Who knew grade six music could be so scary? For kids who love The Diary of a Wimpy Kid and The Dork Diaries comes a hilarious new entry into funny middle-grade novels. Jay Roberts loves hockey. He's good at it. He also loves his hockey hero, Bobby Orr, considered a legend by Jay's grandfather. In fact, even though they may bicker, when it comes to the Bruins, the whole family agrees that they are the team to root for. When it comes to hockey, Jay's a team player, but there's one person who seems determined to make life hard for Jay: his classmate and fellow team member, Mick Bartlet. It's a good thing Jay can usually stickhandle his way out of his bullying. But something else is determined to make Jay's life difficult, something far harder for Jay to play: the saxophone. Sixth grade just became a whole lot more challenging ...
Even hockey legends start with hand-me-downs. A beautifully illustrated true childhood story about hockey great Bobby Orr. Bobby eats, sleeps and breathes hockey. So when his birthday is coming up, he only wants one thing: new skates. He's seen the exact pair he wants in the shop window: sparkling blades, shiny leather, clean new laces tied in perfect bows. But when Bobby opens his gift, he's dismayed to find hand-me-down skates: scuffed leather, nicked blades, floppy laces. Once Bobby breaks them in, though, he and the hand-me-down skates become inseparable, and he can't imagine life without them . . . until the brand-new skates come into his life. How can he leave his hand-me-down skates behind? Log Driver's Waltz illustrator Jennifer Phelan brings this classic story to life with timeless, gorgeous art, and Kara Kootsra's words evoke the joy and dedication that Bobby Orr brought to his favorite sport. A perfect gift for readers and fans big and small, this book is destined to be a classic that is reached for time and time again.
“For everyone who loves hockey - young or old, player or spectator - I hope this book inspires you to simply pick up a stick, get together with some friends, and just have some fun playing the best game on earth.” —Hockey legend, Bobby Orr from the afterword of The Boy in Number Four Bobby Orr played in the NHL with the Boston Bruins for ten seasons leading them to two Stanley Cup victories. He also played with the Chicago Black Hawks for two more— all the while wearing jersey number 4. In the Boy in Number Four, readers will get a glimpse of this hockey legend as a boy and discover the hard work, commitment, and fun it takes to make a dream into a reality. This book also includes an afterword by Bobby Orr with an inspirational message for kids today.
In the third book in the spinoff of the Humphrey series, Og and Humphrey head to summer camp to see what's hopping in the wilderness! Og didn't know where he would end up when school was over, but it turns out Camp Happy Hollow is just about the best place ever. Lovely nature is all around, friends from Room 26 are there--including Humphrey!--and camp days are full of exciting activities. Og has lots of new responsibilities, like watching out for Humphrey, helping his fellow campers adjust to being away from home, and encouraging everyone to always try their best. But when one camper lets Og loose at the lake, he is in a tough spot. The lake sure does feel like home, but so does his tank. Plus his human friends need him--and so does Humphrey. Good thing Og has experience in the wild because--BING-BANG-BOING!--this is going to be one hopping summer! Og's frog's-eye view of summer camp is silly, caring, and adventurous--the perfect companion to Summer According to Humphrey.
The Screech Owls have come to Ottawa to play in the Little Stanley Cup peewee tournament. This relaxed summer event honours Lord Stanley himself - the man who donated the Stanley Cup to hockey - and gives young players a chance to see the wonders of Canada's capital city, travel into the wilds of Algonquin Park, and even go river rafting. Mr. Dillinger is also taking them to visit some of the region's famous ghosts: the ghost of a dead prime minister; the ghost of a man hanged for murder; the ghost of the famous painter Tom Thomson. At first the Owls think this is Mr. Dillinger's best idea ever, until Travis and his friends begin to suspect that one of these ghosts could be for real. Who is this phantom? Why has he come to haunt the Screech Owls? And what is his connection to the mysterious young stranger who offers to coach the team?
Imagine yourself in Weimar Germany: you are visually inundated with depictions of dance. Perusing a women’s magazine, you find photograph after photograph of leggy revue starlets, clad in sequins and feathers, coquettishly smiling at you. When you attend an art exhibition, you encounter Otto Dix’s six-foot-tall triptych Metropolis, featuring Charleston dancers in the latest luxurious fashions, or Emil Nolde’s watercolors of Mary Wigman, with their luminous blues and purples evoking her choreographies’ mystery and expressivity. Invited to the Bauhaus, you participate in the Metallic Festival, and witness the school’s transformation into a humorous, shiny, technological total work of art; you costume yourself by strapping a metal plate to your head, admire your reflection in the tin balls hanging from the ceiling, and dance the Bauhaus’ signature step in which you vigorously hop and stomp late into the night. Yet behind the razzle dazzle of these depictions and experiences was one far more complex involving issues of gender and the body during a tumultuous period in history, Germany’s first democracy (1918-1933). Rather than mere titillation, the images copiously illustrated and analyzed in Marking Modern Movement illuminate how visual artists and dancers befriended one another and collaborated together. In many ways because of these bonds, artists and dancers forged a new path in which images revealed artists’ deep understanding of dance, their dynamic engagement with popular culture, and out of that, a possibility of representing women dancers as cultural authorities to be respected. Through six case studies, Marking Modern Movement explores how and why these complex dynamics occurred in ways specific to their historical moment. Extensively illustrated and with color plates, Marking Modern Movement is a clearly written book accessible to general readers and undergraduates. Coming at a time of a growing number of major art museums showcasing large-scale exhibitions on images of dance, the audience exists for a substantial general-public interest in this topic. Conversing across German studies, art history, dance studies, gender studies, and popular culture studies, Marking Modern Movement is intended to engage readers coming from a wide range of perspectives and interests.
