Klein’s model of projective and introjective processes and Bion’s theory of the relationship between container and contained have become increasingly significant in much clinical work. in a highly imaginative development of these models of thought, the distinguished clinician gianna williams, one of the leading figures in the field, elucidates the psychodynamics of these processes in the context of impairment of dependent relationships and of eating disorders in both men and women. This is a timely and brilliant account of an area of psychopathology that is rapidly growing in significance.
This book is the culmination of 14 years of movement research, movement technique classes and personal introspection that have created the revolutionary methodology of Internal Landscapes. John Ollom's practice is defined as archetypal movement that leads to art creation. Many actors, dancers, performance artists and non-performers have come to work with John Ollom, the creator of the Internal Landscapes methodology and his company of Ollom Movement Artists. Peer into a book that not only educates but tells personal stories of unbelievable honesty. Issues of rape, homosexuality, and survival through trauma have been addressed in this methodology. Artists that have dared to have the courage to create art that is poignant and revelatory have found John Ollom's practice to be the key to their process.
The tension between interior and exterior has always been present in architecture, differently articulated over the centuries, and expressed through several means of representation. Contemporary architecture is often characterized by the total interpenetration of interior and exterior configurations: often the differentiation between these two dialectical poles has become undistinguishable, boundaries blurry and the result of any design process is a hybrid product, based on the superposition of different and heterogeneous layers. Starting from the 18th century, Interior Landscapes describes the principles of the relationship between interior and exterior landscapes in architecture. It unveils the invariant forms that have crossed the History of Architecture, and which have periodically re-emerged to shape contemporary design episodes. By borrowing different interpretative elements—drawings, photographs, illustrations—Interior Landscapes is configured as a visual atlas, aimed to demonstrate how, through the contamination of interior and exterior, always- new architectural insights emerge. Comprising detailed essays that contribute insightfully to the international discourse, Stefano Corbo unpacks the general re-organization of topics internal to the territory of architecture. This book distinguishes itself with almost 70 unique plates of etchings, sketches, illustrations and photographs, each linking carefully and directly the visual with the theory, providing unique entry points and examinations of this text’s fascinating observations.
Klein's model of projective and introjective processes and Bion's model of the relationship between container and contained have become increasingly significant in clinical work. Here, the author elucidates the psychodynamics of these processes in the context of eating disorders in both sexes.
This book brings together two experienced educators from the fields of teacher education and arts education. The authors Richmond, a photographer, and Snowber, a dancer and poet, see aesthetic education as aiming to extend creativity, appreciation of the arts and nature, and the sensuous qualities of everyday life, to gain a more intimate understanding of the self and the world. They include poetic, narrative, philosophical, and artistic ways of writing to support a more embodied and holistic aesthetics. Landscapes of Aesthetic Education has significance for educators, scholars, students, and artists, and for all who would like to explore the connections between the arts, aesthetics, and transformation.
How does knowledge of everyday environments foster deeper understanding of both past and present cultural life? Traditional studies in this field have been of rural life. Here, contributors explore aspects of the emergent field of urban cultural landscape studies--with the challenging issues of class, race, ethnicity, and subculture--to demonstrate the value of investigating the many meanings of ordinary settings. 67 illustrations.
The Earth is poised to make a great disclosure. Its a hierophant. But whats a hierophant? A person who reveals the holy light. But it can also be a landscape or a planet. And whats the holy light? It is the structure of reality and consciousness, a map of the heavenly realms, the engineering blueprint of Creation. Some people call this imminent disclosure the Apocalypse and run for cover. But that is mistaken. Apocalypse means the revelation of the divine revelation. It means the end of our picture of the world as we know it. The world itself will be fine, even better than fine. Splendid. Illumined. The Architect of reality lays down His cards, face up, and you see the whole deck. Here is the truth of yourself and the Earth. How will this disclosure work? What we call sacred sites and holy landscapes will start revealing themselves in full to us in all their geomantic and visionary richness. Thats the inner patterning of their design, their arrays of Light temples and subtle palaces primed for our visionary adventures and edification. The Earth needs us to have these adventures and visions because thats how we keep the planet healthy. Hierophantic Landscapes visits five landscapes from Norway and England to California and Mexico, providing firsthand reports on the visions and adventures of a small band of geomancers as they seek to unravel the mysteries of the Earth. Maybe not such a small band, because along the way we encounter angels, landscape devas, Nature Spirits, and otherworldly mentors, and revel in vistas of the ancient past of the Earth when that revelation was as fresh as a sunrise, as it will soon be again.
