'Class lines between settlers and labourers had been drawn...What follows is a microhistory of collective revolt.' In 1843, the New Zealand Company settlement of Nelson was rocked by the revolt of its emigrant labourers. Over 70 gang-men and their wives collectively resisted their poor working conditions through petitions, strikes and, ultimately, violence. Yet this pivotal struggle went on to be obscured by stories of pioneering men and women 'made good'. The History of a Riot uncovers those at the heart of the revolt for the first time. Who were they? Where were they from? And how did their experience of protest before arriving in Nelson influence their struggle? By putting violence and class conflict at the centre, this fascinating microhistory upends the familiar image of colonial New Zealand.
Meet the bold women history has tried to forget...until now! Women's stories are often written as if they spent their entire time on Earth casting woeful but beautiful glances towards the horizon and sighing into the bitter wind at the thought of any conflict. Well, that's not how it f**king happened. When you hear about a woman who was 100% pure and good, you're probably missing the best chapters in her life's story. Maybe she slept around. Maybe she stole. Maybe she crashed planes. Maybe she got shot, or maybe she shot a bad guy (who probably had it coming). Maybe she caused a scandal. Maybe she caused a riot . . . From badass writer Hannah Jewell, She Caused a Riot is an empowering, no-holds-barred look into the epic adventures and dangerous exploits of 100 inspiring women who were too brave, too brilliant, too unconventional, too political, too poor, not ladylike enough and not white enough to be recognized by their shitty contemporaries. Daring and gift-worthy, this is a bold tribute to the powerful women who came before us.
As the Civil War rages, another battle breaks out behind the lines. During a long hot July in 1863, the worst race riots the United States has ever seen erupt in New York City. Earlier that year, desperate for more Union soldiers, President Abraham Lincoln instituted a draft—a draft that would allow the wealthy to escape serving in the army by paying a $300 waiver, more than a year's income for the recent immigrant Irish. And on July 11, as the first drawing takes place in Lower Manhattan, the city of New York explodes in rage and fire. Stores are looted; buildings, including the Colored Foundling Home, are burned down; and black Americans are attacked, beaten, and murdered. The police cannot hold out against the rioters, and finally, battle-hardened soldiers are ordered back from the fields of Gettysburg to put down the insurrection, which they do—brutally. Fifteen-year-old Claire, the beloved daughter of a black father and Irish mother, finds herself torn between the two warring sides. Faced with the breakdown of the city—the home—she has loved, Claire must discover the strength and resilience to address the new world in which she finds herself, and to begin the hard journey of remaking herself and her identity. Addressing such issues as race, bigotry, and class head-on, Walter Dean Myers has written another stirring and exciting novel that will shake up assumptions, and lift the spirit.
"This book was based on Toombs's real life experiences of having to look after his children, after having been away from them at war for three years." -- Amazon
A memoir of revolution, reaction, and Russian men’s fashion In this crackling memoir, the journalist and novelist Michael Idov recounts the tempestuous years he spent living alongside—and closely observing—the media and cultural elite of Putin’s Russia. After accepting a surprise offer to become the editor in chief of GQ Russia, Idov and his family arrive in a Moscow still seething from a dubious election and the mass anti-Putin rallies that erupted in response. Idov is fascinated by the political turmoil but nonetheless finds himself pulled in unlikely directions. He becomes a tabloid celebrity, acts in a Russian movie with Snoop Dogg, befriends the members of Pussy Riot, punches an anti-Semitic magazine editor on the steps of the Bolshoi Theatre, sells an autobiographical sitcom pilot that is later changed into an anti-American farce, and writes Russia’s top-grossing domestic movie of 2015. Meanwhile, he becomes disillusioned with the splintering opposition to Putin and is briefly attracted to a kind of jaded Putinism lite—until Russia’s invasion of Ukraine thoroughly changes his mind. In Dressed Up for a Riot, Idov writes openly, sensitively, and stingingly about life in Moscow and his place in a media apparatus that sometimes undermined but more often bolstered a state system defined by cynicism, corruption, and the fanning of fake news. With humor and intelligence, he offers a close-up glimpse of what a declining world power can become.
