Mark Grayson is trapped in another dimension, having accidentally killed villain Angstrom Levy. The true face of Global Guardians hero Robot is revealed, and Mark hears a plea from an older version of heroine Atom Eve.
The Martian armada is headed for Earth ? and Invincible is the only thing that stands in their way! Led by the parasitic SEQUIDS the Martians plan to invade Earth and provide the Sequids with a new slave race. If Invincible fails, it's all over... luckily he brought along some HELP.
It's here: the second massive paperback collection of the greatest superhero comic in the universe! Witness Invincible's transition from new kid on the block to established superhero! Collects Invincible #48-96.
Sylvester Stallone has been a defining part of American film for nearly four decades. He has made an impact on world entertainment in a surprisingly diverse range of capacities – as actor, writer, producer, and director – all while maintaining a monolithic presence. With The Ultimate Stallone Reader, this icon finally receives concerted academic attention. Eleven original essays by internationally-known scholars examine Stallone’s contributions to mainstream cinema, independent film, and television. This volume also offers innovative approaches to star, gender, and celebrity studies, performance analysis, genre criticism, industry and reception inquiry, and the question of what it means to be an auteur. Ultimately, The Ultimate Stallone Reader investigates the place that Sylvester Stallone occupies within an industry and a culture that have both undergone much evolution, and how his work has reflected and even driven these changes.
This book offers an interdisciplinary approach to the study of comic-books, mobilising them as a means to understand better the political context in which they are produced. Structured around key political events in the US between 1938 and 1975, the author combines analyses of visual and textual discourse, including comic-book letters pages, to come to a more complete picture of the relationship between comic-books as documents and the people who read and created them. Exploring the ways in which ideas about the US and its place in the world were represented in major superhero comic-books during the tumultuous period of US history from the Great Depression to the political trauma of Watergate and the end of the Vietnam War, Superheroes and American Self-Image sheds fresh light on the manner in which comic-books shape and are shaped by contemporary politics. As such it will appeal to scholars of cultural and media studies, history and popular culture.