The Eucharistic Miracles of the World
Author:
Publisher:
Published: 2016-04-26
Total Pages: 138
ISBN-13: 9781931101219
DOWNLOAD EBOOKA pictorial and written description of 132 Eucharistic Miracles as they occurred throughout the world
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Museums, International Exhibitions and China's Cultural Diplomacy
Author: Da Kong
Publisher: Routledge
Published: 2021-03-31
Total Pages: 175
ISBN-13: 1000374696
DOWNLOAD EBOOKMuseums, International Exhibitions and China’s Cultural Diplomacy examines the role museums and, more specifically, international exhibitions, have played in shaping China’s international image to date. Drawing on theories and methods from museum studies and international relations, the book evaluates the contribution international exhibitions make to China’s cultural diplomacy strategy. Considering their impact on the country’s international image, Kong also probes the mechanisms and processes involved, examining in detail the policy of, and international activities promoted by, the Chinese government. The book also analyses the motives of the Chinese and overseas museums that host these exhibitions. Taking some major exhibitions that were on show in the UK during the 21st century as a representative case study, the book reveals the mechanisms by which these exhibitions were developed and shared overseas. Questioning who really shapes the image of China, Kong challenges Western assumptions and looks ahead to consider whether, moving forward, the Chinese government and museums could work together in a mutually beneficial way. Museums, International Exhibitions and China’s Cultural Diplomacy contributes to the growing literature on museums and diplomacy. As such, it will be of interest to academics and students engaged in the study of museums and heritage, international relations, culture, politics, China and wider Asia.
Cultures of International Exhibitions 1840-1940
Author: Dr Marta Filipova
Publisher: Ashgate Publishing, Ltd.
Published: 2015-07-28
Total Pages: 377
ISBN-13: 1472432819
DOWNLOAD EBOOKBeyond the world fairs in London, Paris or Chicago, numerous smaller, ambitious exhibitions took place in provincial cities and towns worldwide. This volume takes a novel look at the exhibitionary cultures of the period 1840-1940. By examining the motivations, scope, and impact of lesser-known exhibitions in, for example, Australia, Japan, Brazil, as well as a number of European countries, the volume opens up new angles in the way the global phenomenon of a great exhibition can be examined through the prism of the regional.
All the World's a Fair
Author: Robert W. Rydell
Publisher: University of Chicago Press
Published: 2013-08-16
Total Pages: 340
ISBN-13: 0226923258
DOWNLOAD EBOOKRobert W. Rydell contends that America's early world's fairs actually served to legitimate racial exploitation at home and the creation of an empire abroad. He looks in particular to the "ethnological" displays of nonwhites—set up by showmen but endorsed by prominent anthropologists—which lent scientific credibility to popular racial attitudes and helped build public support for domestic and foreign policies. Rydell's lively and thought-provoking study draws on archival records, newspaper and magazine articles, guidebooks, popular novels, and oral histories.
The National Centennial. The International Exhibition of 1876. Message of the President of the United States to Congress (etc.)
Author: [Anonymus AC09768471]
Publisher:
Published: 1874
Total Pages: 452
ISBN-13:
DOWNLOAD EBOOKCultures of International Exhibitions 1840-1940
Author: Marta Filipová
Publisher: Routledge
Published: 2017-07-05
Total Pages: 377
ISBN-13: 135157034X
DOWNLOAD EBOOKBeyond the great exhibitions, expositions universelles and world fairs in London, Paris or Chicago, numerous smaller, yet ambitious exhibitions took place in provincial cities and towns across the world. Focusing on the period between 1840 and 1940, this volume takes a novel look at the exhibitionary cultures of this period and examines the motivations, scope, and impact of lesser-known exhibitions in, for example, Australia, Japan, Brazil, as well as a number of European countries. The individual case studies included explore the role of these exhibitions in the global exhibitionary network and consider their ?marginality? related to their location and omission by academic research so far. The chapters also highlight a number of important issues from regional or national identities, the role of modernisation and tradition, to the relationship between capital cities and provincial towns present in these exhibitions. They also address the key topic of colonial exhibitions as well as the displays of arts and design in the context of the so-called marginal fairs. Cultures of International Exhibitions 1840-1940: Great Exhibitions in the Margins therefore opens up new angles in the way the global phenomenon of a great exhibition can be examined through the prism of the regional, and will make a vital contribution to those interested in exhibition studies and related fields.
