Vampire detective Felix Gomez teams up with a precocious clairvoyant teen in order to counter a gangster organization and its army of zombies that is terrorizing the Colorado mountains.
The undead are very much alive in contemporary entertainment and lore. Indeed, vampires and zombies have garnered attention in print media, cinema, and on television. The vampire, with roots in medieval European folklore, and the zombie, with origins in Afro-Caribbean mythology, have both undergone significant transformations in global culture, proliferating as deviant representatives of the zeitgeist. As this volume demonstrates, distribution of vampires and zombies across time and space has revealed these undead figures to carry multiple meanings. Of all monsters, vampires and zombies seem to be the trendiest--the most regularly incarnate of the undead and the monsters most frequently represented in the media and pop culture. Moreover, both figures have experienced radical reinterpretations. If in the past vampires were evil, blood-sucking exploiters and zombies were brainless victims, they now have metamorphosed into kinder and gentler blood-sucking vampires and crueler, more relentless, flesh-eating zombies. Although the portrayals of both vampires and zombies can be traced back to specific regions and predate mass media, the introduction of mass distribution through film and game technologies has significantly modified their depiction over time and in new environments. Among other topics, contributors discuss zombies in Thai films, vampire novels of Mexico, and undead avatars in horror videogames. This volume--with scholars from different national and cultural backgrounds--explores the transformations that the vampire and zombie figures undergo when they travel globally and through various media and cultures.
Celebrities take refuge in a white-walled mansion as plague and fever sweep into Cannes; a killer finds that the living dead have no appetite for him; a television presenter stumbles upon the chilling connection between a forgotten animal act and the Whitechapel Murders; a nude man unexpectedly appears in the backgrounds of film after film; mysterious lights menace the crew of a small plane; a little girl awakens to discover her nightlight--and more--missing; two sisters hunt vampire dogs in the wild hills of Fiji; lovers get more than they bargained for in a decadent discotheque; a college professor holds a classroom mesmerized as he vivisects Poe's "The Masque of the Red Death"... What frightens us, what unnerves us? What causes that delicious shiver of fear to travel the lengths of our spines? It seems the answer changes every year. Every year the bar is raised; the screw is tightened. Ellen Datlow knows what scares us; the seventeen stories included in this anthology were chosen from magazines, webzines, anthologies, literary journals, and single author collections to represent the best horror of the year. Legendary editor Ellen Datlow (Poe: New Tales Inspired by Edgar Allan Poe), winner of multiple Hugo, Bram Stoker, and World Fantasy awards, joins Night Shade Books in presenting The Best Horror of the Year, Volume Two.
Evil, death, demons, reanimation, and resurrection. While such topics are often reserved for the darker mindscapes of the vampire subgenre within popular culture, they are equally integral elements of religious history and belief. Despite the cultural shift of presenting vampires in a secular light, the traditional figure of the vampire within cinema and literature has a rich legacy of serving as a theological marker. Whether as a symbol of the allure of sin, as an apologetic for assorted religious icons, or as a gateway into a discussion of liberationist theology, the vampire has served as a spiritual touchstone from Bram Stoker's Dracula, to Stephen King's Salem's Lot, to the HBO television series True Blood. In Such a Dark Thing, Jess Peacock examines how the figure of the vampire is able to traverse and interconnect theology and academia within the larger popular culture in a compelling and engaging manner. The vampire straddles the ineffable chasm between life and death and speaks to the transcendent in all of us, tapping into our fundamental curiosity of what, if anything, exists beyond the mortal coil, giving us a glimpse into the interminable while maintaining a cultural currency that is never dead and buried.
In the early days of the Civil War, rumors of gold in the frozen Klondike brought hordes of newcomers to the Pacific Northwest. Anxious to compete, Russian prospectors commissioned inventor Leviticus Blue to create a great machine that could mine through Alaska's ice. Thus was Dr. Blue's Incredible Bone-Shaking Drill Engine born. But on its first test run the Boneshaker went terribly awry, destroying several blocks of downtown Seattle and unearthing a subterranean vein of blight gas that turned anyone who breathed it into the living dead. Now it is sixteen years later, and a wall has been built to enclose the devastated and toxic city. Just beyond it lives Blue's widow, Briar Wilkes. Life is hard with a ruined reputation and a teenaged boy to support, but she and Ezekiel are managing. Until Ezekiel undertakes a secret crusade to rewrite history. His quest will take him under the wall and into a city teeming with ravenous undead, air pirates, criminal overlords, and heavily armed refugees. And only Briar can bring him out alive. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A sure-to-be-bloody civil war is brewing between rival werewolf factions, and P.I. Felix Gomez will do anything he can to make sure it doesn't explode into a vicious battle that engulfs all creatures, living and dead. Between that, the sudden reappearance of an ex-girlfriend, and a gang of other vampires trying to take off his head, this is one rumble even a fanged detective extraordinaire may not be able to handle.
