Interpreting the Moving Image

Interpreting the Moving Image

Author: Noel Carroll

Publisher: Cambridge University Press

Published: 1998-05-28

Total Pages: 396

ISBN-13: 9780521589703

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A collection of film essays by the well-respected critic, Noël Carroll.


Moving Image Theory

Moving Image Theory

Author: Joseph D Anderson

Publisher: SIU Press

Published: 2007-03-05

Total Pages: 276

ISBN-13: 9780809327461

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Looking at film through its communication properties rather than its social or political implications, this work draws on the tenets of James J. Gibson's ecological theory of visual perception and offers a new understanding of how moving images are seen and understood.


Philosophy and the Moving Image

Philosophy and the Moving Image

Author: Noël Carroll

Publisher: Oxford University Press

Published: 2021

Total Pages: 417

ISBN-13: 0190683309

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"This book is a selection of essays by Noël Carroll at the intersection of film and TV and major divisions of philosophy including metaphysics, epistemology, ethics, politics, and aesthetics"--


Moving Images, Culture, and the Mind

Moving Images, Culture, and the Mind

Author: Ib Bondebjerg

Publisher: JOHN LIBBEY PUBLISHING

Published: 2000

Total Pages: 276

ISBN-13:

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Since the rise of cinema in 1896, moving images have been of increased importance in the construction of culture and society and for the ways in which we interact with reality and with each other. With the coming of television on a global mass scale in the 1960's and the birth of computers and the information society in the 1980's, we are right now in an expanding and changing culture highly influenced by visual media.


The Philosophy of Motion Pictures

The Philosophy of Motion Pictures

Author: Noël Carroll

Publisher: Wiley-Blackwell

Published: 2007-12-26

Total Pages: 256

ISBN-13: 9781405120258

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Philosophy of Motion Pictures is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address


Interpreting Anime

Interpreting Anime

Author: Christopher Bolton

Publisher: U of Minnesota Press

Published: 2018-02-20

Total Pages: 314

ISBN-13: 1452956847

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For students, fans, and scholars alike, this wide-ranging primer on anime employs a panoply of critical approaches Well-known through hit movies like Spirited Away, Akira, and Ghost in the Shell, anime has a long history spanning a wide range of directors, genres, and styles. Christopher Bolton’s Interpreting Anime is a thoughtful, carefully organized introduction to Japanese animation for anyone eager to see why this genre has remained a vital, adaptable art form for decades. Interpreting Anime is easily accessible and structured around individual films and a broad array of critical approaches. Each chapter centers on a different feature-length anime film, juxtaposing it with a particular medium—like literary fiction, classical Japanese theater, and contemporary stage drama—to reveal what is unique about anime’s way of representing the world. This analysis is abetted by a suite of questions provoked by each film, along with Bolton’s incisive responses. Throughout, Interpreting Anime applies multiple frames, such as queer theory, psychoanalysis, and theories of postmodernism, giving readers a thorough understanding of both the cultural underpinnings and critical significance of each film. What emerges from the sweep of Interpreting Anime is Bolton’s original, articulate case for what makes anime unique as a medium: how it at once engages profound social and political realities while also drawing attention to the very challenges of representing reality in animation’s imaginative and compelling visual forms.


Engaging the Moving Image

Engaging the Moving Image

Author: Noel Carroll

Publisher: Yale University Press

Published: 2008-10-01

Total Pages: 448

ISBN-13: 0300133073

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Noël Carroll, a brilliant and provocative philosopher of film, has gathered in this book eighteen of his most recent essays on cinema and television—what Carroll calls “moving images.” The essays discuss topics in philosophy, film theory, and film criticism. Drawing on concepts from cognitive psychology and analytic philosophy, Carroll examines a wide range of fascinating topics. These include film attention, the emotional address of the moving image, film and racism, the nature and epistemology of documentary film, the moral status of television, the concept of film style, the foundations of film evaluation, the film theory of Siegfried Kracauer, the ideology of the professional western, and films by Sergei Eisenstein and Yvonne Rainer. Carroll also assesses the state of contemporary film theory and speculates on its prospects. The book continues many of the themes of Carroll’s earlier work Theorizing the Moving Image and develops them in new directions. A general introduction by George Wilson situates Carroll’s essays in relation to his view of moving-image studies.