The Cork International Exhibition, 1902-1903
Author: Daniel Breen
Publisher:
Published: 2014
Total Pages: 0
ISBN-13: 9780716532309
DOWNLOAD EBOOKIn this accessible and attractive book, beautiful illustrations accompany an involving contextualization of life in Ireland's Cork City at the beginning of the 20th century. Focusing on the "International Exhibition of Manufactures, Arts, Products and Industries," a monumental event which opened its doors in the summer of 1902 and which Cork City has not paid witness to before or since, local historians Daniel Breen and Tom Spalding provide an enlightening account of an Irish city during a time when civic and cultural life was celebrated in the spirit of the age, and not obscured by the divisive politics that severely marked the preceding century and following decade. The book provides a picture of Edwardian Cork, going beyond reportage to instill a real sense of the age. The International Exhibition was emblematic of this remarkably cooperative period, seeing individuals of strongly opposing political backgrounds working in unison and interacting with a huge array of international exhibitors from as far away as Russia, China, and Turkey. As an exhibition devoted to art and industry, the Cork International Exhibition acted as a focal point that expanded upon contemporary art, architecture, music, sports, and more. Filled with colorful illustrations of archival material, this elegant book presents a complete picture of the astonishing scale and vibrancy of this immense occasion in Ireland's social history. Exhibitions of this kind were showcased in major global cities, such as London, Paris, Glasgow, St. Louis, and Chicago. The fact that it came to a burgeoning city such as Cork, ahead of Belfast or Dublin, was of historic importance within Ireland.
Cosmopolitan Ambassadors: International exhibitions, cultural diplomacy and the polycentral museum
Author: Lee Davidson
Publisher: Vernon Press
Published: 2019-02-28
Total Pages: 264
ISBN-13: 1622731743
DOWNLOAD EBOOKHow are museums working internationally through exhibitions? What motivates this work? What are the benefits and challenges? What factors contribute to success? What impact does this work have for audiences and other stakeholders? What contributions are they making to cultural diplomacy, intercultural dialogue and understanding? Cosmopolitan Ambassadors first considers the current state of knowledge about international exhibitions and proposes an interdisciplinary analytical framework encompassing museum studies, visitor studies, cultural diplomacy and international cultural relations, cosmopolitanism and intercultural studies. It then presents a comprehensive empirical analysis of an exhibition exchange involving two exhibitions that crossed five countries and three continents, connecting six high profile cultural institutions and spanning almost a decade from initial conception to completion. A detailed comparison of both the intercultural production of international exhibitions by museum partnerships and by the interpretive acts and meaning-making of visitors, reveals the many complexities, challenges, tensions and rewards of international exhibitions and their intersection with cultural diplomacy. Key themes include the realities of international collaboration, its purposes, processes and challenges; the politics of cultural (self-)representation and Indigenous museology; implications for exhibition design, interpretation, and marketing; intercultural competency and museum practice; audience reception and meaning-making; cultural diplomacy in practice and perceptions of its value. This first-ever empirically-grounded, theoretical analysis provides the basis of a new model of museums as polycentral: as places that might produce a kaleidoscopic vision of multiple centres and help to dissolve cultural boundaries by encouraging dialogue, negotiation and the search for intercultural understandings. Guidelines for practice include recommendations for successful international museum partnerships, exhibition development and maximizing the potential of museum diplomacy.
Women in International and Universal Exhibitions, 1876–1937
Author: Rebecca Rogers
Publisher: Routledge
Published: 2017-08-14
Total Pages: 275
ISBN-13: 135176733X
DOWNLOAD EBOOKThis book argues for the importance of bringing women and gender more directly into the dynamic field of exposition studies. Reclaiming women for the history of world fairs (1876-1937), it also seeks to introduce new voices into these studies, dialoguing across disciplinary and national historiographies. From the outset, women participated not only as spectators, but also as artists, writers, educators, artisans and workers, without figuring among the organizers of international exhibitions until the 20th century. Their presence became more pointedly acknowledged as feminist movements developed within the Western World and specific spaces dedicated to women’s achievements emerged. International exhibitions emerged as showcases of "modernity" and "progress," but also as windows onto the foreign, the different, the unexpected and the spectacular. As public rituals of celebration, they transposed national ceremonies and protests onto an international stage. For spectators, exhibitions brought the world home; for organizers, the entire world was a fair. Women were actors and writers of the fair narrative, although acknowledgment of their contribution was uneven and often ephemeral. Uncovering such silence highlights how gendered the triumphant history of modernity was, and reveals the ways women as a category engaged with modern life within that quintessential modern space—the world fair.
