In the year 2441, the War of Wazian Ascension ended in victory for Earth. Captain Zeta Smith of the IERS Monitor was declared a hero of the Interstellar Earth Republic. Soon after the war, Captain Zeta Smith and the crew of the Monitor discovered that keeping the peace can be more bloody and painful than fighting the actual war. Old enemies have returned, and they do not follow the same rules as Captain Smith and his crew. Captain Smith and the crew of the Monitor will have to face painful facts of human history, and the nightmarish flaws of the human soul to survive the trials and difficulties they will face. In the end, they will not only have to defeat their physical enemies, but the demons of human history.
In the year 2450, peace is commonplace for the Interstellar Earth Republic. Captain Dennis Masilleo has been in command of the IERS Monitor for eight years. The former captain of the Monitor, Zeta Smith, is now a Huzlorian count and is the ruler of the city of Dublesh on the planet Huzlor. But from the darkest reaches of space, a group of enemies is about to strike, and peace for Masilleo, Smith, and the rest of humanity is about to be shattered. Evil is on the move, and it is bringing death and destruction to the worlds of the Interstellar Earth Republic and into the lives of the crew of the Monitor. The greatest danger Earth has ever faced is about to be unleashed, and a war of unbelievable magnitude will spread across the known galaxy. The crew of the Monitor will be tested like they never have been before, and everything they hold dear will be shaken to its foundation. Even if they are successful in defeating this evil, they will still have to face an even greater opponent who is lurking in the shadows close to home. It will be as if the universe itself has turned on humanity, and many people will be considered to be among the forsaken multitude. This is the fourth book in the Interstellar Monitor series.
In the future of an alternate world, the City of Polyxenburgh is a jewel in the Imperial States of Vespasia. But when a prominent businessman is murdered one night, the lives of its many citizens are altered, leaving the fate of Polyxenburgh and the Imperium precariously hanging in the balance. Twenty-three-year-old Leigh Palkenberg, an assistant bridge operator and part-time writer, may have been one of the last ones to see the murder victim alive. Following a failed bridge inspection just hours after the murder, Leigh suddenly loses his job. Advised to present himself to God and Man in a Triune Catholic church, Leigh soon makes many connectionsone of whom offers him a job at his private investigation firm. Propelled down a dangerous path, Leigh finds himself involved in a murder mystery and potential conspiracy; his long-time friend, Vince Deinhof, follows the same path simply by knowing those affected by the deaths. Forced to face the terrible secrets of the world around them and search for the truth, Leigh, Vince, and the citizens of Polyxenburgh must make difficult choices that reveal secrets and transform some into villains and others into heroes. In this new world, they must confront their present lives, future aspirations, secret histories, and far-reaching conspiracies in order to achieve true enlightenment.
Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller—a perfectly cut gem of countercultural thinking in itself—places Youngblood’s radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.
In the future of an alternate world, Nimbus Stadt was a vast municipality on the continent of Vespasia. Only 115 miles away from the famous city of Polyxenburgh, Nimbus Stadt was a city where many immigrants to Vespasia first started their lives. One such immigrant was Taddeo Orzelli, a man who struggled at first to make ends meet. Taddeo struggled against the nativist policies of the native born Vespasians and their anti-immigration legislation in Vespasia. A different man, Jarvis Vassalle, the grandson of immigrants, struggled to find meaning in a world of dark secrets and wonderful hidden mysteries. Both of these men and their comrades will have to seek the truth while combating the machinations of a secret elite who will stop at nothing to achieve their malevolent goals. In the end, both Taddeo and Jarvis will meet their destinies in Nimbus Stadt. This is the sequel to Polyxenburgh.
Universal Studios created the first cinematic universe of monsters--Dracula, Frankenstein, the Mummy and others became household names during the 1930s and 1940s. During the 1950s, more modern monsters were created for the Atomic Age, including one-eyed globs from outer space, mutants from the planet Metaluna, the Creature from the Black Lagoon, and the 100-foot high horror known as Tarantula. This over-the-top history is the definitive retrospective on Universal's horror and science fiction movies of 1951-1955. Standing as a sequel to Tom Weaver, Michael Brunas and John Brunas's Universal Horrors (Second Edition, 2007), it covers eight films: The Strange Door, The Black Castle, It Came from Outer Space, Creature from the Black Lagoon, This Island Earth, Revenge of the Creature, Cult of the Cobra and Tarantula. Each receives a richly detailed critical analysis, day-by-day production history, interviews with filmmakers, release information, an essay on the score, and many photographs, including rare behind-the-scenes shots.
