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Author: Brynjulf Stige
Publisher: Routledge
Published: 2011-08-18
Total Pages: 346
ISBN-13: 1136634312
DOWNLOAD EBOOKThis text presents the main perspectives and principles of community music therapy as it is practiced around the world.
Author: Frank R. Wilson
Publisher: Vintage
Published: 1987
Total Pages: 228
ISBN-13: 9780394753546
DOWNLOAD EBOOKThis blend of anecdote and scientific analysis is an absorbing study of our innate musical abilities, for both the adult beginner and the serious listener. Anyone who is either a professional or an amateur musician should find instruction and support in this book.
Author: Thomas Robert May
Publisher: Hal Leonard Corporation
Published: 2004
Total Pages: 254
ISBN-13:
DOWNLOAD EBOOKUnlock the world of Richard Wagner and his works, his monumental achievements, and, ultimately, the great emotional power inherent in his art. The accompanying book provides a fresh overview of his significance for contemporary audiences and culture. 2 CDs.
Author: Wally Beebe
Publisher: Sword of the Lord Publishers
Published: 1998
Total Pages: 124
ISBN-13: 9780873980333
DOWNLOAD EBOOKAuthor: Lindsay Terry
Publisher: Sword of the Lord Publishers
Published: 2002
Total Pages: 196
ISBN-13: 9780873985727
DOWNLOAD EBOOKAuthor: Wally Beebe
Publisher: Sword of the Lord Publishers
Published: 1997
Total Pages: 290
ISBN-13: 9780873987486
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 2003-05-10
Total Pages: 118
ISBN-13:
DOWNLOAD EBOOKIn its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: Arnie Cox
Publisher: Indiana University Press
Published: 2016-09-06
Total Pages: 300
ISBN-13: 0253021677
DOWNLOAD EBOOKTaking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.
