A Knight's Sword The Market Festival has come to the city of Housman, where a fabulous blade known as the “Demon Sword” is put up for auction. Recently knighted Cecily Campbell's newest mission is to guard the sword at all costs. There's just one problem: the sword has the mysterious ability to transform into a beautiful woman known as Aria. Still, it's all fun and games at the festival, and Cecily and Aria become fast friends—until a huge fire demon appears! The demon will stop at nothing to steal Aria, even if it means reducing the entire city to ashes. Can Cecily and her companion Luke—the Sacred Blacksmith—save the citizens of Housman from a rampaging demon and its sinister plans?
Excerpt from Ironwork, Vol. 2: Being a Continuation of the First Handbook, and Comprising From the Close of the Mediaeval Period to the End of the Eighteenth Century, Excluding English Work All that science and technical education can do to advance the smith is being taught, but no succinct account of the develop ment, bearings, and possibilities of smithcraft, as an art, has been written. The mutual in uences of different art-centres upon each other, and the inter-relations of the smithcraft of different countries, have not been traced; neither has any serious analysis of the characteristics which distinguish the ironwork of each country at different periods been hitherto attempted. The large amount of research required for such a work has doubtless deterred any competent writer from undertaking it. The four years that have elapsed since the first part was written, have in fact, scarcely sufficed to collect the data for the present slight pioneer work, which it is hoped, however, may suffice to lay before the black smith, his employers, and teachers, so much as it is essential they should have at command, if their craft is to keep abreast of such fellow-crafts as the gold and silver smiths', potters', cabinet makers', or weavers'. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
More than 4,500 objects on 415 plates illustrate a remarkable variety of decorative ironwork from Roman times to the 19th century. Drawn from a rare 1924 source by a noted scholar and collector, it runs the gamut from door knockers and grilles to jewelry and religious symbols.
The peak of architectural ironwork in the 19th Century saw the spread of ornate decorative ironwork across the world. In recent years there has been a significant increase in conservation and restoration projects aiming to protect the artistry of traditional ironwork for future generations. Conservation of Architectural Ironwork is the first book to provide a complete guide to the conservation and maintenance of traditional architectural ironwork. First introducing the contextual history and key material features of architectural ironwork, the book goes on to guide readers through the management and delivery of conservation projects from start to finish, explaining the very latest in conservation technology. At its peak, architectural ironwork was used on a vast global scale in buildings, bridges, street furniture and ornamental structures. With international case studies and detailed illustrations, this book will be an essential reference for heritage professionals and students of architectural conservation around the world.
The company that Leroy Grumman founded in 1929 has been linking with the aircraft of the US Navy since 1930. Grumman aircraft have been in every major conflict from the Second World War through Korea and Vietnam to the Gulf and Bosnia. Their factory in Bethpage, Long Island, New York, (affectionately known as the 'Ironworks') produced some of the best carrier-borne aircraft ever made including the TBM Avenger (most successful torpedo bomber of all time), the Hellcat and Wildcat as well as the F-14 Tomcat and A-6 Intruder. Grumman-built Lunar Modules were used in the Apollo space missions and successfully landed men on the moon. The Ironworks is a comprehensive history of the Grumman Corporation and its many aircraft, both civil and military. -- Back cover.
Bath Iron Works was established by Gen. Thomas Hyde in 1884 and launched its first ship in 1891. This collection of shipbuilding photographs brings to life the proud history of Bath Iron Works. Since then, the shipyard on the Kennebec River has built dozens of luxurious yachts, hardworking freighters, tugs, trawlers, lightships, and more than two hundred twenty warships for the U.S. Navy. Today, Bath Iron Works continues a shipbuilding tradition that began nearly four hundred years ago when the first ship built in America was constructed just a few miles downriver from Bath. Bath Iron Works showcases a unique collection of photographs that provides a rare view inside one of the nation's great shipyards. The book shows the yard's origins in a few simple buildings, its expansion into a modern shipbuilding facility, and its rapid growth into an industrial powerhouse during World War II. During these years, Bath Iron Works produced famous ships such as the America's Cup defender Ranger, the yachts Aras and Hi-Esmaro, the record-setting destroyer USS Lamson, and fully one fourth of all destroyers built for the U.S. Navy during World War II. Bath Iron Works gives an insider's view of these great vessels and many others, as skilled craftspeople turn raw materials into complex ships, each uniquely suited to its purpose.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Artists have made gates and fences in wrought iron over the centuries in ornamental designs shown here in hundreds of photos. The restoration of wrought iron is discussed and ironwork examples are organized according to their uses, such as gratings that protect doors and windows, entries and gates from Europe in the Middle Ages, artistic creations of the 17th and 18th centuries, and works of our own day.
