The "woman question", this book asserts, is a Western one, and not a proper lens for viewing African society. A work that rethinks gender as a Western contruction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed in old Yoruba society, and that social organization was determined by relative age.
Hypatia was a Greek mathematician, astronomer, and philosopher who invented the hydrometer in about 400 AD. Described as a charismatic teacher, she was seen as an evil symbol of the pagan science of learning and she was eventually murdered by Christian zealots. For many women in years gone by, the invention process was fraught with danger and difficulty. Not only did they face the hardship and obstacles of inventing, they also had to contend with the sexism and gender discrimination of a male world that believed women had nothing to contribute. Scientific women came to the fore with momentous innovations which were impossible for men to ignore. During World War Two, Austrian actress Hedy Lamarr became a pioneer in wireless communications, developing a “Secret Communications System.” More recently, 20-year-old Ann Makosinski has invented the ingenious Hollow Flashlight which converts radiant body heat into electricity. Meanwhile other women continued inventing in the domestic sphere with Miracle Mops, long-lasting lipsticks, and magic knickers. In every walk of twenty-first century life women have been challenging themselves (and men) to shape the way we live. Some of the incredible innovators featured include Myra Juliet Farrell, Sally Fox, Rosalind Franklin, Helen Murray, Anna Pavlova, Mária Telkes, Giuliana Tesoro, Halldis Aalvik Thune, Ann Tsukamoto, Margaret A. Wilcox, Ada Lovelace, and many more. The 150 remarkable women in this book show all too clearly that not only can invention no longer be described as a male dominated domain but that a woman’s inspiration and ingenuity will probably be driving the life-changing ideas of tomorrow’s world.
The newest Oprah’s Book Club 2.0 selection: this special eBook edition of The Invention of Wings by Sue Monk Kidd features exclusive content, including Oprah’s personal notes highlighted within the text, and a reading group guide. Writing at the height of her narrative and imaginative gifts, Sue Monk Kidd presents a masterpiece of hope, daring, the quest for freedom, and the desire to have a voice in the world. Hetty “Handful” Grimke, an urban slave in early nineteenth century Charleston, yearns for life beyond the suffocating walls that enclose her within the wealthy Grimke household. The Grimke’s daughter, Sarah, has known from an early age she is meant to do something large in the world, but she is hemmed in by the limits imposed on women. Kidd’s sweeping novel is set in motion on Sarah’s eleventh birthday, when she is given ownership of ten year old Handful, who is to be her handmaid. We follow their remarkable journeys over the next thirty five years, as both strive for a life of their own, dramatically shaping each other’s destinies and forming a complex relationship marked by guilt, defiance, estrangement and the uneasy ways of love. As the stories build to a riveting climax, Handful will endure loss and sorrow, finding courage and a sense of self in the process. Sarah will experience crushed hopes, betrayal, unrequited love, and ostracism before leaving Charleston to find her place alongside her fearless younger sister, Angelina, as one of the early pioneers in the abolition and women’s rights movements. Inspired by the historical figure of Sarah Grimke, Kidd goes beyond the record to flesh out the rich interior lives of all of her characters, both real and invented, including Handful’s cunning mother, Charlotte, who courts danger in her search for something better. This exquisitely written novel is a triumph of storytelling that looks with unswerving eyes at a devastating wound in American history, through women whose struggles for liberation, empowerment, and expression will leave no reader unmoved. Please note there is another digital edition available without Oprah’s notes. Go to Oprah.com/bookclub for more OBC 2.0 content
Until now the advent of Western romantic love has been seen as a liberation from—or antidote to—ten centuries of misogyny. In this major contribution to gender studies, R. Howard Bloch demonstrates how similar the ubiquitous antifeminism of medieval times and the romantic idealization of woman actually are. Through analyses of a broad range of patristic and medieval texts, Bloch explores the Christian construction of gender in which the flesh is feminized, the feminine is aestheticized, and aesthetics are condemned in theological terms. Tracing the underlying theme of virginity from the Church Fathers to the courtly poets, Bloch establishes the continuity between early Christian antifeminism and the idealization of woman that emerged in the twelfth and thirteenth centuries. In conclusion he explains the likely social, economic, and legal causes for the seeming inversion of the terms of misogyny into those of an idealizing tradition of love that exists alongside its earlier avatar until the current era. This startling study will be of great value to students of medieval literature as well as to historians of culture and gender.