“Doggett’s encyclopaedic account of Sixties counter-culture is a fascinating history of pop’s relationship with politics.” —The Independent Between 1965 and 1972, political activists around the globe prepared to mount a revolution. While the Vietnam War raged, calls for black power grew louder and liberation movements erupted everywhere from Berkeley, Detroit, and Newark to Paris, Berlin, Ghana, and Peking. Rock and soul music fueled the revolutionary movement with anthems and iconic imagery. Soon the musicians themselves, from John Lennon and Bob Dylan to James Brown and Fela Kuti, were being dragged into the fray. From Mick Jagger’s legendary appearance in Grosvenor Square standing on the sidelines and snapping pictures, to the infamous incident during the Woodstock Festival when Pete Townshend kicked yippie Abbie Hoffman off the stage while he tried to make a speech about an imprisoned comrade, Peter Doggett unravels the truth about how these were not the “Street Fighting Men” they liked to see themselves as and how the increasing corporatization of the music industry played an integral role in derailing the cultural dream. There’s a Riot Going On is a fresh, definitive, and exceedingly well-researched behind-the-scenes account of this uniquely turbulent period when pop culture and politics shared the world stage with mixed results. “A fresh and near-definitive slant on a subject you might have thought had been picked clean by journalists and historians.” —Time Out London “An extraordinary book . . . Doggett emerges triumphant. Grab a copy—by any means necessary.” —Mojo
Award winning poet Joshua Clover theorises the riot as the form of the coming insurrection Baltimore. Ferguson. Tottenham. Clichy-sous-Bois. Oakland. Ours has become an “age of riots” as the struggle of people versus state and capital has taken to the streets. Award-winning poet and scholar Joshua Clover offers a new understanding of this present moment and its history. Rioting was the central form of protest in the seventeenth and eighteenth centuries, and was supplanted by the strike in the early nineteenth century. It returned to prominence in the 1970s, profoundly changed along with the coordinates of race and class. From early wage demands to recent social justice campaigns pursued through occupations and blockades, Clover connects these protests to the upheavals of a sclerotic economy in a state of moral collapse. Historical events such as the global economic crisis of 1973 and the decline of organized labor, viewed from the perspective of vast social transformations, are the proper context for understanding these eruptions of discontent. As social unrest against an unsustainable order continues to grow, this valuable history will help guide future antagonists in their struggles toward a revolutionary horizon.
In these impassioned, powerful essays, an award-winning journalist deals forthrightly with what it means to be Black in an America that still supports Trump. South Carolina–based journalist Issac J. Bailey reflects on a wide range of complex, divisive topics—from police brutality and Confederate symbols to respectability politics and white discomfort—which have taken on a fresh urgency with the protest movement sparked by George Floyd’s killing. Bailey has been honing his views on these issues for the past quarter of a century in his professional and private life, which included an eighteen-year stint as a member of a mostly white Evangelical Christian church. Why Didn’t We Riot? speaks to and for the millions of Black and Brown people throughout the United States who were effectively pushed back to the back of the bus in the Trump era by a media that prioritized the concerns and feelings of the white working class and an administration that made white supremacists giddy, and explains why the country’s fate in 2020 and beyond is largely in their hands. It will be an invaluable resource for the everyday reader, as well as political analysts, college professors and students, and political consultants and campaigns vying for high office.
On the occasion of its fiftieth anniversary, the most important moment in LGBTQ history—depicted by the people who influenced, recorded, and reacted to it. June 28, 1969, Greenwich Village: The New York City Police Department, fueled by bigoted liquor licensing practices and an omnipresent backdrop of homophobia and transphobia, raided the Stonewall Inn, a neighborhood gay bar, in the middle of the night. The raid was met with a series of responses that would go down in history as the most galvanizing period in this country's fight for sexual and gender liberation: a riotous reaction from the bar's patrons and surrounding community, followed by six days of protests. Across 200 documents, Marc Stein presents a unique record of the lessons and legacies of Stonewall. Drawing from sources that include mainstream, alternative, and LGBTQ media, gay-bar guide listings, state court decisions, political fliers, first-person accounts, song lyrics, and photographs, Stein paints an indelible portrait of this pivotal moment in the LGBT movement. In The Stonewall Riots, Stein does not construct a neatly quilted, streamlined narrative of Greenwich Village, its people, and its protests; instead, he allows multiple truths to find their voices and speak to one another, much like the conversations you'd expect to overhear in your neighborhood bar. Published on the fiftieth anniversary of the moment the first brick (or shot glass?) was thrown, The Stonewall Riots allows readers to take stock of how LGBTQ life has changed in the US, and how it has stayed the same. It offers campy stories of queer resistance, courageous accounts of movements and protests, powerful narratives of police repression, and lesser-known stories otherwise buried in the historical record, from an account of ball culture in the mid-sixties to a letter by Black Panther Huey P. Newton addressed to his brothers and sisters in the resistance. For anyone committed to political activism and social justice, The Stonewall Riots provides a much-needed resource for renewal and empowerment.
'Hugely enjoyable ... Green's great achievement is to recapture exactly how those moments felt, but remain sufficiently detached about the whole thing to render the experience honestly' MOJO Johnny Green first met the Clash in 1977. A RIOT OF OUR OWN is his tale of three delirious years of rock 'n' roll madness as confidant and road manager of the Clash, from the early punk days to LONDON CALLING and touring America. Ray Lowry accompanied the band as official 'war artist' on the second American tour and designed the London Calling album cover. Together, in words and pictures, Green and Lowry give the definitive, inside story on one of the most magnificent rock 'n' roll bands ever.
