Jenny Lind the Artist, 1820-1851

Jenny Lind the Artist, 1820-1851

Author: Henry Scott Holland

Publisher: Forgotten Books

Published: 2015-07-16

Total Pages: 508

ISBN-13: 9781331515661

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Excerpt from Jenny Lind the Artist, 1820-1851: A Memoir of Madame Jenny Lind Goldschmidt, Her Art-Life and Dramatic Career, From Original Documents, Letters, Ms. Diaries, &C., Collected by Mr. Otto Goldschmidt Jenny lind - the name carries music with it to English ears. The memory is very tender and fragrant Of her who, to our joy, found, for so long, a home among us. And yet it may well be questioned whether we English have even yet formed an adequate estimate of her gifts and character. For what is it which we have in our minds as we recall her name? It is, first, some tale of the wonderful days when all London went mad over her singing. We have heard people tell, as their eyes kindle with the Old passionate delight, how she came tripping over the stage in the Figlia, and how the liquid notes came rippling Off her lips. We hear of the hours they waited in the historic crush at the Opera in the Haymarket Of the feverish energy with which they toiled to catch one glimpse of her passing. We remember, with a smile, some picture in an old copy Of Punch, or the Illustrated London News, of scenes in the Opera passages on a Jenny Lind night. And then we add to this memory of that surpassing triumph, the thought of one whose purity and simplicity won all hearts to love the girl who, in the hour of her overwhelming success, re membered others rather than herself, and poured out her money in charities, and devoted her marvellous gifts to the relief of poverty and the healing of pain. That is our English picture, and it is good and pleasant enough and it is quite true, so far as it goes. But it is strangely imperfect and fragmentary. It assumes that her operatic career is to be identified with the brief passage of those London seasons, and that her fame is a private possession of our own here in England, Where She lived and died. There prevails no general conception that the English visits were but the latter episodes of a long dramatic experience - an experience which had begun, with extra ordinary promise, before she had passed out Of her childhood, and which had already won to her the same enthusiasm which greeted her in England, not only In her own Swedish home and In the kindred capital, Copenhagen, but in the great musical centres Of Germany - Berlin, the Rhine, Leipzig, Munich, and Vienna. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Memoir of Madame Jenny Lind-Goldschmidt

Memoir of Madame Jenny Lind-Goldschmidt

Author: Henry Scott Holland

Publisher: Cambridge University Press

Published: 2011-10-20

Total Pages: 521

ISBN-13: 1108038697

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A two-volume memoir based on the letters and diaries of renowned soprano Jenny Lind (1820-87), published in 1891.


'Food for Apollo'

'Food for Apollo'

Author: Dorothy T. Potter

Publisher: Lehigh University Press

Published: 2011-05-12

Total Pages: 236

ISBN-13: 1611460034

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'Food for Apollo:' Cultivated Music in Antebellum Philadelphia by Dorothy Potter, describes and evaluates the growth and scope of cultivated music in that city, from the early eighteenth-century to the advent of the Civil War. In many works dealing with American culture, discussion of music's influence is limited to a few significant performances or persons, or ignored altogether. The study of music's role in cultural history is fairly recent, compared to literature, art, and architecture. Whether vernacular or based on European models, a more thorough understanding of music should include attention to related subjects. This book examines concert and theatre performances, music publishing, pre-1861 manufacture of pianos, and British and American literature which promoted music, informing readers about individuals such as Wolfgang Amadeus Mozart, whose works and fame generated interest on both sides of the Atlantic. Though initially hindered by the Society of Friends' opposition to entertainments of all sorts, numbers of non-Quakers supported dancing, concerts, and drama by the 1740s; this interest accelerated after the Revolution, with the building of some of America's earliest theatres, and over time, Musical Fund Hall, the Academy of Music, and other venues. Emigrant musicians, notably Alexander Reinagle, introduced new works by contemporary Europeans such as Franz Joseph Haydn, Mozart, C.P. E. Bach, and many others, in concerts blended with favorite tunes, like the 'President's March.'. Later in the nineteenth century, Philadelphia's noted African-American composer and band leader Francis Johnson, continued the tradition of mixing classical and vernacular works in his popular promenade concerts. As they advertised and shipped their music to an ever-growing market, post-Revolutionary emigrant music publishers, including Benjamin Carr and his family, George Willig, and George Blake, created successful businesses that influenced American taste far beyond Philadelphia. While many of their imprints were vernacular pieces of all sorts, pirated European music adapted for amateur pianists, many of whom were women, formed a substantial part of their stock. Mozart's music was frequently republished or adapted for domestic entertainments, particularly as waltzes and songs from his operas.


