“[This] fantasy moves from the outer to the inner world with amazing ease and should satisfy new and old fans of this prolific and gifted storyteller.” —Publishers Weekly In novel after novel, and story after story, Charles de Lint has brought an imaginary North American city to vivid life. Newford: where magic lights dark streets; where myths walk clothed in modern shapes; where a broad cast of extraordinary people work to keep the whole world turning. At the center of all the entwined lives in Newford stands a young artist named Jilly Coppercorn, with her tangled hair, her paint-splattered jeans, a smile perpetually on her lips—Jilly, whose paintings capture the hidden beings that dwell in the city’s shadows. Now, at last, de Lint tells Jilly’s own story . . . for behind the painter’s fey charm lies a dark secret and a past she’s labored to forget. And that past is coming to claim her now. “I’m the onion girl,” Jilly Coppercorn says. “Pull back the layers of my life, and you won’t find anything at the core. Just a broken child. A hollow girl.” She’s very, very good at running. But life has just forced Jilly to stop. At the Publisher’s request, this title is being sold without Digital Rights Management Software (DRM) applied. “A master storyteller, [de Lint] blends Celtic, Native American, and other cultures into a seamless mythology that resonates with magic and truth.” —Library Journal “Like great writers of magic realism, [de Lint] writes about people in the world we know, encountering magic as a part of that world. Fairy tales come true, and their magic affects realistic characters full of particular lusts and fears.” —Booklist
Brass Man is the third novel in Neal Asher's popular Agent Cormac series. On the primitive world Cull, a knight errant called Anderson hunts a dragon, not knowing that elsewhere is a resurrected brass killing machine, Mr Crane, assisting in a similar hunt. Learning that this old enemy still lives, agent Cormac pursues, while scientist Mika begins discovering the horrifying truth about an ancient alien technology. Each day is a survival struggle for the people of Cull. Ferocious insectile monsters roam their planet, as they try to escape to their forefathers’ starship still orbiting far above them. But an entity with questionable motives, calling itself Dragon, assists them with genetic by-blows created out of humans and the hideous local monsters. And now the supposedly geologically inactive planet itself is increasingly suffering earthquakes . . .
Snow White and Rose Red live on the edge of the forest that conceals the elusive border of Faerie. They know enough about Faerie lands and mortal magic to be concerned when they find two human sorcerers setting spells near the border. And when the kindly, intelligent black bear wanders into their cottage some months later, they realize the connection between his plight and the sorcery they saw in the forest. This romantic version of the classic fairy tale features an updated introduction by its editor, Terri Windling.
"1843 is 'the last year of the world'--according to Elias Fitcher, a charismatic preacher in upstate New York. There he's established a utopian community on an estate outside the town of Jeckyll's Glen, where the faithful wait, work, and pray for the world to end. Vernelia, Amy, and Catherine Charter are three young townswomen whose father falls under the Reverend's hypnotic sway. In their old house, where ghostly voices whisper from the walls, the girls are ruled by their stepmother, who is ruled by the fiery preacher in turn. Determined to spend Eternity as a married man, Fitcher casts his eye on Vernelia, and before much longer the two are wed. But living on the man's estate, separated from her family, it's not long before Vern learns the extent of her husband's dark side ... Inspired by the classic fairy tales "Bluebeard" and "The Fitcher Bird", this dark fantasy is a story of faith gone wrong, and evil countered by one brave, true soul."--Back cover.
A young artist returns to her cabin in the deep woods of Canada to concentrate on her work and finds that, somehow, strange and beautiful creatures are creeping into her art.