This magnificent volume brings to life the great and ancient drama of the world's holiest city. Mining the rich evidence of this remarkable history, the world-renowned authors gathered here conjure the Holy City as it has appeared in antique Hebrew texts; in the testimony of Jewish and Christian pilgrims and in art; in medieval Islamic literature and in Western nineteenth-century accounts; in maps, mosaics and architecture through the ages.
" ... The author traces the growth of the capital of Judea, following the Jewish return from Babylonian Exile, through the rule of the Hasmonean priest-kings and Herod the Great, and finally into its turbulent days under Roman administration." ~publisher.
The enigma of King Herod as a cruel bloodthirsty tyrant on the one hand, and a great builder on the other is discussed in a systematic modern historical and psychological study. It seeks to unravel the contradictory historic mystery of the man and his deeds. After A. Schalit's König Herodes, this study is a new comprehensive, pioneering study on the intriguing personality of Herod, also using the insights of psychology. Herod's mental state reached an acute level, consistent with the DSM-IV diagnosis for "Paranoid Personality Disorder". He grew up with an ambiguous identity and suffered from feelings of inferiority. Haunted by persecutory delusions, he executed almost any suspect of treason, including his wife and three sons. The Hebrew original text was Winner of the Ya'acov Bahat Prize for Non-Fiction Hebrew Literature for 2006.
Bringing together the research of internationally renowned scholars, Assyria to Iberia at the Dawn of the Classical Age contributes significantly to our understanding of the epoch-making artistic and cultural exchanges that took place across the Near East and Mediterranean in the early first millennium B.C. This was the world of Odysseus, in which seafaring Phoenician merchants charted new nautical trade routes and established prosperous trading posts and colonies on the shores of three continents; of kings Midas and Croesus, legendary for their wealth; and of the Hebrew Bible, whose stories are brought vividly to life by archaeological discoveries. Objects drawn from collections in the Middle East, Europe, North Africa, and the United States, reproduced here in sumptuous detail, reflect the cultural encounters of diverse populations interacting through trade, travel, and migration as well as war and displacement. Together, they tell a compelling story of the origins and development of Western artistic traditions that trace their roots to the ancient Near East and across the Mediterranean world. Among the masterpieces brought together in this volume are stone reliefs that adorned the majestic palaces of ancient Assyria; expertly crafted Phonecian and Syrian bronzes and worked ivories that were stored in the treasuries of Assyria and deposited in tombs and sanctuaries in regions far to the west; and lavish personal adornments and other luxury goods, some imported and others inspired by Near Eastern craftsmanship. Accompanying texts by leading scholars position each object in cultural and historical context, weaving a narrative of crisis and conquest, worship and warfare, and epic and empire that spans both continents and millennia. Writing another chapter in the story begun in Art of the First Cities (2003) and Beyond Babylon (2008), Assyria to Iberia offers a comprehensive overview of art, diplomacy, and cultural exchange in an age of imperial and mercantile expansion in the ancient Near East and across the Mediterranean in the first millennium B.C.—the dawn of the Classical age.
At the close of the year 1918, forced to flee England's green and pleasant land, Mary Russell and Sherlock Holmes enter British-occupied Palestine under the auspices of Holmes' enigmatic brother, Mycroft. "Gentlemen, we are at your service." Thus Holmes greets the two travel-grimed Arab figures who receive them in the orange groves fringing the Holy Land. Whatever role could the volatile Ali and the taciturn Mahmoud play in Mycroft's design for this land the British so recently wrested from the Turks? After passing a series of tests, Holmes and Russell learn their guides are engaged in a mission for His Majesty's Government, and disguise themselves as Bedouins--Russell as the beardless youth "Amir"--to join them in a stealthy reconnaissance through the dusty countryside. A recent rash of murders seems unrelated to the growing tensions between Jew, Moslem, and Christian, yet Holmes is adamant that he must reconstruct the most recent one in the desert gully where it occurred. His singular findings will lead him and Russell through labyrinthine bazaars, verminous inns, cliff-hung monasteries--and into mortal danger. When her mentor's inquiries jeopardize his life, Russell fearlessly wields a pistol and even assays the arts of seduction to save him. Bruised and bloodied, the pair ascend to the jewellike city of Jerusalem, where they will at last meet their adversary, whose lust for savagery and power could reduce the city's most ancient and sacred place to rubble and ignite this tinderbox of a land.... Classically Holmesian yet enchantingly fresh, sinuously plotted, with colorful characters and a dazzling historic ambience, O Jerusalem sweeps readers ever onward in the thrill of the chase.