Festa Musicologica

Festa Musicologica

Author: George J. Buelow

Publisher: Pendragon Press

Published: 1995

Total Pages: 544

ISBN-13: 9780945193708

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George J. Buelow's distinguished career as author, translator, editor, and officer of numerous musical associations is celebrated in this collection of essays. The volume, planned by his colleagues in honor of his sixty-fifth birthday, concentrates on three of his active interests-Handel studies, vocal music and singers, and the history of music theory. The work concludes with an autobiographical sketch of the dedicatee's early life in Chicago and his formation as a musicologist.


Literature and Music in the Atlantic World, 1767-1867

Literature and Music in the Atlantic World, 1767-1867

Author: Catherine Jones

Publisher: Edinburgh University Press

Published: 2014-07-16

Total Pages: 288

ISBN-13: 074868462X

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This new study looks at the relationship of rhetoric and music in the era's intellectual discourses, texts and performance cultures principally in Europe and North America. Catherine Jones begins by examining the attitudes to music and its performance by leading figures of the American Enlightenment and Revolution, notably Benjamin Franklin and Thomas Jefferson. She also looks at the attempts of Francis Hopkinson, William Billings and others to harness the Orphean power of music so that it should become a progressive force in the creation of a new society. She argues that the association of rhetoric and music that reaches back to classical Antiquity acquired new relevance and underwent new theorisation and practical application in the American Enlightenment in light of revolutionary Atlantic conditions. Jones goes on to consider changes in the relationship of rhetoric and music in the nationalising milieu of the nineteenth century; the connections of literature, music and music theory to changing models of subjectivity; and Romantic appropriations of Enlightenment visions of the public ethical function of music.


The Grove Book of Opera Singers

The Grove Book of Opera Singers

Author: Laura Williams Macy

Publisher:

Published: 2008

Total Pages: 649

ISBN-13: 0195337654

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Covering over 1500 singers from the birth of opera to the present day, this marvelous volume will be an essential resource for all serious opera lovers and an indispensable companion to the enormously successful Grove Book of Operas. The most comprehensive guide to opera singers ever produced, this volume offers an alphabetically arranged collection of authoritative biographies that range from Marion Anderson (the first African American to perform at the Met) to Benedict Zak (the classical tenor and close friend and colleague of Mozart). Readers will find fascinating articles on such opera stars as Maria Callas and Enrico Caruso, Ezio Pinza and Fyodor Chaliapin, Lotte Lehmann and Jenny Lind, Lily Pons and Luciano Pavarotti. The profiles offer basic information such as birth date, vocal style, first debut, most memorable roles, and much more. But these articles often go well beyond basic biographical information to offer colorful portraits of the singer's personality and vocal style, plus astute evaluations of their place in operatic history and many other intriguing observations. Many entries also include suggestions for further reading, so that anyone interested in a particular performer can explore their life and career in more depth. In addition, there are indexes of singers by voice type and by opera role premiers. The articles are mostly drawn from the acclaimed Grove Music Online and have been fully revised, and the book is further supplemented by more than 40 specially commissioned articles on contemporary singers. A superb new guide from the first name in opera reference, The Grove Book of Opera Singers is a lively and authoritative work, beautifully illustrated with color and black-and-white pictures. It is an essential volume--and the perfect gift--for opera lovers everywhere.