'A masterpiece in every sense' Daily Mail The Drones club's in peril. Gussie's in love. Spode's on the warpath. And His Majesty's Government needs a favour. Thank goodness Bertie Wooster is back! From the mean streets of Mayfair to the scheming spires of Cambridge, prepare to meet a joyous cast of characters: chiselling painters and criminal bookies, eccentric philosophers and dodgy clairvoyants, appalling poets and pocket dictators, vexatious aunts and their vicious hounds. Have we ever needed Jeeves and Wooster more?
What ho! A new Jeeves and Wooster novel that is "impossible to read without grinning idiotically" (Evening Standard), penned in homage to P.G. Wodehouse by bestselling author Ben Schott -- in which literature's favorite master and servant become spies for the English Crown. The misadventures of Bertie Wooster and his incomparable personal gentleman, Jeeves, have delighted audiences for nearly a century. Now bestselling author Ben Schott brings this odd couple back to life in a madcap new adventure full of the hijinks, entanglements, imbroglios, and Wodehousian wordplay that readers love. In this latest uproarious adventure, the Junior Ganymede Club (an association of England's finest butlers and valets) is revealed to be an elite arm of the British secret service. Jeeves must ferret out a Fascist spy embedded in the highest social circles, and only his hapless employer, Bertie, can help. Unfolding in the background are school-chum capers, affairs of the heart, antics with aunts, and sartorial set-tos. Energized by Schott's effervescent prose, and fully authorized by the Wodehouse Estate, Jeeves and the King of Clubs is a delight for lifelong fans and the perfect introduction to two of fiction's most beloved comic characters.
Jeeves and Wooster return in a new espionage caper full of japes, high jinks, and jiggery-pokery in a series that is “impossible to read without grinning idiotically” (Evening Standard). The Drones club’s in peril. Gussie’s in love. Spode’s on the war path. Oh, and His Majesty’s Government needs a favor . . . I say! It’s a good thing Bertie’s back, what? In his eagerly anticipated sequel to Jeeves and the King of Clubs, Ben Schott leads Jeeves and Wooster on another elegantly uproarious escapade. From the mean streets of Mayfair to the scheming spires of Cambridge, we encounter a joyous cast of characters: chiseling painters and criminal bookies, eccentric philosophers and dodgy clairvoyants, appalling poets and pocket dictators, vexatious aunts and their vicious hounds. But that’s not all: Who is ICEBERG, and why is he covered in chalk? Why is Jeeves reading Winnie-the-Pooh? What is seven across and eighty-five down? How do you play Russian Roulette at The Savoy? These questions, and more, are answered in Jeeves and the Leap of Faith — an homage to P.G. Wodehouse, authorized by his estate, and essential reading for fans of The Master. Tinkety-tonk!
In this, the second novel in P.G. Wodehouse's delightful Jeeves series, the family fumbles through a comedy of errors that is set in motion by a marriage proposal and a downward spiral of miscommunication and crossed wires. This hilarious novel contains many of the most beloved scenes and set pieces from the series. A must-read for Wodehouse fans and lovers of top-notch humor writing.
In Dublin, 1918, a maternity ward at the height of the Great Flu is a small world of work, risk, death, and unlooked-for love, in "Donoghue's best novel since Room" (Kirkus Reviews). In an Ireland doubly ravaged by war and disease, Nurse Julia Power works at an understaffed hospital in the city center, where expectant mothers who have come down with the terrible new Flu are quarantined together. Into Julia's regimented world step two outsiders—Doctor Kathleen Lynn, a rumoured Rebel on the run from the police, and a young volunteer helper, Bridie Sweeney. In the darkness and intensity of this tiny ward, over three days, these women change each other's lives in unexpected ways. They lose patients to this baffling pandemic, but they also shepherd new life into a fearful world. With tireless tenderness and humanity, carers and mothers alike somehow do their impossible work. In The Pull of the Stars, Emma Donoghue once again finds the light in the darkness in this new classic of hope and survival against all odds.
