(Guitar Recorded Versions). All 10 tracks from Beck's recently remastered classic solo debut, transcribed note for note so you can play exactly as Beck did on the album. Songs include: Beck's Bolero * Blues Deluxe * Greensleeves * I Ain't Superstitious * Let Me Love You * (Walk Me Out in The) Morning Dew * Ol' Man River * Rock My Plimsoul * Shapes of Things * You Shook Me.
(Signature Licks Guitar). Take a deep breath and jump into the guitar adventure that is Jeff Beck. This exclusive book/CD pack features in-depth analysis of the songs and solos that highlight his incredible career, from the Yardbirds to his landmark jazz-fusion albums to present day. Ten songs are analyzed, including: Beck's Bolero * Big Block * Cause We've Ended as Lovers * A Day in the Life * El Becko * Freeway Jam * Goodbye Pork Pie Hat * Led Boots * Over Under Sideways Down * Rock My Plimsoul.
(Guitar Play-Along). The Guitar Play-Along series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the audio to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. Includes 8 songs: Beck's Bolero * Blue Wind * Cause We've Ended as Lovers * Freeway Jam * Goodbye Pork Pie Hat * Led Boots * People Get Ready * You Know What I Mean.
(Guitar Recorded Versions). This second edition features nearly 30 tunes that have become classics because of their searing guitar riffs. Includes: Eruption * Frankenstein * (Ghost) Riders in the Sky * Green Onions * Hawaii Five-O * Misirlou * Peter Gunn * Pipeline * Raunchy * Rawhide * Rebel 'Rouser * Rumble * Scuttle Buttin' * Sleepwalk * Tequila * Wipe Out * and more. Also includes an introduction and song notes by Fred Sokolow.
(Recorded Version (Guitar)). 12 songs from one of the top-selling 1970s superstars, including: Baby, I Love Your Way * Baby Somethin's Happenin' * Do You Feel like We Do * I Can't Stand It No More * Show Me the Way * and more.
The blues revival rescued the creators of America's most influential music from dusty obscurity, put them onstage in front of a vast new audience, and created rock 'n' roll
(Guitar Recorded Versions). Our matching folio for the praised 1995 compilation CD features notes and tab for more than a dozen of Beck's very best: Beck's Bolero * Blue Wind * Freeway Jam * Going Down * Goodbye Pork Pie Hat * Jailhouse Rock * People Get Ready * Plynth * The Pump * Scatterbrain * Shapes of Things * She's a Woman * Two Rivers * Where Were You.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Benny Goodman, Dizzy Gillespie, Jim Morrison, Kurt Cobain...these are the people who helped shape the history of music. Their stories and others are told in Musicians and Composers of the 20th Century. This five volume set offers biographical and critical essays on over 600 musicians in just about every genre imaginable, from Accordion Players to Musical Theater Composers to World Music, and everything in between.
The musicological study of popular music has developed, particularly over the past twenty years, into an established aspect of the discipline. The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details of popular music theory. However, this focus on the what of musical detail has left largely untouched the larger question - so what? What are the consequences of such theorization and analysis? Scholars from outside musicology have often argued that too close a focus on musicological detail has left untouched what they consider to be more urgent questions related to reception and meaning. Scholars from inside musicology have responded by importing into musicological discussion various aspects of cultural theory. It is in that tradition that this book lies, although its focus is slightly different. What is missing from the field, at present, is a coherent development of the what into the so what of music theory and analysis into questions of interpretation and hermeneutics. It is that fundamental gap that this book seeks to fill. Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but interdependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, and lyrics. These latter areas are highly significant in the experience of many listeners, but are frequently ignored or poorly treated in analytical work. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (strategies originating, in the most part, within psychology and philosophy) but still deeply r
