The K.R. Cama Oriental Institute Catalogue
Author: K.R. Cama Oriental Institute
Publisher:
Published: 1923
Total Pages: 346
ISBN-13:
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Author: K.R. Cama Oriental Institute
Publisher:
Published: 1923
Total Pages: 346
ISBN-13:
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Publisher:
Published: 1928
Total Pages: 560
ISBN-13:
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Publisher: Bombay : K.R. Cama Oriental Institute
Published: 1969
Total Pages: 304
ISBN-13:
DOWNLOAD EBOOKCommemorative volume issued on the occasion of the golden jubilee of the institute founded in the memory of Kharshedji Rustomji Cama, 1831-1909; collection of articles, chiefly on ancient Indian and Iranian culture and literature.
Author: Sir Jivanji Jamshedji Modi
Publisher:
Published: 1928
Total Pages: 276
ISBN-13:
DOWNLOAD EBOOKAuthor: K.R. Cama Oriental Institute. Congress
Publisher:
Published: 1996
Total Pages: 408
ISBN-13:
DOWNLOAD EBOOKPapers presented at the Congress cover Indo-Iranian themes and was held in Bombay, 5-8 Jan. 1995.
Author: Sreeramula Rajeswara Sarma
Publisher: tredition
Published: 2019-03-28
Total Pages: 618
ISBN-13: 3748227833
DOWNLOAD EBOOKThe large masonry instruments designed by Sawai Jai Singh and erected in his five observatories in the early eighteenth century mark the culmination of a long process of development in astronomical instrumentation. But what kind of astronomical instruments were used in India before Jai Singh's time? Sanskrit texts on astronomy describe the construction and use of several types of instruments. Are any of these extant in museums? Such questions led me to an exploration of nearly a hundred museums and private collections in India, Europe and USA for about a quarter century. The present catalogue is the outcome of this exploration. This catalogue describes each instrument in the context of the related extant specimens, while laying special emphasis on the interplay between Sanskrit and Islamic traditions of instrumentation. Therefore, each instrument type is organized in a separate section identified by the letters of the alphabet. These sections begin with introductory essays on the history of the instrument type and its varieties, followed by a full technical description of every specimen, with art historical notes. Moreover, all engraved data are reproduced and interpreted as far as possible. In some 4300 pages, it contains 600 entries, with introductory essays and long extracts from two important Sanskrit texts, namely Mahendra Sūri's Yantrarāja and Padmanābha's Dhruvabhramādhikāra, along with English translations. Following a suggestion that a shorter version of the Catalogue, consisting of all the introductory essays and appendices, but excluding the catalogue proper, would be easier for the general reader to handle, this Abridged Version has been prepared. The pagination here remains the same as in the Catalogue. Those who wish to read about individual instruments can always consult the Catalogue.
Author: K.R. Cama Oriental Institute
Publisher:
Published: 1991
Total Pages: 244
ISBN-13:
DOWNLOAD EBOOKIncludes articles on Zoroastrianism.
Author: Wolfgang Behn
Publisher: BRILL
Published: 2004-09-01
Total Pages: 719
ISBN-13: 9047413903
DOWNLOAD EBOOKThis first of the ultimately three-volume Who’s Who in Islamic Studies presents the scholarly world at long last with its own biographical encyclopaedia. Taking as a starting point the inventory of authors from the renowned Index Islamicus, the author, Wolfgang Behn (Berlin), has systematically collected numerous data on the lives and works of the tens of thousands of authors listed in the Index Islamicus from 1665 to 1980. This Biographical Companion will be an indispensable reference tool for the serious student and scholar of Islamic Studies. It enables the user to quickly gain knowledge on the life, work, and professional background of almost every major and minor author, and thus to place each author in his/her proper perspective. A tremendous achievement and a true must for every library.
Author: Talinn Grigor
Publisher: Penn State Press
Published: 2021-07-15
Total Pages: 277
ISBN-13: 0271089709
DOWNLOAD EBOOKOne of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran. The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist architectural style from the Afsharid and Zand successors to the Safavid throne and the rise of the Parsi industrialists as cosmopolitan subjects of British India. Drawing on a wide range of Persian revival narratives bound to architectural history, Grigor foregrounds the complexities and magnitude of artistic appropriations of Western art history in order to grapple with colonial ambivalence and imperial aspirations. She argues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste. An important reconsideration of the Persian Revival, this book will be of vital interest to art and architectural historians and intellectual historians, particularly those working in the areas of international modernism, Iranian studies, and historiography.
Author:
Publisher: BRILL
Published: 2021-02-01
Total Pages: 332
ISBN-13: 9004460705
DOWNLOAD EBOOKThis Festschrift is a collection of articles dedicated to one of the most distinguished scholars of Iranian Studies and a most prolific teacher of Zoroastrian and Kurdish literatures and religions, Philip G. Kreyenbroek.