The Arthur C. Clarke award-winning author of Children of Time brings us an extraordinary space opera about humanity on the brink of extinction, and how one man's discovery will save or destroy us all. The war is over. Its heroes forgotten. Until one chance discovery . . . Idris has neither aged nor slept since they remade him in the war. And one of humanity's heroes now scrapes by on a freelance salvage vessel, to avoid the attention of greater powers. After earth was destroyed, mankind created a fighting elite to save their species, enhanced humans such as Idris. In the silence of space they could communicate, mind-to-mind, with the enemy. Then their alien aggressors, the Architects, simply disappeared—and Idris and his kind became obsolete. Now, fifty years later, Idris and his crew have discovered something strange abandoned in space. It's clearly the work of the Architects—but are they returning? And if so, why? Hunted by gangsters, cults and governments, Idris and his crew race across the galaxy hunting for answers. For they now possess something of incalculable value, that many would kill to obtain.
#1 NEW YORK TIMES BESTSELLER • “The Uninhabitable Earth hits you like a comet, with an overflow of insanely lyrical prose about our pending Armageddon.”—Andrew Solomon, author of The Noonday Demon NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker • The New York Times Book Review • Time • NPR • The Economist • The Paris Review • Toronto Star • GQ • The Times Literary Supplement • The New York Public Library • Kirkus Reviews It is worse, much worse, than you think. If your anxiety about global warming is dominated by fears of sea-level rise, you are barely scratching the surface of what terrors are possible—food shortages, refugee emergencies, climate wars and economic devastation. An “epoch-defining book” (The Guardian) and “this generation’s Silent Spring” (The Washington Post), The Uninhabitable Earth is both a travelogue of the near future and a meditation on how that future will look to those living through it—the ways that warming promises to transform global politics, the meaning of technology and nature in the modern world, the sustainability of capitalism and the trajectory of human progress. The Uninhabitable Earth is also an impassioned call to action. For just as the world was brought to the brink of catastrophe within the span of a lifetime, the responsibility to avoid it now belongs to a single generation—today’s. LONGLISTED FOR THE PEN/E.O. WILSON LITERARY SCIENCE WRITING AWARD “The Uninhabitable Earth is the most terrifying book I have ever read. Its subject is climate change, and its method is scientific, but its mode is Old Testament. The book is a meticulously documented, white-knuckled tour through the cascading catastrophes that will soon engulf our warming planet.”—Farhad Manjoo, The New York Times “Riveting. . . . Some readers will find Mr. Wallace-Wells’s outline of possible futures alarmist. He is indeed alarmed. You should be, too.”—The Economist “Potent and evocative. . . . Wallace-Wells has resolved to offer something other than the standard narrative of climate change. . . . He avoids the ‘eerily banal language of climatology’ in favor of lush, rolling prose.”—Jennifer Szalai, The New York Times “The book has potential to be this generation’s Silent Spring.”—The Washington Post “The Uninhabitable Earth, which has become a best seller, taps into the underlying emotion of the day: fear. . . . I encourage people to read this book.”—Alan Weisman, The New York Review of Books
From New York Times bestseller and Hugo Award-winner, John Scalzi, a gleeful mash-up of science fiction and Hollywood satire The space-faring Yherajk have come to Earth to meet us and to begin humanity's first interstellar friendship. There's just one problem: They're hideously ugly and they smell like rotting fish. So getting humanity's trust is a challenge. The Yherajk need someone who can help them close the deal. Enter Thomas Stein, who knows something about closing deals. He's one of Hollywood's hottest young agents. But although Stein may have just concluded the biggest deal of his career, it's quite another thing to negotiate for an entire alien race. To earn his percentage this time, he's going to need all the smarts, skills, and wits he can muster. Other Tor Books The Android’s Dream Agent to the Stars Your Hate Mail Will Be Graded Fuzzy Nation Redshirts 1. Lock In 2. Head On The Interdepency Sequence 1. The Collapsing Empire 2. The Consuming Fire Old Man's War Series 1. Old Man’s War 2. The Ghost Brigades 3. The Last Colony 4. Zoe’s Tale 5. The Human Division 6. The End of All Things At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
