Intentions

Intentions

Author: Oscar Wilde

Publisher:

Published: 1905

Total Pages: 300

ISBN-13:

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A collection of four essays by Oscar Wilde.


The Cambridge Companion to Oscar Wilde

The Cambridge Companion to Oscar Wilde

Author: Peter Raby

Publisher: Cambridge University Press

Published: 1997-10-16

Total Pages: 344

ISBN-13: 9780521479875

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The Cambridge Companion to Oscar Wilde offers an essential introduction to one of the theatre's most important and enigmatic writers. Although a general overview, the volume also offers some of the latest thinking on the dramatist and his impact on the twentieth century. Part One places Wilde's work within the cultural and historical context of his time and includes an opening essay by Wilde's grandson, Merlin Holland. Further chapters also examine Wilde and the Victorians and his image as a Dandy. Part Two looks at Wilde's essential work as playwright and general writer, including his poetry, critiques, and fiction, and provides detailed analysis of such key works as Salome and The Importance of Being Earnest among others. The third group of essays examines the themes and factors which shaped Wilde's work and includes Wilde and his view of the Victorian woman, Wilde's sexual identities, and interpreting Wilde on stage. This 1997 volume also contains a detailed chronology of Wilde's work, a guide to further reading, and illustrations from important productions.


The Complete Works of Oscar Wilde

The Complete Works of Oscar Wilde

Author: Josephine M. Guy

Publisher: OUP Oxford

Published: 2007-09-06

Total Pages: 704

ISBN-13: 9780198119616

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Volume IV of the Oxford English Texts Complete Works of Oscar Wilde is the first variorum edition of Wilde's major critical writing; it includes the critical essays which were re-published in book-form in his life-time - that is, those anthologised in Intentions and The Soul of Man - as well as his graduate essay usually known by the title The Rise of Historical Criticism, but which this volume titles Historical Criticism. The Introduction gives a detailed account of the composition of each of the essays: it gives a new explanation for the relationship between the 'The Decay of Lying' and 'Pen, Pencil, and Poison' (arguing that they are best understood as companion pieces); it provides the first concrete demonstration that Wilde did, on occasions, knowingly 'copy' his own work; and it reveals that substantial cuts were made to some of Wilde's essays (without his full consent) by the periodical editors with whom he worked. The edition also provides, for the first time, a full collation of the textual variants between the published versions of Wilde's essays (that is, both book and periodical), and all extant manuscripts; in addition it establishes a new, authoritative text for Historical Criticism, based on an examination of the original manuscript, which differs significantly from that printed by Robert Ross in his 1908 Collected Edition (and subsequently reprinted in the Collins Complete Works). The annotation to the edition reveals the full extent of Wilde's 'borrowings' both from his own work, and from other writers; it also reveals that much of Historical Criticism is in fact paraphrasing or translating well-known classical texts, and that the some of denseness of the argument is due to ellipses in Wilde's text that were disguised by earlier editors.


The Critic as Artist

The Critic as Artist

Author: Oscar Wilde

Publisher: David Zwirner Books

Published: 2019-05-21

Total Pages: 145

ISBN-13: 1644230038

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In The Critic as Artist, arguably the most complete exploration of his aesthetic thinking, and certainly the most entertaining, Oscar Wilde harnesses his famous wit to demolish the supposed boundary between art and criticism. Subtitled Upon the Importance of Doing Nothing and Discussing Everything, the essay takes the form of a leisurely dialogue between two characters: Ernest, who insists upon Wilde’s own belief in art’s freedom from societal mandates and values, and a quizzical Gilbert. With his playwright’s ear for dialogue, Wilde champions idleness and contemplation as prerequisites to artistic cultivation. Beyond the well-known dictum of art for art’s sake, Wilde’s originality lays argument for the equality of criticism and art. For him, criticism is not subject to the work of art, but can in fact precede it: the artist cannot create without engaging his or her critical faculties first. And, as Wilde writes, “To the critic the work of art is simply a suggestion for a new work of his own.” The field of art and criticism should be open to the free play of the mind, but Wilde plays seriously, even prophetically. Writing in 1891, he foresaw that criticism would have an increasingly important role as the need to make sense of what we see increases with the complexities of modern life. It is only the fine perception and explication of beauty, Wilde suggests, that will allow us to create meaning, joy, empathy, and peace out of the chaos of facts and reality.


The Wit and Humor of Oscar Wilde

The Wit and Humor of Oscar Wilde

Author: Oscar Wilde

Publisher: Courier Corporation

Published: 2012-07-12

Total Pages: 271

ISBN-13: 0486122433

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More than 1000 ripostes, paradoxes, and epigrams on sin, society, genius, wealth, men, women, religion, America, education, and smoking: "Work is the curse of the drinking classes," "I can resist everything except temptation," etcetera. Also excerpts from his trial testimony, where the tragedy implicit in Wilde's humor is nowhere more vivid.


The Artist as Critic

The Artist as Critic

Author: Oscar Wilde

Publisher: University of Chicago Press

Published: 1982

Total Pages: 475

ISBN-13: 0226897648

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Reprint. Originally published: New York: Random House, [1969]