthology, each representing outlier viewpoints in contemporary society ― novelists, poets, bloggers and journalists publishing in non-mainstream media outlets, and the social media. * "Bella Caledonia has been a flagship for progressive thought in Scotland, providing a platform for informed and creative writing, advocating a progressive and independent nation fit for the future." Stuart Cosgrove "Bella has been to be a constant thorn in the side of the powerful voices who would prefer that conventional wisdom went unchallenged, that awkward questions went unasked, and bold solutions went unheard." Peter Geoehgan * The Contributors: Andy Wightman • Alan Bissett • Brian Quail • George Rosie • Kathleen Jamie • Peter Arnott • Scott Hames • Laura Easton Lewis • Meaghan Delahunt • AL Kennedy • Alistair Davidson • Alastair McIntosh • Katie Gallogly-Swan • Max Macleod • Caitlin Logan • Irvine Welsh • Paul Tritschler • Chloé Farand • Abi Lightbody • Pat Kane • Adam Ramsay • Rory Scothorne • Alison Phipps • Jamie Maxwell • Amna Saleem • Neil Cooper • Dougie Strang • Mairi McFadyen • Christopher Silver • George Gunn • Stuart Christie • George Kerevan • Iain MacKinnon • Dougald Hine • Cait O'Neil McCullagh • Raman Mundair • Gerry Hassan About The Editor: Mike Small is a writer, journalist, author and publisher. He has written for the Guardian, Sunday Herald, Sunday National, Open Democracy, Variant, Lobster and Z Magazine. He is currently working on a biography of Patrick Geddes and a history of Scottish Anarchism. He has edited Bella Caledonia since 2007.
Words are fundamental to both speech and written communication, but it’s not just the words that fascinate us, we love to learn about their use and the complexities of language too. Felix Schrödinger and Pyotr Stilovsky have compiled in this, the fourth volume of the series, a compendium of information that will appeal to all who love language and especially those who seek out knowledge for its own sake.
Debate ranges over the effects of the growing utilization by the young of interactive screen-based technologies and the effects of these on vulnerable young chldren. This text is based on two years' research on 100 children, with entertainment screen technology in their homes, following them from home to school and examining the difference in culture in the two environments. The question is asked whether children are developing the necessary IT and other skills required from the maturing learner as we approach the 21st century. Issues such as gender, parenting, violence, censorship and the educational consequences of their screen-based experiences are at the forefront of the text's coverage.
David Bell and Kate Oakley survey the major debates emerging in cultural policy research, adopting an approach based on spatial scale to explore cultural policy in cities, nations and internationally. They contextualise these discussions with an exploration of what both ‘culture’ and ‘policy’ mean when they are joined together as cultural policy. Drawing on topical examples and contemporary research, as well as their own experience in both academia and in consultancy, Bell and Oakley urge readers to think critically about the project of cultural policy as it is currently being played out around the world. Cultural Policy is a comprehensive and readable book that provides a lively, up-to-date overview of key debates in cultural policy, making it ideal for students of media and cultural studies, creative and cultural industries, and arts management.
Concise introductions to the main issues in energy policy and their interaction with environmental policies in the EU. The European Union (EU) faces critical challenges in energy policy making, the most pressing of which are how to achieve the deep greenhouse gas reductions promised at the December 2015 UN Conference of the Parties in Paris, and how this effort can be coordinated with already existing policies. Energy policy is primarily a member state responsibility, and policy makers need an overarching view of the main issues in energy policy and their interaction with environmental policies. This volume aims to fill this need, offering concise introductions to some of the major issues as well as practical suggestions for policy making. The contributors discuss reforms to the EU Emissions Trading System (ETS), the world's largest carbon market; ways to improve the operation and integration of the EU's power grids, in terms of both supply and demand; changes to the EU's Energy Tax Directive, which sets tax floors for fuels outside the ETS; the coordination of climate policies with policies to promote renewables and energy efficiency; research into clean technology; challenges to shale gas development; and transportation policy and the need for action on such externalities as traffic congestion. Finally, contributors consider obstacles to reform, including its potential effects on vulnerable households and energy-intensive industries. Contributors Mikael Skou Andersen, Niels Anger, Bruno De Borger, Antoine Dechezleprêtre, Jos Delbeke, Ottmar Edenhofer, Christian Flachsland, Beatriz Gaitan, Polona Gregorin, Cameron Hepburn, Alan Krupnick, Andreas Löschel, Claudio Marcantonini, Felix Christian Matthes, Paul Nahmmacher, Ian Parry, Karen Pittel, David Popp, Stef Proost, Christina Roolfs, Bert Saveyn, Oliver Schenker, Stephen Smith, Alexander Teytelboym, Kurt Van Dender, Herman Vollebergh, Nils-Henrik M. von der Fehr, Zhongmin Wang, Georg Zachmann
"This book, a reference survey of social simulation work comprehensively collects the most exciting developments in the field. Drawing research contributions from a vibrant community of experts on social simulation, it provides a set of unique and innovative approaches, ranging from agent-based modeling to empirically based simulations, as well as applications in business, governmental, scientific, and other contexts"--Provided by publisher.