Modernist aesthetics have been identified with a sense of cultural crisis, defined by its distance from an ideal of unified consciousness. This original study examines the struggle toward that ideal of unitary subjective experience in modern British and Irish poetry from Hardy to Ted Hughes. Hugh Underhill argues that the poetry's emphasis on inner states underrepresents the extent to which the crisis is in fact socio-historically determined.
In the critically acclaimed memoir Girl Meets God, Lauren F. Winner chronicled her sojourn from Judaism to Christianity. Now, in Still: Notes on a Mid-Faith Crisis, Winner describes how experiences of loss and failure unexpectedly slam her into a wall of doubt and spiritual despair: “My belief has faltered, my sense of God’s closeness has grown strained, my efforts at living in accord with what I take to be the call of the gospel have come undone.” Witty, relatable, and fiercely honest, Winner lays bare her experience of what she calls the “middle” of the spiritual life. In elegant and spare prose, she explores why—in the midst of the overwhelming anxiety, loneliness, and boredom of her deepest questioning about where (or if) God is—the Christian story still explains who she is better than any other story she’s ever known. Still is an absorbing meditation combining literary grace with spiritual wisdom. It is sure to resonate with anyone looking to sustain a spiritual life in the midst of real life.
This book is an historical survey of some important theories of literary criticism, which is designed to introduce more advanced students of English and other European literature to the nature and origin of these theories and ultimately to help them clarify their own attitudes to literature. Professor Ruthven's approach is to bring together and analyse examples of the way in which major writers and critics have dealt with the critical issues raised by different kinds of writing. He emphasizes throughout the variety of critical stances taken at different times in response to the challenge posed by highly original works and he draws on a large number of instances from all the major periods of English literature. The examination of the historical material presented here should encourage students of English, as well as other modern European literatures, to recognise and re-appraise their own critical assumptions.
A farm in the south of France, the cobblestoned streets of Paris, the metro of Montreal, the anonymous vastness of New York'these are some of the places that frame the adventures of Gillian Cott, a young woman embracing the philosophy of just saying "Yes!? Through turns that are both invigorating and heartbreaking, Make Me, Remake Me immerses the reader in a world of wineries, caf�s, and dinner tables. In this unique combination of poetry and prose, experience her breakdowns and triumphs while life remakes her as it does to us all.
"Bell's prose is elegant and wonderfully readable in this artful guide."—Publishers Weekly The Artful Edit explores the many-faceted and often misunderstood—or simply overlooked—art of editing. The book brims with examples, quotes, and case studies, including an illuminating discussion of Max Perkins's editorial collaboration with F. Scott Fitzgerald on The Great Gatsby. Susan Bell, a veteran book editor, also offers strategic tips and exercises for self-editing and a series of remarkable interviews, taking us into the studios of successful authors such as Michael Ondaatje and Ann Patchett to learn from their various approaches to revision. Much more than a manual, The Artful Edit inspires readers to think about both the discipline and the creativity of editing and how it can enhance their work. In the computer age of lightning-quick composition, this book reminds readers that editing is not simply a spell-check. A vigorous investigation into the history and meaning of the edit, this book, like The Elements of Style, is a must-have companion for every writer.
In Freedom Prime, young adults can choose their name, their trade, and their gender, but the one thing they cannot choose is to be part of a family, because the family unit has been eradicated.
This selection of the works of W B Yeats, includes the final book from the unfairly neglected narrative poem 'The Wanderings of Oisin' and a number of lyrics from Yeats's work as poetic dramatist. It breaks new ground by allowing the reader to engage with a dozen poems in alternative versions; in many other cases it provides significant variants, so that Yeats's struggle to revise his poetry can be experienced with unusual immediacy.