Bloodier than Fried Green Tomatoes! Funnier than The Texas Chainsaw Massacre! Welcome to Gil's All Night Diner, where zombie attacks are a regular occurrence and you never know what might be lurking in the freezer . . . Duke and Earl are just passing through Rockwood county in their pick-up truck when they stop at the Diner for a quick bite to eat. They aren't planning to stick around-until Loretta, the eatery's owner, offers them $100 to take care of her zombie problem. Given that Duke is a werewolf and Earl's a vampire, this looks right up their alley. But the shambling dead are just the tip of a particularly spiky iceberg. Seems someone's out to drive Loretta from the Diner, and more than willing to raise a little Hell on Earth if that's what it takes. Before Duke and Earl get to the bottom of the Diner's troubles, they'll run into such otherworldly complications as undead cattle, an amorous ghost, a jailbait sorceress, and the terrifying occult power of pig-latin. And maybe--just maybe--the End of the World, too. Gory, sexy, and flat-out hilarious, Gil's All Fright Diner will tickle your funnybone--before ripping it out of its socket! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Mathews uses a limited definition of paranormal, and examines works set, for the most part, in a relatively realistic modern world inhabited by both humans and paranormal beings.
“[Acevedo] is a very disturbed man—and I mean that in the absolute finest sense of the term.” —Tim Dorsey, author of Nuclear Jellyfish Felix Gomez, Latino vampire detective extraordinaire, tackles a sexy werewolf cabal in Werewolf Smackdown, the fifth installment in Mario Acevedo’s satirical supernatural series. The author’s wonderfully twisted blend of comedy, horror, and detective noir—expertly flourished in such books as The Nymphos of Rocky Flat and Jailbait Zombie—places him in the august company of Eric “Anonymous Rex” Garcia and Christopher “Bloodsucking Fiends” Moore, while earning him raves from coast to coast. The Baltimore Sun calls Acevedo’s novels, “decidedly good, unclean, unwholesome fun,” while author and fan J.A. Konrath calls them, “a smooth combination of Anne Rice and Michael Connelly, with a generous portion of Dave Barry.”
They are the Others--the vampires, mages, and werewolves once thought to exist only in our imaginations. Now they're stepping out of the shadows, and nothing in our world will ever be the same again... Hunted By The Others In A Town Like This, Being A P.I. Can Be Murder Shiarra Waynest's detective work was dangerous enough when her client base was strictly mortal. But ailing finances have forced her to accept a lucrative case that could save her firm--if it doesn't kill her first. Shiarra has signed on to work for a high-level mage to recover an ancient artifact owned by one of New York's most powerful vampires. As soon as Shiarra meets sexy, mesmerizing vamp Alec Royce, she knows her assignment is even more complicated than she thought. With a clandestine anti-Other group trying to recruit her, and magi being eliminated, Shiarra needs back-up and enlists her ex-boyfriend--a werewolf whose non-furry form is disarmingly appealing--and a nerdy mage with surprising talents. But it may not be enough. In a city where the undead roam, magic rules, and even the Others aren't always what they seem, Shiarra has just become the secret weapon in a battle between good and evil--whether she likes it or not... Taken By The Others Once, New York P.I. Shiarra Waynest's most pressing problem was keeping her agency afloat. Now she's dealing with two dangerous, seductive vampires who have been enemies for centuries. The only thing Max Carlyle and Alec Royce agree on is that they both want Shia--for very different reasons. Max is determined to destroy Shia for killing his progeny, while Royce's interest is a lot more personal. That's not sitting well with Shia's werewolf boyfriend, Chaz. As the feud between Max and Royce gets ever more deadly, a powerful vampire-hunting faction is urging Shia to join their side. Shia has always believed vamps were the bad guys, but she's discovering unexpected shades of grey that are about to redefine her friends, her loyalties--and even her desires... Decieved By The Others Shiarra's relationship with sexy werewolf Chaz may be somewhat unconventional. Still, after a few bumps, Shia is finally ready to get serious. That means meeting family--or in this case, bringing Chaz's entire werewolf pack along for a rollicking full-moon weekend in the Catskills. Soon after they arrive, threatening notes appear, warning Chaz to go home. Then their cabin is ransacked. Shia starts digging to find out whether it's the work of upstart teenaged werewolves or something more sinister. Yet as rumors about her vampire connections arouse the pack's hostility, Shia has to contend with other dangers. Not just from an adversary about to make his fatal intentions known, but from a threat that's even closer than she knows... Stalking The Others Once, she was one of the good guys--or as close as a New York P.I. can get. Then Shiarra Waynest was drawn into the world of the Others. Every faction has its own loyalties and agenda. And Shia's recent betrayal by her ex-boyfriend means that she may be on the verge of becoming a rogue werewolf at the next full moon...