A catalog illustrating 354 Chinese jades from the collection of Brian McElney, the Peony Collection and the Rannerdale Collection, this bilingual volume includes essays on the art of Chinese jade carving.
From personal ornamentation to funerary practice, from palace decoration to private devotion, jade has played a major role in Chinese social, cultural, and political life for millennia. Exploring the history of this revered stone through the esteemed Grenville L. Winthrop Collection at the Harvard Art Museums--which includes some of the finest examples of ancient and archaizing jades outside China--this volume explains how and why jade developed its special significance. In-depth entries on over one hundred objects present recent archaeological discoveries and new information garnered from conservation analysis, while Jenny So's broad and engaging narrative not only elucidates the layered meanings of the objects and their iconography but also delves into the unique qualities of the material and the craftsmanship involved in quarrying and working jade. Distributed for the Harvard Art Museums
Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.
The Chinese have revered the mystery and magic of jade since ancient times. This authoritative book provides an up-to-date and comprehensive survey of six thousand years of development, from the earliest cultures to the twentieth century. The author describes and assesses the variety of roles and functions, ritual and ceremonial, which jade has played in China. Recent discoveries from hitherto little known neolithic cultures of around 3000 BC have highlighted the extraordinary skills of the craftsmen and the complexity of the cultures that supported them. Other remarkable finds include the precursors of the famous jade suits, which range from jade plaques and shrouds dating from about 900 BC to superb pendants and sword fittings carved for a king buried near Canton in around 122 BC. This catalogue describes over 300 outstanding pieces from Sir Joseph Hotung's collection, which spans the history of jade in China. Drawing upon the very latest archaeological reseach to set jade in its historical and artistic context, this work will stand as a definitive reference for many years to come. In her wide-ranging introduction to the catalogue the author analyses the arguments and sets out new views, supplementing this major essay with a series of shorter introductions to the chronological sections into which the jades of different types, shapes and functions have been divided. The book is fully illustrated throughout with specially commisioned photographs of each piece from the collection, all in color, along with comparative examples from the rich collection of the British Museum.
Jade Snow Wong’s autobiography portrays her coming-of-age in San Francisco's Chinatown, offering a rich depiction of her immigrant family and her strict upbringing, as well as her rebellion against family and societal expectations for a Chinese woman. Originally published in 1950, Fifth Chinese Daughter was one of the most widely read works by an Asian American author in the twentieth century. The US State Department even sent its charismatic young author on a four-month speaking tour throughout Asia. Cited as an influence by prominent Chinese American writers such as Amy Tan and Maxine Hong Kingston, Fifth Chinese Daughter is a foundational work in Asian American literature. It was written at a time when few portraits of Asian American life were available, and no similar works were as popular and broadly appealing. This new edition includes the original illustrations by Kathryn Uhl and features an introduction by Leslie Bow, who critically examines the changing reception and enduring legacy of the book and offers insight into Wong’s life as an artist and an ambassador of Chinese American culture.
Jade is often thought of as something ancient and gathering dust in museums, but in China it is a vibrant part of modern life. More jade has been carved this century than in the rest of human history combined. For Chinese people, jade represents everything that is pure and noble, and Andrew Shaw gave up his life in England to embrace it, and became the only foreign master jade carver in China. Jade Life tells his story and also the story of jade itself. His description of the jade industry today provides insights into the hearts of Chinese people and also into how they have managed to turn a backwater state into a world superpower in less than three decades.