Funmilayo Ransome-Kuti was a Nigerian feminist who fought for suffrage and equal rights for her countrywomen long before the second wave of the women's movement in the United States. She also joined the struggle for Nigerian independence as an activist in the anticolonial movement.For Women and the Nation is the story of this courageous woman, one of a handful of full-length biographies of African women activists. It will be welcomed by students of women's studies, African history, and biography, as well as by opponents of the Nigerian military regime that has held one of her sons, Dr. Beko Ransome-Kuti, in solitary confinement since August 1995.CHERYL JOHNSON-ODIM, chair and associate professor of history at Loyola University in Chicago, is coeditor of Expanding the Boundaries of Women's History. NINA EMMA MBA, senior lecturer in history at the University of Lagos, Nigeria, is the author of Nigerian Women Mobilized and Ayo Rosijc.
Dislocating Cultures takes aim at the related notions of nation, identity, and tradition to show how Western and Third World scholars have misrepresented Third World cultures and feminist agendas. Drawing attention to the political forces that have spawned, shaped, and perpetuated these misrepresentations since colonial times, Uma Narayan inspects the underlying problems which "culture" poses for the respect of difference and cross-cultural understanding. Questioning the problematic roles assigned to Third World subjects within multiculturalism, Narayan examines ways in which the flow of information across national contexts affects our understanding of issues. Dislocating Cultures contributes a philosophical perspective on areas of ongoing interest such as nationalism, post-colonial studies, and the cultural politics of debates over tradition and "westernization" in Third World contexts.
The #1 New York Times bestseller of hope, daring, and the quest for freedom taken on by two unforgettable American women, from the celebrated author of The Secret Life of Bees. “A remarkable novel that heightened my sense of what it meant to be a woman – slave or free . . a conversation changer.” – Oprah Winfrey, O, The Oprah Magazine “Powerful…furthers our essential understanding of what has happened among us as Americans – and why it still matters.” –The Washington Post Writing at the height of her narrative and imaginative gifts, Sue Monk Kidd presents a masterpiece of hope, daring, the quest for freedom, and the desire to have a voice in the world—and it is now the newest Oprah’s Book Club 2.0 selection. Hetty “Handful” Grimke, an urban slave in early nineteenth century Charleston, yearns for life beyond the suffocating walls that enclose her within the wealthy Grimke household. The Grimke’s daughter, Sarah, has known from an early age she is meant to do something large in the world, but she is hemmed in by the limits imposed on women. Kidd’s sweeping novel is set in motion on Sarah’s eleventh birthday, when she is given ownership of ten year old Handful, who is to be her handmaid. We follow their remarkable journeys over the next thirty five years, as both strive for a life of their own, dramatically shaping each other’s destinies and forming a complex relationship marked by guilt, defiance, estrangement and the uneasy ways of love. As the stories build to a riveting climax, Handful will endure loss and sorrow, finding courage and a sense of self in the process. Sarah will experience crushed hopes, betrayal, unrequited love, and ostracism before leaving Charleston to find her place alongside her fearless younger sister, Angelina, as one of the early pioneers in the abolition and women’s rights movements. Inspired by the historical figure of Sarah Grimke, Kidd goes beyond the record to flesh out the rich interior lives of all of her characters, both real and invented, including Handful’s cunning mother, Charlotte, who courts danger in her search for something better. This exquisitely written novel is a triumph of storytelling that looks with unswerving eyes at a devastating wound in American history, through women whose struggles for liberation, empowerment, and expression will leave no reader unmoved.
Jane Ellen Harrison (1850-1928) is the most famous female Classicist in history, the author of books that revolutionized our understanding of Greek culture and religion. This lively and innovative portrayal of a fascinating woman raises the question of who wins (and how) in the competition for academic fame.
Exploring privileged Confederate women's wartime experiences, this book chronicles the clash of the old and the new within a group that was at once the beneficiary and the victim of the social order of the Old South.