In The Inimitable Jeeves, Bertie Wooster and his valet Jeeves embark on a series of riotous adventures. Among other things they involve Bertie's feeble attempts to stop his friend Bingo Little from falling in love with every girl he meets. But the amiable chump's main concern is to avoid the eagle eye and iron will of his merciless Aunt Agatha. In one of the funniest works in the English language, P. G. Wodehouse charms, delights, and occasionally surprises the reader with his shrewd parody of the carefree lives of the English elite.
Jeeves—my man, you know—is really a most extraordinary chap. So capable. Honestly, I shouldn't know what to do without him. On broader lines he's like those chappies who sit peering sadly over the marble battlements at the Pennsylvania Station in the place marked "Inquiries." You know the Johnnies I mean. You go up to them and say: "When's the next train for Melonsquashville, Tennessee?" and they reply, without stopping to think, "Two-forty-three, track ten, change at San Francisco." And they're right every time. Well, Jeeves gives you just the same impression of omniscience. As an instance of what I mean, I remember meeting Monty Byng in Bond Street one morning, looking the last word in a grey check suit, and I felt I should never be happy till I had one like it. I dug the address of the tailors out of him, and had them working on the thing inside the hour. "Jeeves," I said that evening. "I'm getting a check suit like that one of Mr. Byng's." "Injudicious, sir," he said firmly. "It will not become you." "What absolute rot! It's the soundest thing I've struck for years." "Unsuitable for you, sir." Well, the long and the short of it was that the confounded thing came home, and I put it on, and when I caught sight of myself in the glass I nearly swooned. Jeeves was perfectly right. I looked a cross between a music-hall comedian and a cheap bookie. Yet Monty had looked fine in absolutely the same stuff. These things are just Life's mysteries, and that's all there is to it. But it isn't only that Jeeves's judgment about clothes is infallible, though, of course, that's really the main thing. The man knows everything. There was the matter of that tip on the "Lincolnshire." I forget now how I got it, but it had the aspect of being the real, red-hot tabasco. "Jeeves," I said, for I'm fond of the man, and like to do him a good turn when I can, "if you want to make a bit of money have something on Wonderchild for the 'Lincolnshire.'"
_________________ 'This homage to P.G. Wodehouse is so good ... a masterpiece in every sense' Mail 'Splendid stuff' Sunday Times The Drones club's in peril. Gussie's in love. Spode's on the warpath. And His Majesty's Government needs a favour. Thank goodness Bertie Wooster's back! From the mean streets of Mayfair to the scheming spires of Cambridge, get ready to meet a joyous cast of characters: chiselling painters and criminal bookies, eccentric philosophers and dodgy clairvoyantes, appalling poets and pocket dictators, vexatious aunts and their vicious hounds. Have we ever needed Jeeves and Wooster more? _________________ 'Peerless in its wit, elegance and silliness' Evening Standard BOOKS OF THE YEAR on Jeeves and the King of Clubs 'A tonic for these testing times' Eithne Farry, Sunday Express 'Very stylish, clever and funny' Gyles Brandreth 'A brilliant homage' Choice Magazine, New Year Reads
The essential companion for lovers of the contemporary novel Over the past fifty years, fiction in English has never looked more various. Books bulkier than Victorian three-deckers appear alongside works of minimalist brevity, and experiments with form have produced everything from verse novels to Twitter-thread narratives. This is truly a golden age. But what unites this kaleidoscopic array of genres and styles? Celebrated writer and critic Peter Kemp shows how modern writers are obsessed with the past. In a series of engaging and illuminating chapters, Retroland traces this novelistic preoccupation with history, from the imperial and the political to the personal and the literary. Featuring famous names from across the United Kingdom, United States, and the wider Anglophone world, ranging from Salman Rushdie to Sarah Waters, Toni Morrison to Hilary Mantel, this is a work of remarkable synthesis and clarity—a wonderfully readable and enjoyably opinionated guide to our current literary landscape.
