Inner Landscapes 2 is a visual feast of thirty three paintings that illustrate aspects of the Myers Briggs Type Indicator (a typology of sixteen distinct personality types). Since the 1940's the MBTI has been recognized and utilized as a practical and comprehensive way to gain self knowledge and insight into working well with others.This full colour visual guide is a fabulous resource for consultants, coaches and individuals interested in stimulating curiosity and authentic conversation that goes beyond the realm of data and statistics. Please spend a moment to look at the preview where you will get a brief taste of how the paintings bring the sixteen types to life and help you choose between the preferences. This first ever visual exploration of MBTI facilitates greater self-knowledge, empathy toward others, and effective teamwork. Sandy McMullen combines her experience as a visual artist with her expertise as a leadership coach and MBTI practitioner to create this innovative new work.
A strong-willed and emotional collection hidden under a well-groomed landscape of words With her debut collection of poems, Encounter in April, May Sarton made an incredible splash in the world of poetry. Her work is impossible to imitate: a mix of stately verse and depth of emotion that lurks beneath every line, creating a tantalizing, magnetically charged distance between reader and poet. With Inner Landscape, Sarton beckons us forth while eluding easy understanding, in a volume that brilliantly walks the line between enticing and satisfying.
The classic autobiography of the famous Indigenous writer and critic Gerald Vizenor The classic memoir by one of the most celebrated Indigenous writers of the modern era, Interior Landscapes offers an unforgettable glimpse of the life and world of Gerald Vizenor. Vizenor writes about his experiences as a tribal mixedblood in the new world of simulations; the themes in his autobiographical stories are lost memories and a "remembrance past the barriers." The chapters open with natural harmonies and the premier union of the Anishinaabe families of the crane and the first white fur traders. The author bares his fosterage, his ambitions, his contentions with institutions and imposed histories; his encounters as a community advocate, journalist for the Minneapolis Tribune, university teacher, critic, and novelist. Vizenor celebrates chance, or "trickster signatures" and communal metaphors in these pages: he was hired to teach social sciences at Lake Forest College, his first experience as a teacher, because the head of the department admired his haiku poems; he toured the armorial emblems at Maxim's de Beijingwhen it opened on October 1, 1983, in the People's Republic of China; he wrote about the suicide of Dane White and the murderer Thomas White Hawk; he rescued his dreams from the skinwalkers at the Clyde Kluckhohn house in Santa Fe, New Mexico; and, as an editorial writer, he followed the American Indian Movement from Custer to Rapid City, from Calico Hall on the Pine Ridge Reservation to Wounded Knee, South Dakota. Teasing, revealing, and irresistible, Interior Landscapes charts the fascinating life of a brilliant Anishinaabe writer. The new edition contains a wealth of new photographs and information on the journey of Gerald Vizenor. Gerald Vizenor, a member of the White Earth Anishinaabeg, is a professor of American Studies at the University of New Mexico. His many books include Fugitive Poses, Manifest Manners, Hiroshima Bugi, and Survivance. He is the editor of the series Native Traces (SUNY) and Native Storiers (Nebraska). "The Chippewa writer Gerald Vizenor is at once a brilliant and evasive trickster figure. . . He is perhaps the supreme ironist among American Indian writers of the twentieth century." -- N. Scott Momaday "Instead of trying to walk the thin, often invisible line between art and politics, history and future, Vizenor dances on both sides, knowing all too well that in our time politics can become myth and vice versa."--San Francisco Review of Books
"This book is for teachers who have good days and bad -- and whose bad days bring the suffering that comes only from something one loves. It is for teachers who refuse to harden their hearts, because they love learners, learning, and the teaching life." - Parker J. Palmer [from the Introduction] Teachers choose their vocation for reasons of the heart, because they care deeply about their students and about their subject. But the demands of teaching cause too many educators to lose heart. Is it possible to take heart in teaching once more so that we can continue to do what good teachers always do -- give heart to our students? In The Courage to Teach, Parker Palmer takes teachers on an inner journey toward reconnecting with their vocation and their students -- and recovering their passion for one of the most difficult and important of human endeavors.
Already acknowledged by Metacritic and the Guinness World Records as the highest-rated series in the history of television, Breaking Bad has elicited an unprecedented amount of criticism. Writers both popular and academic, columnists as well as eager commenters, have addressed every imaginable topic, from the show’s characterization and major scenes, to fine details such as Walt’s knack for picking up habits from those he kills, and the symbolism inherent within the cars that characters own. This book considers another perspective, one relatively unexplored to date. By considering the series from the perspective of its interior spaces, two possibilities emerge. Firstly, the spaces become a tangible record of their characters’ inner lives, one that provides something like an objective correlative or photographic negative of their thought processes and approach to the world. They provide more, and richer ways to trace the course of character, action, and themes throughout the series. Secondly, Breaking Bad’s spaces are not simply acted upon or within: they interact with characters as well. Interpreted through the theories of Judith Butler, Michel de Certeau, and many others, the series’ homes, labs, RVs and elevators take on new significance. The collection plumbs the interior spaces of Breaking Bad from many angles. Ultimately, these diverse perspectives enrich an appreciation for the series and its innovative handling of interiors (both literal and metaphorical). They also suggest new ways of reading the series, ensuring it can continue to be explored by academics, students, and fans well into the future.
Garden of Bliss begins on the French Riviera, where Moffitt, despite her glamorous European lifestyle, feels empty. Realizing that financial success doesn't necessarily equate to happiness, she looks inside herself and decides to make some changes. The message of her journey is simple: bliss is a destination that exists within all of us. Using the metaphor of a secret garden, Moffitt encourages her readers to manifest this space in the physical world and connect with the divine feminine through nature.
"Anam Cara is a rare synthesis of philosophy, poetry, and spirituality. This work will have a powerful and life-transforming experience for those who read it." —Deepak Chopra John O'Donohue, poet, philosopher, and scholar, guides you through the spiritual landscape of the Irish imagination. In Anam Cara, Gaelic for "soul friend," the ancient teachings, stories, and blessings of Celtic wisdom provide such profound insights on the universal themes of friendship, solitude, love, and death as: Light is generous The human heart is never completely born Love as ancient recognition The body is the angel of the soul Solitude is luminous Beauty likes neglected places The passionate heart never ages To be natural is to be holy Silence is the sister of the divine Death as an invitation to freedom
Presents the story of the author's self-discovery, a personal journey from dissatisfaction to joyful wholeness. This book tells how the author couldn't escape the emptiness inside.
Klein’s model of projective and introjective processes and Bion’s theory of the relationship between container and contained have become increasingly significant in much clinical work. in a highly imaginative development of these models of thought, the distinguished clinician gianna williams, one of the leading figures in the field, elucidates the psychodynamics of these processes in the context of impairment of dependent relationships and of eating disorders in both men and women. This is a timely and brilliant account of an area of psychopathology that is rapidly growing in significance.
