Irish American Fiction from World War II to JFK addresses the concerns of Irish America in the post-war era by studying its fiction and the authors who brought the communities of their youth to life on the page. With few exceptions, the novels studied here are lesser-known works, with little written about them to date. Mining these tremendous resources for the details of Irish American life, this book looks back to the beginning of the twentieth century, when the authors' immigrant grandparents were central to their communities. It also points forward to the twenty-first century, as the concerns these authors had for the future of Irish America have become a legacy we must grapple with in the present.
Irish American Fiction from World War II to JFK addresses the concerns of Irish America in the post-war era by studying its fiction and the authors who brought the communities of their youth to life on the page. With few exceptions, the novels studied here are lesser-known works, with little written about them to date. Mining these tremendous resources for the details of Irish American life, this book looks back to the beginning of the twentieth century, when the authors' immigrant grandparents were central to their communities. It also points forward to the twenty-first century, as the concerns these authors had for the future of Irish America have become a legacy we must grapple with in the present. Beth O'Leary Anish is a Professor of English at the Community College of Rhode Island, USA. She successfully defended her dissertation, Writing Irish America: Communal Memory and the Narrative of Nation in Diaspora, at the University of Rhode Island. She has been published in the New Hibernia Review, and is an active member of the American Conference for Irish Studies. Her research interests are in American immigrant literature, contemporary Irish literature, and Irish American fiction and memoir.
This volume gathers over 40 world-class scholars to explore the dynamics that have shaped the Irish experience in America from the seventeenth to the twenty-first centuries. From the early 1600s to the present, over 10 million Irish people emigrated to various points around the globe. Of them, more than six million settled in what we now call the United States of America. Some were emigrants, some were exiles, and some were refugees—but they all brought with them habits, ideas, and beliefs from Ireland, which played a role in shaping their new home. Organized chronologically, the chapters in this volume offer a cogent blend of historical perspectives from the pens of some of the world’s leading scholars. Each section explores multiple themes including gender, race, identity, class, work, religion, and politics. This book also offers essays that examine the literary and/or artistic production of each era. These studies investigate not only how Irish America saw itself or, in turn, was seen, but also how the historical moment influenced cultural representation. It demonstrates the ways in which Irish Americans have connected with other groups, such as African Americans and Native Americans, and sets “Irish America” in the context of the global Irish diaspora. This book will be of value to undergraduate and graduate students, as well as instructors and scholars interested in American History, Immigration History, Irish Studies, and Ethnic Studies more broadly.
Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race.
Mary Pat Kelly draws upon family heritage to continue the story of Nora Kelly--begun in Of Irish Blood--with a striking novel of historical fiction in Irish Above All. After ten years in Paris, where she learned photography and became part of the movement that invented modern art, Chicago-born, Irish-American Nora Kelly is at last returning home. Her skill as a photographer will help her cousin Ed Kelly in his rise to Mayor of Chicago. But when she captures the moment an assassin’s bullet narrowly misses President-elect Franklin Roosevelt and strikes Anton Cermak in February 1933, she enters a world of international intrigue and danger. Now, she must balance family obligations against her encounters with larger-than-life historical characters, such as Joseph Kennedy, Big Bill Thompson, Al Capone, Mussolini, and the circle of women who surround F.D.R. Nora moves through the Roaring Twenties, the Great Depression, and World War II, but it’s her unexpected trip to Ireland that transforms her life. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
There is a widely held notion that, except for the elections of 1928 and 1960, the Irish have primarily influenced only state and local government. The Irish and the American Presidency reveals that the Irish have had a consistent and noteworthy impact on presidential careers, policies, and elections throughout American history. Using US party systems as an organizational framework, this book examines the various ways that Scots-Irish and Catholic Irish Americans, as well as the Irish who remained in eire, have shaped, altered, and sometimes driven such presidential political factors as party nominations, campaign strategies, elections, and White House policymaking.The Irish seem to be inextricably interwoven into important moments of presidential political history. Yanoso discusses the Scots-Irish participation in the American Revolution, the Whiskey Rebellion, and the War of 1812. She describes President Bill Clinton's successful Good Friday Agreement that brought peace and hope to Northern Ireland. And finally, she assesses the now-common presidential visits to Ireland as a strategy for garnering Irish-American support back home.No previous work has explored the impact of Irish and Irish-American affairs on US presidential politics throughout the entire scope of American history. Readers interested in presidential politics, American history, and/or Irish/Irish-American history are certain to find The Irish and the American Presidency enjoyable, informative, and impactful.
Two novellas explore a Catholic boy's love for a Protestant girl in a small Irish town, and life at an American air base in Ireland during World War II
Follows the Irish from their first arrival in the American colonies through the bleak days of the potato famine, the decades of ethnic prejudice and nativist discrimination, the rise of Irish political power, and on to the historic moment when John F. Kennedy was elected to the highest office in the land.
A sweeping history of Irish emigration, arguing that the Irish exodus helped make the modern world When people think of Irish emigration, they often think of the Great Famine of the 1840s, which caused many to flee Ireland for the United States. But the real history of the Irish diaspora is much longer, more complicated, and more global. In On Every Tide, Sean Connolly tells the epic story of Irish migration, showing how emigrants became a force in world politics and religion. Starting in the eighteenth century, the Irish fled limited opportunity at home and fanned out across America, Canada, Australia, and New Zealand. These emigrants helped settle new frontiers, industrialize the West, and spread Catholicism globally. As the Irish built vibrant communities abroad, they leveraged their newfound power—sometimes becoming oppressors themselves. Deeply researched and vividly told, On Every Tide is essential reading for understanding how the people of Ireland shaped the world.
This Concise Companion is a guide to the creative output of the United States in the postwar period, in its diverse energies, shapes and forms. Embraces diversity, covering Vietnam literature, gay and lesbian literature, American Jewish fiction, Italian American literature, Irish American writing, emergent ethnic literatures, African American writing, jazz, film, drama and more. Shows how different genres and approaches opened up creative possibilities and interacted in the postwar period. Portrays the postwar United States split by differences of wealth and position, by ethnicity and race, and by agendas of left and right, but united in the intensity of its creative drive.
