The White Indians of Mexican Cinema

The White Indians of Mexican Cinema

Author: Mónica García Blizzard

Publisher: State University of New York Press

Published: 2022-04-01

Total Pages: 209

ISBN-13: 143848805X

DOWNLOAD EBOOK

The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade—the representation of Whiteness as Indigeneity—during the Golden Age of Mexican cinema, from the 1930s to the 1950s. Adopting a broad decolonial perspective while remaining grounded in the history of local racial categories, Mónica García Blizzard argues that this trope works to reconcile two divergent discourses about race in postrevolutionary Mexico: the government-sponsored celebration of Indigeneity and mestizaje (or the process of interracial and intercultural mixing), on the one hand, and the idealization of Whiteness, on the other. Close readings of twenty films and primary source material illustrate how Mexican cinema has mediated race, especially in relation to gender, in ways that project national specificity, but also reproduce racist tendencies with respect to beauty, desire, and protagonism that survive to this day. This sweeping survey illuminates how Golden Age films produced diverse, even contradictory messages about the place of Indigeneity in the national culture. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Emory University and the Andrew W. Mellon Foundation. Learn more at the TOME website, available at: https://www.openmonographs.org/. It can also be found in the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/7153


White Indian

White Indian

Author: Donald Clayton Porter

Publisher: Domain

Published: 1984-04-01

Total Pages: 416

ISBN-13: 9780553246506

DOWNLOAD EBOOK


Black, White, and Indian

Black, White, and Indian

Author: Claudio Saunt

Publisher: Oxford University Press

Published: 2005-04-21

Total Pages: 313

ISBN-13: 0198039182

DOWNLOAD EBOOK

Deceit, compromise, and betrayal were the painful costs of becoming American for many families. For people of Indian, African, and European descent living in the newly formed United States, the most personal and emotional choices--to honor a friendship or pursue an intimate relationship--were often necessarily guided by the harsh economic realities imposed by the country's racial hierarchy. Few families in American history embody this struggle to survive the pervasive onslaught of racism more than the Graysons. Like many other residents of the eighteenth-century Native American South, where Black-Indian relations bore little social stigma, Katy Grayson and her brother William--both Creek Indians--had children with partners of African descent. As the plantation economy began to spread across their native land soon after the birth of the American republic, however, Katy abandoned her black partner and children to marry a Scottish-Creek man. She herself became a slaveholder, embracing slavery as a public display of her elevated place in America's racial hierarchy. William, by contrast, refused to leave his black wife and their several children and even legally emancipated them. Traveling separate paths, the Graysons survived the invasion of the Creek Nation by U.S. troops in 1813 and again in 1836 and endured the Trail of Tears, only to confront each other on the battlefield during the Civil War. Afterwards, they refused to recognize each other's existence. In 1907, when Creek Indians became U.S. citizens, Oklahoma gave force of law to the family schism by defining some Graysons as white, others as black. Tracking a full five generations of the Grayson family and basing his account in part on unprecedented access to the forty-four volume diary of G. W. Grayson, the one-time principal chief of the Creek Nation, Claudio Saunt tells not only of America's past, but of its present, shedding light on one of the most contentious issues in Indian politics, the role of "blood" in the construction of identity. Overwhelmed by the racial hierarchy in the United States and compelled to adopt the very ideology that oppressed them, the Graysons denied their kin, enslaved their relatives, married their masters, and went to war against each other. Claudio Saunt gives us not only a remarkable saga in its own right but one that illustrates the centrality of race in the American experience.


Not Quite Not White

Not Quite Not White

Author: Sharmila Sen

Publisher: Penguin

Published: 2018-08-28

Total Pages: 225

ISBN-13: 0143131389

DOWNLOAD EBOOK

Winner of the ALA Asian/Pacific American Award for Nonfiction "Captivating... [a] heartfelt account of how newcomers carve a space for themselves in the melting pot of America." --Publishers Weekly A first-generation immigrant's "intimate, passionate look at race in America" (Viet Thanh Nguyen), an American's journey into the heart of not-whiteness. At the age of 12, Sharmila Sen emigrated from India to the U.S. The year was 1982, and everywhere she turned, she was asked to self-report her race - on INS forms, at the doctor's office, in middle school. Never identifying with a race in the India of her childhood, she rejects her new "not quite" designation - not quite white, not quite black, not quite Asian -- and spends much of her life attempting to blend into American whiteness. But after her teen years trying to assimilate--watching shows like General Hospital and The Jeffersons, dancing to Duran Duran and Prince, and perfecting the art of Jell-O no-bake desserts--she is forced to reckon with the hard questions: What does it mean to be white, why does whiteness retain the magic cloak of invisibility while other colors are made hypervisible, and how much does whiteness figure into Americanness? Part memoir, part manifesto, Not Quite Not White is a searing appraisal of race and a path forward for the next not quite not white generation --a witty and sharply honest story of discovering that not-whiteness can be the very thing that makes us American.


