Shahid and Alvira are madly in love with each other. They cannot think about living without each other. Circumstances change and soon Shahid comes into a relationship with Riya. Shahid was never able to forget Alvira! What were the circumstances that separated Shahid and Alvira? Will Shahid ever be able to love Riya the same way, he loved Alvira? What happened to Alvira?
This book makes an extensive study of the art and culture of Awadh during the Nawabi period (c. 1722-1856), with a focus on the city of Lucknow. The work takes up evidence available in a variety of primary and secondary sources, especially in the Persian and Urdu languages, in its study of visuals and artefacts, as well as performance traditions and craft techniques which are derived from this period. Highlighting the literary milieu of the period, and the developments in the realm of music, painting, architecture and industrial arts, this volume also explores how some of the arts and crafts assumed considerable European colour, and demonstrates how the ethos of the syncretic Indo-Persian culture, the renowned ganga-jamuni tahzib, remained intact.
This Book Presents A Survey Of Human, Institutional And Documentary Sources Pertaining To Islamic Studies In India. It Covers A Wide Spectrum Of Reference Books, Journals, Doctoral Researches, Cities Of Historical Importance, Research Guides In Universities, Scholars, Authors And Institutions Including Colleges, Universities, Libraries, Publishing And Distributing Agencies.
Life and works of Sayyid Sajjad Haidar Yaldaram, 1880-1943, Urdu fiction and prose writer; includes English translation of his selected writings by Qurratulain Hyder.
The Indian Listener began in 22 December, 1935 and was the successor to the Indian Radio Times, which was published beginning in July of 1927 with editions in Bengali.The Indian Listener became "Akashvani" in January, 1958.It consist of list of programmes,Programme information and photographs of different performing arrtist of ALL INDIA RADIO. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 22-07-1936 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 66 VOLUME NUMBER: Vol. I. No. 15. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 744-774 ARTICLES: 1. Development Of The Empire Service 2. Thoughts On Programmes (The Scientific Side of Listening) 3. Is Broadcasting Affecting Our Health? (Strange Powers Attributed To Radio) Author of Article: 1. Sir Noel Ashbridge 2. Unknown 3. Unknown Keywords: 1. Reception of Short-Waves, Receiver Design, Range of Wavelength, Field Strength of Signals 2. Overseas Department, Bullentin, B.B.C 3. Radiologist Dr J.E. Bannen, Radiation, Wireless Transmissions Document ID:INL-1935-36 (D-D) Vol-I (15)
Listening with a Feminist Ear is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries. Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women’s playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community.