Iwígara, when translated, means the kinship of plants and people. And that is exactly what Enrique Salmón explores in this important book. Iwígara shares culturally specific information about 80 plants, addressing their historical and modern-day uses as medicine, food, spices, and more. Iwígara includes plants entries derived from many different American Indian tribes and seven geographic regions across the United States. Each plant entry includes the names commonly used by different tribes, a color photograph, a short description, rich details about how the plant is used, and tips on identification and ethical harvest. Traditional stories and myths, along with images of the plants from different forms of Native American arts and crafts, enrich the text.
In the wake of a 1952 revolution, leaders of Bolivia's National Revolutionary Movement (MNR) embarked on a program of internal colonization known as the "March to the East." In an impoverished country dependent on highland mining, the MNR sought to convert the nation's vast "undeveloped" Amazonian frontier into farmland, hoping to achieve food security, territorial integrity, and demographic balance. To do so, they encouraged hundreds of thousands of Indigenous Bolivians to relocate from the "overcrowded" Andes to the tropical lowlands, but also welcomed surprising transnational migrant streams, including horse-and-buggy Mennonites from Mexico and displaced Okinawans from across the Pacific. Ben Nobbs-Thiessen details the multifaceted results of these migrations on the environment of the South American interior. As he reveals, one of the "migrants" with the greatest impact was the soybean, which Bolivia embraced as a profitable cash crop while eschewing earlier goals of food security, creating a new model for extractive export agriculture. Half a century of colonization would transform the small regional capital of Santa Cruz de la Sierra into Bolivia's largest city, and the diverging stories of Andean, Mennonite, and Okinawan migrants complicate our understandings of tradition, modernity, foreignness, and belonging in the heart of a rising agro-industrial empire.
The award-winning American environmental writer Barry Lopez has traveled extensively in remote and populated parts of the world. Lopez’s fiction and nonfiction focus on the relationship between the physical landscape and human culture, posing abiding questions about ethics, intimacy, and place. Other Country presents a full-scale treatment of Lopez’s work. James Perrin Warren examines the relationship between Lopez’s writing and the work of several contemporary artists, composers, and musicians, whose works range from landscape photography, painting, and graphic arts to earth art, ceramics, and avant-garde music. The author demonstrates Lopez’s role in creating this community of artists who have led cultural change, and shows that Lopez’s writing—and his engagement with the natural world—creates an “other country” by redefining boundaries, rediscovering a place, and renewing our perceptions of landscapes. Warren’s critique examines manuscripts and typescripts from the 1960s to the present, interviews with Lopez conducted from 2008 to 2013, and interviews with artists. Part 1 focuses on the relationship between Lopez’s storytelling, which he calls “a conversation with the land,” and Robert Adams’s landscape photography. For both Lopez and Adams, a worthy artistic expression serves the cultural memory of a community, reminding us how to behave properly toward other people and the land. Part 2 looks at the collaborative friendship of Lopez and visual artist Alan Magee, tracking the development of Lopez’s short stories through a consideration of Magee’s career. Part 3 moves farther afield, discussing Lopez’s relationship to Richard Long’s earth art, Richard Rowland’s ceramics, and John Luther Adams’s soundscapes. Other Country reveals the dynamic relationships between Lopez, considered by many the most important environmental writer working in America, and the artistic community, who seek to explore the spiritual and ethical dimensions of an honorable and attentive relationship to the land and thus offer profound implications for the future of the planet.
