Memoir of Madame Jenny Lind-Goldschmidt
Memoir of Madame Jenny Lind-Goldschmidt

Author: Henry Scott Holland

Publisher: Cambridge University Press

Published: 2011-10-20

Total Pages: 473

ISBN-13: 1108038689

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A two-volume memoir based on the letters and diaries of renowned soprano Jenny Lind (1820-87), published in 1891.

Popular Music
Popular Music

Author: Roman Iwaschkin

Publisher: Routledge

Published: 2016-04-14

Total Pages: 726

ISBN-13: 1317223446

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This is a comprehensive guide to popular music literature, first published in 1986. Its main focus is on American and British works, but it includes significant works from other countries, making it truly international in scope.

JENNY LIND THE ARTIST 1820-185
JENNY LIND THE ARTIST 1820-185

Author: Henry Scott 1847-1918 Holland

Publisher: Wentworth Press

Published: 2016-08-28

Total Pages: 510

ISBN-13: 9781372697548

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Jenny Lind the Artist, 1820-1851
Jenny Lind the Artist, 1820-1851

Author: Henry Scott Holland

Publisher: Sagwan Press

Published: 2015-08-25

Total Pages: 504

ISBN-13: 9781340275556

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Literature and Music in the Atlantic World, 1767-1867
Literature and Music in the Atlantic World, 1767-1867

Author: Catherine Jones

Publisher: Edinburgh University Press

Published: 2014-07-16

Total Pages: 288

ISBN-13: 074868462X

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This new study looks at the relationship of rhetoric and music in the era's intellectual discourses, texts and performance cultures principally in Europe and North America. Catherine Jones begins by examining the attitudes to music and its performance by leading figures of the American Enlightenment and Revolution, notably Benjamin Franklin and Thomas Jefferson. She also looks at the attempts of Francis Hopkinson, William Billings and others to harness the Orphean power of music so that it should become a progressive force in the creation of a new society. She argues that the association of rhetoric and music that reaches back to classical Antiquity acquired new relevance and underwent new theorisation and practical application in the American Enlightenment in light of revolutionary Atlantic conditions. Jones goes on to consider changes in the relationship of rhetoric and music in the nationalising milieu of the nineteenth century; the connections of literature, music and music theory to changing models of subjectivity; and Romantic appropriations of Enlightenment visions of the public ethical function of music.