Women in International and Universal Exhibitions, 1876–1937

Women in International and Universal Exhibitions, 1876–1937

Author: Rebecca Rogers

Publisher: Routledge

Published: 2017-08-14

Total Pages: 275

ISBN-13: 135176733X

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This book argues for the importance of bringing women and gender more directly into the dynamic field of exposition studies. Reclaiming women for the history of world fairs (1876-1937), it also seeks to introduce new voices into these studies, dialoguing across disciplinary and national historiographies. From the outset, women participated not only as spectators, but also as artists, writers, educators, artisans and workers, without figuring among the organizers of international exhibitions until the 20th century. Their presence became more pointedly acknowledged as feminist movements developed within the Western World and specific spaces dedicated to women’s achievements emerged. International exhibitions emerged as showcases of "modernity" and "progress," but also as windows onto the foreign, the different, the unexpected and the spectacular. As public rituals of celebration, they transposed national ceremonies and protests onto an international stage. For spectators, exhibitions brought the world home; for organizers, the entire world was a fair. Women were actors and writers of the fair narrative, although acknowledgment of their contribution was uneven and often ephemeral. Uncovering such silence highlights how gendered the triumphant history of modernity was, and reveals the ways women as a category engaged with modern life within that quintessential modern space—the world fair.


The Rise of Heritage

The Rise of Heritage

Author: Astrid Swenson

Publisher: Cambridge University Press

Published: 2013-12-19

Total Pages: 433

ISBN-13: 0521117623

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A richly illustrated book exploring the origins of the modern fascination for heritage, comparing preservation in France, Germany and England.


Mexico at the World's Fairs

Mexico at the World's Fairs

Author: Mauricio Tenorio-Trillo

Publisher: Univ of California Press

Published: 2024-06-12

Total Pages: 391

ISBN-13: 0520378091

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This intriguing study of Mexico's participation in world's fairs from 1889 to 1929 explores Mexico's self-presentation at these fairs as a reflection of the country's drive toward nationalization and a modernized image. Mauricio Tenorio-Trillo contrasts Mexico's presence at the 1889 Paris fair—where its display was the largest and most expensive Mexico has ever mounted—with Mexico's presence after the 1910 Mexican Revolution at fairs in Rio de Janeiro in 1922 and Seville in 1929. Rather than seeing the revolution as a sharp break, Tenorio-Trillo points to important continuities between the pre- and post-revolution periods. He also discusses how, internationally, the character of world's fairs was radically transformed during this time, from the Eiffel Tower prototype, encapsulating a wondrous symbolic universe, to the Disneyland model of commodified entertainment. Drawing on cultural, intellectual, urban, literary, social, and art histories, Tenorio-Trillo's thorough and imaginative study presents a broad cultural history of Mexico from 1880 to 1930, set within the context of the origins of Western nationalism, cosmopolitanism, and modernism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.


Great Exhibitions

Great Exhibitions

Author: Jonathan Meyer

Publisher: Antique Collectors Club Dist

Published: 2006

Total Pages: 344

ISBN-13:

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The need for peoples to come together to celebrate their industry, demonstrate their skills and to trade the results of this industry has existed sin ce man first organized himself into socially cohes ive units.This eventually found universal expressi ion in the extended series of international exhibi tions which began in London in 1851 and has contin


The Role of International Exhibitions in Britain, 1850-1910

The Role of International Exhibitions in Britain, 1850-1910

Author: Anthony David Edwards

Publisher: Cambria Press

Published: 2008

Total Pages: 308

ISBN-13: 160497530X

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This book investigates these assumptions by systematically exploring the relationship between participation in international exhibitions, the state of the economy, and the issue of technical education from a British perspective between 1850 and 1910.


The Art Nouveau Style

The Art Nouveau Style

Author: Stephan Tschudi-Madsen

Publisher: Courier Corporation

Published: 2002-01-01

Total Pages: 500

ISBN-13: 9780486417943

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A revolutionary reaction to traditional nineteenth-century art, the turn-of-the-century Art Nouveau movement drew much of its inspiration from nature. Applying its sinuous, curvilinear motifs to the decorative arts, graphics, architecture, sculpture, and painting, artists and craftspeople attempted to create a style suitable for a "modern" age. In this absorbing, exceptionally detailed, and well-researched book (one of the first scholarly works to revive interest in the style after World War II), a noted Norwegian authority on the subject examines the movement in depth. Stephan Madsen offers a wealth of facts and insights about the origins and development of the style; trends leading up to Art Nouveau, including the influence of Blake and the Pre-Raphaelites; early Art Nouveau posters and book illustrations; and its use in architectural ornamentation, furniture, jewelry, wrought-iron, glass, and other applied arts. A magnificent selection of 264 photographs and line drawings accompanies the text, which gives broad coverage to the movement, as well as insightful discussions of such important artists as Emile Gallé, Alphonse Mucha, Walter Crane, Charles Rennie Mackintosh, Aubrey Beardsley, Henry Van de Velde, Victor Horta, William Morris, and Eugène Grasset. Artists and students, admirers of Art Nouveau, and anyone interested in this enduring and influential style will welcome Professor Madsen's expert, fully documented study.