An Indian in White America

An Indian in White America

Author: Mark Monroe

Publisher:

Published: 1994

Total Pages: 236

ISBN-13: 9781566392341

DOWNLOAD EBOOK

An autobiography by Mark Monroe a Native American, who discusses the poverty, racism, and alcoholism that linger constantly at the edges of the Native American world, and his struggle out of these traps.


White Man's Club

White Man's Club

Author: Jacqueline Fear-Segal

Publisher: U of Nebraska Press

Published: 2007-01-01

Total Pages: 423

ISBN-13: 0803220243

DOWNLOAD EBOOK

Asking the reader to consider the legacy of nineteenth-century acculturation policies, White Man's Club incorporates the life stories and voices of Native students and traces the schools' powerful impact into the twenty-first century."--BOOK JACKET.


The white Indian boy : The story of Uncle Nick among the Shoshones

The white Indian boy : The story of Uncle Nick among the Shoshones

Author: Elijah Nicholas Wilson

Publisher: Prabhat Prakashan

Published: 2024-05-24

Total Pages: 198

ISBN-13:

DOWNLOAD EBOOK

Step into the world of the Shoshone people with "The White Indian Boy: The Story of Uncle Nick Among the Shoshones" by Elijah Nicholas Wilson. Join us as we journey through the rugged wilderness of the American West and discover the remarkable true story of one man's extraordinary life among Native American tribes. But what if this tale is more than just a recounting of historical events? Delve into the heart of Uncle Nick's experiences and uncover the universal themes of friendship, resilience, and the enduring bonds of kinship. As Uncle Nick navigates the complexities of life on the frontier, you'll witness the profound impact of cultural exchange and mutual understanding between different peoples. From his early encounters with the Shoshones to his later adventures as a trusted member of their community, "The White Indian Boy" offers a glimpse into a world where acceptance and respect transcend cultural boundaries. Are you ready to embark on a journey of discovery and enlightenment? Prepare to be inspired by the courage and compassion of Uncle Nick as he bridges the divide between two worlds and finds his place among the Shoshone people. Immerse yourself in the rich tapestry of Native American culture as you explore the customs, traditions, and spiritual beliefs of the Shoshone tribe. Let Uncle Nick's story serve as a testament to the power of empathy and the transformative potential of cross-cultural exchange. Here's your chance to experience the beauty and complexity of Native American life through the eyes of Uncle Nick. Don't miss out on the opportunity to be transported to a time and place where the bonds of friendship know no bounds. Will you heed the call of the wild? Secure your copy now and prepare to be captivated by the remarkable tale of "The White Indian Boy." It's more than just a book; it's a window into a world of adventure, friendship, and the enduring spirit of humanity. "


Making the White Man's Indian

Making the White Man's Indian

Author: Angela Aleiss

Publisher: Bloomsbury Publishing USA

Published: 2005-05-30

Total Pages: 233

ISBN-13: 0313025754

DOWNLOAD EBOOK

The image in Hollywood movies of savage Indians attacking white settlers represents only one side of a very complicated picture. In fact sympathetic portrayals of Native Americans stood alongside those of hostile Indians in the silent films of D. W. Griffith and Cecil B. DeMille, and flourished during the early 1930s with Hollywood's cycle of pro-Indian adventures. Decades later, the stereotype became even more complicated, as films depicted the savagery of whites (The Searchers) in contrast to the more peaceful Indian (Broken Arrow). By 1990 the release of Dances with Wolves appeared to have recycled the romantic and savage portrayals embedded in early cinema. In this new study, author Angela Aleiss traces the history of Native Americans on the silver screen, and breaks new ground by drawing on primary sources such as studio correspondence, script treatments, trade newspapers, industry censorship files, and filmmakers' interviews to reveal how and why Hollywood created its Indian characters. Behind-the-scenes anecdotes of filmmakers and Native Americans, as well as rare archival photographs, supplement the discussion, which often shows a stark contrast between depiction and reality. The book traces chronologically the development of the Native American's screen image while also examining many forgotten or lost Western films. Each chapter will feature black and white stills from the films discussed.