This anthology presents classic and recent scholarship on Italian art from 1600-1750, highlighting the key debates with which art historians continue to grapple. Explores themes including: style or the visuality of art; artistic practices and production; artistic communication as projected and experienced; and artists’ interactions with the ancient world and with the new sciences Examines the work of key painters, architects and sculptors from this period, including Caravaggio, Bernini, Guarini and Poussin Published in the expanding Blackwell Anthologies in Art History series
Italian baroque sculpture often has been criticized for portraying a sham world, distracting the spectator from its spiritual poverty by dazzling technical displays. Bruce Boucher offers a fresh view of this rich and varied subject, published to coincide with the 400th anniversary of the births of 17th-century artists Bernini and Algardi. 200 illustrations. 35 in color.
Creative Art: Methods and Materials educates readers about a variety of art methods and the ways different civilizations have used them in artistic expression. Each of the fourteen chapters is designed around a specific art method and material, and includes examples of art works and the artists who created them. Students learn about bronze casting, stone carving, clay sculpture, woodcuts and posters, glass work, and installation art. Each method is matched to artists both ancient and modern. Rather than adhering to a standard approach that focuses on white, male, European artists, the book broadens the student's perspective by including often overlooked female artists. Global in approach and comprehensive in coverage of arts forms, representations, and styles throughout history, Creative Art has been developed for sixteen-week courses in art appreciation, or introductory survey courses in art history.
Delivered at the turn of the twentieth century, Riegl's groundbreaking lectures called for the Baroque period to be judged by its own rules and not merely as a period of decline.
Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This first full-length study of her life and work shows that her powerfully original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes.
Taking the Noli me tangere and Doubting Thomas episodes as a focal point, this study examines how visual representations of two of the most compelling and related Christian stories engaged with changing devotional and cultural ideals in Renaissance and Baroque Italy. By reuniting their visual examples with important, often little-known textual sources, the authors reveal a complex relationship between visual imagery, the senses, contemporary attitudes toward gender, and the shaping of belief.
Fusing the social and economic history with the cultural and artistic achievements of seventeenth and eighteenth century Italy, this book presents a unique and invaluable perspective on the period.
The story of Baroque painting in Malta reflects that of the Italian peninsula and, in many ways, can be directly integrated within it. In terms of quantity, the island was impressively prolific. In terms of quality, works vary tremendously. There were, however, celebrated instances when the island was significantly at the forefront of stylistic development. A handful of Maltese artists worked beyond the island's shores and some, like the painter Francesco Noletti (il Fieravino), made major breakthroughs in Rome, the 'mother' of all cities. The island's small size also meant that it could be easily conditioned by one or two major artists working there. Therefore, a talented artist, Maltese or foreign, could exert tremendous influence on the stylistic currents that prevailed. The story of Baroque painting in Malta is thus marked by such artists. Contents: The pre-Baroque Years; Caravaggio; Leonello Spada; Caravaggism in Malta: Imported Works; Caravaggism in Malta: Copies after Caravaggio and Works executed in Malta; The mid- eventeenth century; Mattia Preti; The Bottega of Mattia Preti and Giuseppe d'Arena; The Erardi Family of Artists: Stefano and Alessio; The early eighteenth century; Gio Nicola Buhagiar and Enrico Regnaud; Mid-eighteenth century works by foreign artists; Francesco Zahra; Antoine Favray; Rocco Buhagiar; Giuseppe Grech; The late eighteenth century and the end of the Baroque.
Genoa completed its transformation from a faded maritime power into a thriving banking center for Europe in the seventeenth century. The wealth accumulated by its leading families spurred investment in the visual arts on an enormous scale. This volume explores how artists both foreign and native created a singularly rich and extravagant expression of the baroque in works of extraordinary variety, sumptuousness, and exuberance. This art, however, has remained largely hidden behind the facades of the city's palaces, with few works, apart from those by the school's great expatriates, found beyond its borders. As a result, the Genoese baroque has been insufficiently considered or appreciated.0Lavishly illustrated, 'A Superb Baroque' is comprehensive, encompassing all the major media and participants. Presented are some 140 select works by the celebrated foreigners drawn to the city and its flourishing environment. Offering three levels of exploration-essays that frame and interpret, section introductions that characterize principal currents and stages, and texts that elucidate individual works-this volume is by far the most extensive study of the Genoese baroque in the English language.00Exhibition: National Gallery of Art, Washington, DC, USA (03.05.-16.08.2020) / Scuderie del Quirinale, Rome, Italy (03.10.2020 - 10.01.2021).