From the #1 bestselling author of Heat, Travel Team and Fantasy League comes a story of heroes, family, the thrills of skateboarding, and football. When the Brighton Bears suit up on game day, 12-year-old Tommy Gallagher is the toughest kid on the football field. And the bravest. After all, his father Patrick is a Boston firefighter--one of Boston's bravest. Tommy's dad taught him everything he knows about football--and life. Yet even Tommy isn't strong enough for what happens when the sirens ring and, for the first time, they're racing away from the fire. "First man in; last man out" had always been his dad's motto . . . yet he never said anything about leaving in an ambulance. Now Tommy's biggest battle has nothing to do with football. And the kid who always had such respect for risk on the gridiron finds himself drawn to it off the field. Set in New England, home of the Patriots' football dynasty, Mike Lupica shows off his trademark knack for spinning a tale that's equal parts sports action and heart. Last Man Out is a thoughtful tribute to the bravery of firefighters and the need we all have to live up to the level of our heroes. "As is characteristic of Lupica’s books, the sports segments, most particularly the football portions, are exceptionally well written." —VOYA "In the best traditions of sports writing, this will leave readers both breathless and thoughtful." —Booklist
Short subject films have a long history in American cinemas. These could be anywhere from 2 to 40 minutes long and were used as a "filler" in a picture show that would include a cartoon, a newsreel, possibly a serial and a short before launching into the feature film. Shorts could tackle any topic of interest: an unusual travelogue, a comedy, musical revues, sports, nature or popular vaudeville acts. With the advent of sound-on-film in the mid-to-late 1920s, makers of earlier silent short subjects began experimenting with the short films, using them as a testing ground for the use of sound in feature movies. After the Second World War, and the rising popularity of television, short subject films became far too expensive to produce and they had mostly disappeared from the screens by the late 1950s. This encyclopedia offers comprehensive listings of American short subject films from the 1920s through the 1950s.
A STEAM-centered, adorably illustrated picture book about Meg, a brilliant and creative boxitect who creates extraordinary things out of ordinary cardboard boxes. Meg is a brilliant and creative boxitect. She loves impressing her teacher and classmates with what she makes out of boxes. But there’s a new kid at Maker School: Simone. Simone is good at everything, and worst of all, she’s a boxitect too. When the annual Maker Match is held, Meg and Simone are paired as a team but can’t seem to stop arguing. When their extraordinary project turns into a huge disaster, they must find a way to join creative forces, lift each other up, and work together.
"Profound, funny ... wild and moving ... heartbreaking accounts of a lonely black childhood.... Brown sees racial oppression in national and global context; every political word she writes pounds home a lesson about commerce, money, racism, communism, you name it ... A glowing achievement.” —Los Angeles Times Elaine Brown assumed her role as the first and only female leader of the Black Panther Party with these words: “I have all the guns and all the money. I can withstand challenge from without and from within. Am I right, Comrade?” It was August 1974. From a small Oakland-based cell, the Panthers had grown to become a revolutionary national organization, mobilizing black communities and white supporters across the country—but relentlessly targeted by the police and the FBI, and increasingly riven by violence and strife within. How Brown came to a position of power over this paramilitary, male-dominated organization, and what she did with that power, is a riveting, unsparing account of self-discovery. Brown’s story begins with growing up in an impoverished neighborhood in Philadelphia and attending a predominantly white school, where she first sensed what it meant to be black, female, and poor in America. She describes her political awakening during the bohemian years of her adolescence, and her time as a foot soldier for the Panthers, who seemed to hold the promise of redemption. And she tells of her ascent into the upper echelons of Panther leadership: her tumultuous relationship with the charismatic Huey Newton, who would become her lover and her nemesis; her experience with the male power rituals that would sow the seeds of the party's demise; and the scars that she both suffered and inflicted in that era’s paradigm-shifting clashes of sex and power. Stunning, lyrical, and acute, this is the indelible testimony of a black woman’s battle to define herself.
