Italian Painting

Italian Painting

Author: Keith Christiansen

Publisher:

Published: 1992

Total Pages: 328

ISBN-13:

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This volume presents Italian painting through specific themes, as well as by chronological and regional achievement. With approximately 300 colourplates, this large-format book contains devotional images, portraits, landscapes, allegorical paintings, genre scenes, still life arranements, and abstract compositions. Keith Christiansen is Curator of European Paintings at the Metropolitan Museum of Art in New York. His introduction and twenty eight essays set out in history of Italian Painting and its lasting impact. His thoughtful presentation not only instructs but also delights the reader with anecdotal details and innovative visual connections. -- http://www.ebay.com.


Drawn to Italian Drawings

Drawn to Italian Drawings

Author: Nicholas Turner

Publisher:

Published: 2009

Total Pages: 344

ISBN-13:

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Published to accompany an exhibition at the Art Institute of Chicago, from October 28, 2008 to January 18, 2009.


Drawing in Early Renaissance Italy

Drawing in Early Renaissance Italy

Author: Francis Ames-Lewis

Publisher: Yale University Press

Published: 2000-01-01

Total Pages: 14

ISBN-13: 9780300079814

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Through the works of the major fifteenth-century draughtsmen - Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo da Vinci - Francis Ames-Lewis then explores new types of drawing evolved during the century: the free sketch contrasting with the frozen control of the model-book, the exploratory study of the nude, the preparatory compositional sketch and the cartoon.


The Art of Italy in the Royal Collection

The Art of Italy in the Royal Collection

Author: Lucy Whitaker

Publisher: Royal Collection Trust

Published: 2007

Total Pages: 0

ISBN-13: 9781902163291

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This richly illustrated publication brings together 93 paintings and 85 drawings from the Royal Collection, and accompanies an exhibition of international importance.


Art and Anatomy in Renaissance Italy

Art and Anatomy in Renaissance Italy

Author: Domenico Laurenza

Publisher: Metropolitan Museum of Art

Published: 2012

Total Pages: 52

ISBN-13: 1588394565

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Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.


Drawing and Painting in the Italian Renaissance Workshop

Drawing and Painting in the Italian Renaissance Workshop

Author: Carmen Bambach

Publisher:

Published: 1999

Total Pages: 548

ISBN-13: 9780521402187

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In Drawing and Painting in the Italian Renaissance Workshop, Carmen Bambach reassesses the role of artists and their assistants in the creation of monumental painting. Analyzing representative wall paintings and the many drawings related to the various stages of their production, Bambach convincingly reconstructs the development of workshop practice and design theory in the early modern period. Her exhaustive analysis of archaeological and textual evidence provides a timely and much-needed reassessment of the working methods of artists in one of the most vital periods in the history of art.


Painting and Experience in Fifteenth Century Italy

Painting and Experience in Fifteenth Century Italy

Author: Michael Baxandall

Publisher: Oxford Paperbacks

Published: 1988

Total Pages: 200

ISBN-13: 9780192821447

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An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.


The da Vinci Legacy

The da Vinci Legacy

Author: Jean-Pierre Isbouts

Publisher: Apollo Publishers

Published: 2019-04-30

Total Pages: 279

ISBN-13: 1948062356

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For the 500th anniversary of Leonardo da Vinci’s death comes an immersive journey through five centuries of history to define the Leonardo mystique and uncover how the elusive Renaissance artist became a global pop icon. Virtually everyone would agree that Leonardo da Vinci was the most important artist of the High Renaissance. It was Leonardo who singlehandedly created the defining features of Western art: a realism based on subtle shading; depth using atmospheric effects; and dramatic contrasts between light and dark. But how did Leonardo, a painter of very few works who died in obscurity in France, become the internationally renowned icon he is today, with the Mona Lisa and the Last Supper the most visited artworks in the world, attracting nearly a billion visitors each year, and Salvator Mundi selling as the most expensive artwork of all time, for nearly half a billion dollars? This extraordinary volume, lavishly illustrated with 130 color images, is the first book to unravel these mysteries by diving deep into the art, literature, science, and politics of Europe from the Renaissance through today. It gives illuminating context to both Leonardo and his accomplishments; explores why Leonardo’s fame vastly overshadowed that of his contemporaries and disciples; and ultimately reveals why despite finishing very few works, his celebrity has survived, even thrived, through five centuries of history.


Public Painting and Visual Culture in Early Republican Florence

Public Painting and Visual Culture in Early Republican Florence

Author: George Bent

Publisher: Cambridge University Press

Published: 2017-01-16

Total Pages: 353

ISBN-13: 1316810720

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Street corners, guild halls, government offices, and confraternity centers contained paintings that made the city of Florence a visual jewel at precisely the time of its emergence as an international cultural leader. This book considers the paintings that were made specifically for consideration by lay viewers, as well as the way they could have been interpreted by audiences who approached them with specific perspectives. Their belief in the power of images, their understanding of the persuasiveness of pictures, and their acceptance of the utterly vital role that art could play as a propagator of civic, corporate, and individual identity made lay viewers keenly aware of the paintings in their midst. Those pictures affirmed the piety of the people for whom they were made in an age of social and political upheaval, as the city experimented with an imperfect form of republicanism that often failed to adhere to its declared aspirations.