Introduction -- The politics of loyalty -- Negotiating freedom -- Responsibility on trial -- Selling scandal : The Mysteries of the Inquisition -- The business of nation building -- Workers of thought -- Criminalizing the printing press -- Conclusion.
The artists featured in Dirty Fingernails, make a concerted effort to do projects that require them to step away from the computer to create one-of-a-kind designs for clients and themselves. They demonstrate that good design doesn’t have to be clean—in fact, the messier the better. From silkscreen prints to collages created from photocopies, to hand-drawn lettering, each designer explains their process and why they’ve chosen to work in their chosen medium. It’s an inspirational collection that will make even the most computer-savvy designer drool.
Turning loose a Midwestern species of magical realism on a small, God-haunted town in Kansas, Kellie Wells charms strangeness and wonder from what might be mistaken for ?ordinary? life. Here is Martin LeFavor, convinced his father has been nabbed by a solicitous band of aliens in desperate need of skin; Charlotte McCorkle, a vexed visionary who believes she has helped her husband escape the flesh; Zero Loomis, plagued by sacrificial angels, the memory of his father, and a shadowy sexual identity; his sister Rachel, an amateur masseuse determined to settle accounts with the past, in particular with her lovingly violent father; Ruby Tuesday, Rachel?s daughter, a budding oracle, the embodiment of possibility and prey to history; and, holding this tilted cosmos together, fifteen-year-old Ivy Engel, who carefully measures the borders of Self, advocates for neighborhood bats, and frets about the health of her friend Duncan, his harrowed body mapped and perhaps ravaged by subcutaneous scars. ø What happens when the spirit exceeds the limits of the skin? More troubling yet, what happens if it doesn?t? These are the questions the inhabitants of What Cheer, Kansas, must finally face as their paths cross and recross in an ever more intriguing?and perhaps liberating?puzzle.
DIVGo behind the scenes in the creation of incredible pieces of design and art with Paper and Ink Workshop. This book discusses silkscreen, letterpress, and woodblock printing, and explains the techniques needed to produce the final prints. You will not only be amazed and inspired, but also able to quickly take the knowledge learned and apply it to your own work and projects. Get empowered with a new set of tools to help you tackle your client’s projects, or find the inspiration to finally start your own business. Either way, you will be forever indebted to this book for providing the spark to move you forward./divDIV/divDIVThe market for hand-made prints has exploded, whether through cutting edge gigposters, folksy stationery, retro letterpress or Etsy crafters. Established design icons, experimental students, innovative artists, and brand new entrepreneurs all find the allure to be undeniable, for both those making the prints, and those purchasing them. Filled with unique characteristics, small signed and numbered editions, quirky printing processes, and the human touch, this has fast become one of the most important segments of both the design and small business worlds. Inside Paper and Ink Workshop you will find immediate tools that you can use to improve your skill set, find inspiration, and learn how to successfully create these items yourself. We’ll take you behind the scenes with many of the world’s leading creatives, as they show you how they brought their prints to life using silk-screening, letterpress, woodblock, and equal parts inspiration and elbow grease./div
Battles for Belonging: Women Journalists, Political Culture, and the Paradoxes of Inclusion in Colombia, 1943-1970 examines women journalists who conceived of their publications as political interventions in mid-twentieth-century Colombia. These journalists committed to shaping justice and opportunity for women in society through writing while battling within the publishing realm to also transform and professionalize the practice of journalism in their own terms. By analyzing the contentious narratives of gender and class these women crafted as well as their conflicting efforts to maintain their stature in the printing and public worlds, it reveals the ongoing negotiations involved within their disputes over inclusion and democracy in a country still finding its way to equality, peace, and stability between the 1940s and 1960s. This book challenges oversimplified portrayals of struggles for power that either glorify or vilify these historical processes by erasing the complexity of the political and social actors involved in them. It stresses the importance of women, but not to the expense of a balanced critique of their historical reality, actions, and endeavors. This is a history of paradoxical political manifestations and a redefinition of power struggles as multidirectional, intersectional, non-monolithic historical processes, from the viewpoint of women.
In the depths of the Great Depression a scrawny, dirt-poor Jewish kid with a seventh-grade education picked up a barbell and got hooked on weight training. Building his muscles gave him confidence and hope for a better life. He pledged to make the great, transforming power of strength training available to everyone and to give bodybuilding all the glory it deserved.The kid, Joe Weider, enlisted his younger brother Ben in his quest, and together the Weider brothers accomplished things much bigger than Joe's boyhood dreams. The little muscle magazine Joe started, working at his family's dining room table, grew into a publishing empire. From a backyard barbell business, Joe and Ben built equipment and food supplement companies each as big as Weider Publishing. And they transformed bodybuilding into a hugely successful sport, organized under one of the largest and best-run athletic federations in the world.The Weider brothers are heroes to bodybuilders and fans all over the world. They're heroes because they're revolutionaries. The Weiders changed the way people think about exercise, health, and what makes a body beautiful. They changed the world and Brothers of Iron tells their fascinating story.
Ink is in their blood. On the heels of a family tragedy, Katie Greene must move halfway across the world. Stuck with her aunt in Shizuoka, Japan, Katie feels lost. Alone. She doesn't know the language, she can barely hold a pair of chopsticks and she can't seem to get the hang of taking her shoes off whenever she enters a building. When Katie meets aloof but gorgeous Tomohiro, the star of the school's kendo team, she is intrigued by him…and a little scared. His tough attitude seems meant to keep her at a distance, and when they're near each other, strange things happen. Pens explode. Ink drips from nowhere. And unless Katie is seeing things, drawings come to life. Somehow Tomo is connected to the kami, powerful ancient beings who once ruled Japan—and as feelings develop between Katie and Tomo, things begin to spiral out of control. The wrong people are starting to ask questions, and if they discover the truth, no one will be safe.
Prilla just can't say no. When Nettle asks her to join in on caterpillar sheering for the second day in a row, Prilla tells a little white lie—she prefers butterflies to caterpillars.
A baby speaks from the womb A father speaks from the grave The phone rings, and it's God on the line! Anything can happen in these extraordinary, proven-powerful sketches-each designed to enhance your ministry 40 surprising Christian drama sketches in a user-friendly format Sketches for 1 actor No-memorization scripts Monologues, Meditations Comedy, Drama "Updated" Scripture readings Fully indexed and cross-referenced for easy access Ideal for your church drama group, Christian concerts, special events, camp program, last-minute requests for drama, start-up drama ministries, youth drama groups, Sunday school class, Bible study, any church program you want to enhance or liven up! "Imaginative. Creative. Compelling"-Ray Schwartz, Creekside Community Church "Our congregation consistently 'connects'"-Zanne Dailey, Genesis Church "These sketches hit dead-center home on the issues"-Kendon S. Victor, Mountain Valley Church